Mr Hussein Boon

Mr Hussein Boon


2026

The Spy in the Cab: The Impact of Universal Music Group’s AI Agents and The Future of Creative Music Production
Boon, H. 2026. The Spy in the Cab: The Impact of Universal Music Group’s AI Agents and The Future of Creative Music Production . Critical Legal Conference 2026. University of Westminster, London 09 - 11 Sep 2026

2024

Electronic Music Production: Kate Bush Running up that Hill
Boon, H. 2024. Electronic Music Production: Kate Bush Running up that Hill. Change and Continuity: Traditions, Tensions and Transformations in Music Production - SMPR Conference 2024. Leeds Beckett University, Leeds School of Arts 12 - 14 Sep 2024

2024

Solving What Problem: AI’s Reconfiguring Music Production Practices
Boon, H. 2024. Solving What Problem: AI’s Reconfiguring Music Production Practices. Critical & Creative Digital Dynamics: A Symposium on AI & Digital Innovations for Inter-art Chamber Music Practices. Senate House, Malet Street, London WC1E 7HU 24 Jun 2024

2023

Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies
Boon, H. 2023. Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies . Westminster Annual learning and Teaching Symposium 2023. Marylebone 04 Sep 2023

2023

Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy
Boon, H. 2023. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy. Innovation In Music Conference 2023. Edinburgh Napier University 30 Jun - 02 Jul 2023

2022

Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022

2022

Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

2022

Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

2022

Music Income, Self Authoring and the Digitally Mediated Career
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

2022

Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship.
Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022

2020

The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It?
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

2019

Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications
Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

2019

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

2025

Not From Round Here – Racial Framing and the Paradox of Choice
Boon, H. 2025. Not From Round Here – Racial Framing and the Paradox of Choice. National Identities . Advanced online publication. https://doi.org/10.1080/14608944.2025.2497405

2025

Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU
Boon, H., Christodoulou, C., Toppin, J. and Riley, M. 2025. Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU. Organised Sound. 30 (1), pp. 6-14. https://doi.org/10.1017/S1355771825000032

2023

Suzanne Ciani – The Diva of the Diode
Boon, H. 2023. Suzanne Ciani – The Diva of the Diode. Technoetic Arts: A Journal of Speculative Research. Volume 21 (Issue 2, Women in Art and Science), pp. 193-209. https://doi.org/10.1386/tear_00116_1

2023

Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production
Boon, H. 2023. Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production. Journal of Popular Music Education. 7 (3), pp. 285-302. https://doi.org/10.1386/jpme_00126_1

2023

Live Coding and Music Production as Hybrid Practice
Boon, H. 2023. Live Coding and Music Production as Hybrid Practice. Organised Sound. 28 (2), pp. 253-263. https://doi.org/10.1017/S1355771823000419

2023

Writing Popular Music Fiction
Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice. 13 (1), pp. 37-51. https://doi.org/10.1386/fict_00072_1

2022

In The Future
Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

2021

They Wear The Mantle, But Not The Crown – Disidentity, Difference and Denial
Boon, H. 2021. They Wear The Mantle, But Not The Crown – Disidentity, Difference and Denial. RIFFS Journal. 5 (1), pp. 20-27.

2021

Using DAWs as modelling tools for learning design sound-based applications in education
Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1

2026

Music and AI Problematics: Interface Design and the Current Lack of Musical Correlates
Boon, H. 2026. Music and AI Problematics: Interface Design and the Current Lack of Musical Correlates. 9th Annual School of Computer Science & Engineering Student–Staff Research Conference. University of Westminster 25 Feb 2026

2024

The Old, The New, And The Dangerous
Boon, H. 2024. The Old, The New, And The Dangerous. Commercial Electronic Musical Instruments in 21st Century Music Practice. University of West London 09 - 10 Sep 2024

2024

Single Tonality Chord Songwriting
Boon, H. 2024. Single Tonality Chord Songwriting. Innovation in Music Conference 2024. Kristiania University College, Oslo 21 - 23 Jun 2024

2023

The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice
Boon, H. 2023. The Implications of Loraine James’s Production Approach as Real-time Production Performance Practice. Practice Research in 21st Century Music. University of West London 20 May 2023

2026

The Ethics Of AI Speech Synthesis
Boon, H. 2026. The Ethics Of AI Speech Synthesis . The Last Show with David Cooper.

