Westminster School of Media and Communication

Gross, Sally-Anne 2024. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.” . PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w883x

Fuchs, Christian 2018. "Dear Mr. Neo-Nazi, Can You Please Give Me Your Informed Consent So That I Can Quote Your Fascist Tweet?": Questions of Social Media Research Ethics in Online Ideology Critique. in: Meikle, G. (ed.) The Routledge Companion to Media and Activism Abingdon Routledge. pp. 385-394

Angeli, S. 2017. "Lars von Trier’s Women, edited by Rex Butler and David Denny.”. Alphaville: Journal of Film and Screen Media. 13, pp. 162-167. https://doi.org/10.33178/alpha.13.10

Schneider, N. 2019. "Truly, Much Can Be Done!": Cooperative Economics from the Book of Acts to Pope Francis. in: Pasquale, F. (ed.) Care for the World: Laudato Si' and Catholic Social Thought in an Era of Climate Crisis Cambridge University Press. pp. 145-166

Esteves, V. and Meikle, G. 2015. '"Look @ this fukken doge": Internet Memes and Remix Cultures'. in: Atton, C. (ed.) The Routledge Companion to Alternative and Community Media Abingdon and New York Routledge. pp. 561-70

Barnett, S. and Townend, Judith 2014. 'And what good came of it at last?' Press–politician relations post-Leveson. The Political Quarterly. 85 (2), p. 159–169. https://doi.org/10.1111/1467-923X.12088

Lodhi, A. 2018. 'Countries in the Air': Travel and Geomodernism in Louis MacNeice's BBC Features. Media History. 24 (2), pp. 226-238. https://doi.org/10.1080/13688804.2018.1471349

McNicholas, A. 2005. 'EastEnders' and the manufacture of celebrity. Westminster Papers in Communication and Culture. 2 (2), pp. 22-36.

Meikle, G. 2004. 'Networks of Influence: Internet Activism in Australia and Beyond'. in: Goggin, G. (ed.) Virtual Nation: The Internet in Australia University of New South Wales Press. pp. 73-87

Mano, W. 2009. 'Thank God it is Friday': responses to music scheduling on Radio Zimbabwe. Muziki: journal of music research in Africa. 6 (2), pp. 192-220. https://doi.org/10.1080/18125980903250764

Lodhi, A. and Wincott, A. 2024. (Eds) RadioDoc Review Special Issue: Audio Storytelling and the Global South. RadioDoc Review. 9 (1).

Mansour, N. and Sabry, T. 2017. (Mis)trust, Access and the Poetics of Self-Reflexivity: Arab Diasporic Children in London and Media Consumption. in: Sakr, N. and Steemers, J. (ed.) Children’s TV and Digital Media in the Arab World Childhood, Screen Culture and Education London and New York I.B. Tauris.

Xin, X. 2022. (Re-)Popularizing Party Journalism in China: A Qualitative Study of Xinhua News Agency's Online Media Content. in: Zhang, S.I. (ed.) Digital Journalism in China London Routledge. pp. 36-47

Stehlikova, T. Forthcoming. 4 Generations of Women.

Stehlikova, T. Forthcoming. 4 Generations of Women.

Hogg, C. 2018. A Career in Popular Factual TV: An Interview with Tom Edwards (Parts 1 and 2), CST Online.

Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670

Barrow, C. 2023. A comparative study of how political journalists in four European countries reported on the coronavirus pandemic . PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w627z

Lewis, Rebecca 2024. A Conscious Creation? Political Economy, Globalisation and Cultural Representation in Terrestrial South Korean Miniseries 2002-2017. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w8854

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Xin, X. 2006. A developing market in news: Xinhua News Agency and Chinese newspapers. Media, Culture & Society. 28 (1), pp. 45-66. https://doi.org/10.1177/0163443706059285

Seaton, J. 2008. A diversity of understanding: the increasing importance of major public service broadcasting institutions. in: Gardam, T. and Levy, D. (ed.) The price of plurality: choice, diversity and broadcasting institutions in the digital age New York, USA Reuters. pp. 120-125

Barnett, S. 2010. A familiar assault on the BBC: a response to David Graham's report for the Adam Smith Institute. openDemocracy.

Koksal, O. and Rappas-Celik, I.A. 2019. A Hand that Holds a Machete: Race and the Representation of the Displaced in Jacques Audiard’s Dheepan. Third Text. 33 (2), pp. 256-267. https://doi.org/10.1080/09528822.2019.1590067

Andrea Medrado and Isabella Rega 2023. A Journey to the South: Asking Questions and Learning Concepts along the Way. in: Andrea Medrado and Isabella Rega (ed.) Media Activism, Artivism and the Fight Against Marginalisation in the Global South: South-to-South Communication Routledge.

Barnett, S. 2002. A licence for future media power. British Journalism Review. 13 (2), pp. 41-45. https://doi.org/10.1177/095647480201300207

Medrado, A. 2020. A mediação de vídeos pelo YouTube: política conectiva na comunicação de um partido e de dois movimentos sociais. Revista Eptic. 22 (1), pp. 197-216.

Angeli, S. 2021. A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste. Film-Philosophy. 25 (1), pp. 1-17. https://doi.org/10.3366/film.2021.0154

Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Andrea Medrado and Isabella Rega 2023. A Portrait of Marielle: Animation, Artivism and Intersectional Feminism in a Journey from Fear to Hope. in: Andrea Medrado and Isabella Rega (ed.) Media Activism, Artivism and the Fight Against Marginalisation in the Global South: South-to-South Communication Routledge.

Chentiba, A.T., Amadu, M. F. and Mumuni, E. 2021. A Quantitative Examination of the Phenomenon of Soli and Public Relations Practice in Ghana. Journal of Development and Communication Studies. 8 (1), pp. 74-98. https://doi.org/0.4314/jdcs.v8i1.4

Xin, X. 2006. A quarter century of creative chaos: Xinhua News Agency 1980-2005. PhD thesis University of Westminster School of Media, Arts and Design

Aouragh, M. 2020. A Reverse-Engineered Insurrection. American Ethnologist website. 25 August 2020.

Dwyer, P. 2019. A theory of media production. in: Dwyer, P. (ed.) London Routledge.

Marsh, V. 2018. A Trojan dragon? CCTV news in English and the battle for global influence: 2014-16. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q5y19

Schneider, N. 2019. A Wantless, Workless World: How the Origins of the University Can Inform Its Future. in: Peters, M.A., Jandrić, P. and Means, A.J. (ed.) Education and Technological Unemployment Springer. pp. 229–244

Hogg, C. 2021. About Time: Addressing Intersectionality in the Casting and Performance of Chris Chibnall/Jodie Whittaker Era Doctor Who. in: Cherry, B., Hills, M. and O’Day, A. (ed.) Doctor Who: New Dawn - Essays on the Jodie Whittaker Era Manchester University Press.

Michalis, M. 1999. Access issues: operational support systems and regulation. Telecommunications Policy. 23 (6), pp. 481-493. https://doi.org/10.1016/S0308-5961(99)00031-2

Anyarayor, B.K., Alhassan, A. and Amadu, M. 2019. Access to Improved Sanitation Facilities and Female School Attendance: A study of Savelugu Municipality of Ghana. Journal of Arts and Humanities. 8 (1), pp. 56-67. https://doi.org/10.18533/journal.v8i1.1563

Cantrell, T. and Hogg, C. 2017. Acting in British Television. Palgrave Macmillan.