Westminster School of Arts

David Bate 2003. The Oriental signifier. in: Photography and surrealism: sexuality, colonialism and social dissent Routledge.

David Bate 2003. What is a surrealist photograph? in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

Stewart, K. 2003. Kerry Stewart. Salamanca, Spain Consorcio Salamanca.

York, A. 2003. Keyboard techniques. in: Moore, A.F. (ed.) The Cambridge Companion to Blues and Gospel Music Cambridge Cambridge University Press. pp. 130-140

Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145

Rawlings, J. 2003. The ocean between. Dock Museum, Barrow-in-Furness, UK Feb - Apr 2003

Rawlings, J. 2003. Gone into the workhouse. Medieval Church, Old Romney, UK 20 Sep - 12 Oct 2003

Orlow, U. 2003. A dance of death and life performed by cinema and TV.

Orlow, U. 2003. Threshold of language - threshold of light (Hebrew). in: Borders of sanctity: in art, society and Jewish thought (Hebrew) Jerusalem Keter.

Lehaney, B., Clarke, S., Coakes, E. and Jack, G. 2003. Beyond knowledge management. Hershey, USA Idea Group Publishing.

Campany, D. 2003. Safety in numbness: some remarks on problems of 'late photography'. in: Green, D. (ed.) Where is the photograph? Maidstone, Kent Photoworks. pp. 88-94

Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37

Bate, D. 2003. Fotografie und der koloniale blick [Photography and colonial vision]. in: Wolf, H. (ed.) Diskurse der fotografie Munich, Germany Suhrkamp Verlag KG. pp. 115-132

Bate, D. 2003. Art, education, photography. in: Wells, L. (ed.) The photography reader London, UK Routledge. pp. 435-442

Atherton, P. and Farqhuar, M. 2003. Hair the Show.

Campany, D. (ed.) 2003. Art and photography. London Phaidon.

Campany, D. (ed.) 2003. Art and photography. London, UK Phaidon Press.

Bate, D. 2003. Photography and surrealism: sexuality, colonialism and social dissent. London, UK I.B. Tauris.

Wyver, J. 2002. theEYE.

Thompson, Shirley 2002. New nation rising: a 21st century symphony. London Philharmonic Orchestra.

Peters, T. and West, J. (ed.) 2002. The Uncanny Room. Luminous Books.

Goddard, M. 2002. Hypothesis of the Stolen Aesthetics. Contretemps: An Online Journal of Philosophy. 3, pp. 75-84.

Norfolk, L. and White, N. 2002. Ott’s Sneeze. London Bookworks.

Orlow, U. 2002. Deposits: a body of work comprising 1942 (Poznan), Housed memory, the Weiner library, Inside the archive.

Orlow, U. 2002. Chris Marker: the archival power of the image. in: Comay, R. and Knechtel, J. (ed.) Alphabet city #8: lost in the archives Toronto, Canada Alphabet City Media Inc.. pp. 436-451

Jenkin, R.B., Jacobson, R.E., Axford, N.R. and Allen, E. 2002. Effect of gamma correction in discrete imaging systems upon determination of MTF. in: Final program and proceedings of IS&T's PICS conference: image processing, image quality, image capture systems conference: In digital image capture and associated system, reproduction and image quality technologies Society for Imaging Science and Technology. pp. 142-147

Peters, T. 2001. Points of Departure. Ceramic Review. 190, pp. 18-21.

David Bate 2001. Notes on Beauty and Landscape 1. in: Fehily, Catherine, Newton, Kate and Wells, Liz (ed.) Shifting Horizons Routledge.

Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64

Wyver, J. and Grant, S. 2001. Macbeth.

Orlow, Uriel 2000. Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000).

Peters, T. 2000. Momentum - Eine Rezension. Keramik Magazin.

Goddard, M. 2000. The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm. in: Walker, R., Brass, K. and Byron, J. (ed.) Anatomies of Violence: an interdisciplinary investigation Sydney RIHSS, Sydney University. pp. 62-73

Peters, T. 1999. Raum und Materie: Die Plastiken von Martin Smith. Keramik Magazin. pp. 30-34.

Moore, D. 1999. Seen and Magnified : Five Medway Towns . United Kingdom Medway Publications.

Peters, T. 1998. Atlantic Crossings. Keramik Magazin. pp. 30-34.

Thomas, R. 1995. Melodrama and the negotiation of morality in mainstream Hindi film. in: Breckenridge, C. (ed.) Consuming modernity: public culture in a South Asian world University of Minnesota Press. pp. 157-182

Moore, D. 1994. The Velvet Arena. LONDON Velvet Press.

David Bate 1993. Photography and the colonial vision. Third Text. 7 (22), pp. 81-91. https://doi.org/10.1080/09528829308576403