2025

The Hidden Risk of Royalty Free Sample Libraries
Boon, H. 2025. The Hidden Risk of Royalty Free Sample Libraries.

2025

When AI recreates the female voice, it also rewrites who gets heard
Boon, H. 2025. When AI recreates the female voice, it also rewrites who gets heard. The Conversation. https://doi.org/10.64628/AB.ej7a4cptq

2025

The ten best albums of 2025 – according to music experts
Boon, H. 2025. The ten best albums of 2025 – according to music experts. The Conversation. https://doi.org/10.64628/AB.a6y3p934q

2025

AI, Dark Creativity and Popular Music
Boon, H. 2025. AI, Dark Creativity and Popular Music.

2025

Why AI Needs Musical Humans More Than You Think
Boon, H. 2025. Why AI Needs Musical Humans More Than You Think.

2025

Rude Songs and Artificial Intelligence
Boon, H. 2025. Rude Songs and Artificial Intelligence.

2025

As Spotify moves to video, the environmental footprint of music streaming hits the high notes
Boon, H. 2025. As Spotify moves to video, the environmental footprint of music streaming hits the high notes. The Conversation.

2025

We have always used music to express our love – we can now use AI too
Boon, H. 2025. We have always used music to express our love – we can now use AI too. The Conversation.

2021

The Condition of My Existence
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

2020

The Condition of My Existence
Boon, H. 2020. The Condition of My Existence.

2025

The Conferralist Framework: Method and Application in Popular Music Studies
Boon, H. 2025. The Conferralist Framework: Method and Application in Popular Music Studies. in: Mike Dines, Shara Rambarran and Gareth Dylan Smith (ed.) The Intellect Handbook of Popular Music Methodologies Bristol Intellect Books.

2025

The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural
Boon, H. 2025. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.

2025

Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production
Boon, H. 2025. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

2024

Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship
Boon, H. 2024. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. in: Gullo, J.O., Hepworth-Sawyer, R., Paterson, J., Toulson, R., Hook, D. and Marrington, M. (ed.) Innovation in Music: Cultures and Contexts Focal Press.

2024

An introduction to neo-Riemannian operations and their application in music production
Boon, H. 2024. An introduction to neo-Riemannian operations and their application in music production. in: Chapkanov, B. (ed.) Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world Delaware, United States Vernon Press. pp. 301-320

2022

Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education
Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

2021

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.

2021

Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System
Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press. pp. 162-173

Artists, Creator Tools and the Dichotomy of AI as Assistant and as Competitor
Boon, H. Forthcoming. Artists, Creator Tools and the Dichotomy of AI as Assistant and as Competitor. in: Chris Anderton and Sergio Pisfil (ed.) The Intellect Handbook of Global Music Industries Bristol Intellect Books.

2024

The Old, The New, And The Dangerous - [PRESENTATION] - 2024
Boon, H. 2024. The Old, The New, And The Dangerous - [PRESENTATION] - 2024. London

2024

AI Music Arts and Creativity - [PRESENTATION] - 2024
Boon, H. 2024. AI Music Arts and Creativity - [PRESENTATION] - 2024.

2022

Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London

2022

Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

2022

Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

2022

Music Income, Self Authoring and the Digitally Mediated Career - Video
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

2021

Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments
Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

2021

Music Creator's Earnings In The Digital Era - A Discussion Of The Findings
Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

2021

The Space Between The Stars
Boon, H. 2021. The Space Between The Stars.

2020

Symbolic Violence (Critical Theory)
Boon, H. 2020. Symbolic Violence (Critical Theory). London

2020

Modular Synth as Lab - Complexity and the Single Oscillator
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

2020

Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

2023

Artificial Intelligence and Music Ecosystem
Boon, H. 2023. Artificial Intelligence and Music Ecosystem. Pulse: the Journal of Science and Culture. 10, pp. 1-4. https://doi.org/10.5281/zenodo.12600925

2023

Alien power chords
Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030

2023

In The Future
Boon, H. 2023. In The Future.

2020

Improvisation Demonstration Number 1
Boon, H. 2020. Improvisation Demonstration Number 1.

2022

Sound Based Music Design Demonstration
Boon, H. 2022. Sound Based Music Design Demonstration. London

2021

The Space Between The Stars - Parts 1, 2 and 3
Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

2020

Music for a Non-Comported Reality Project
Boon, H. 2020. Music for a Non-Comported Reality Project. London

2020

Not From Round Here
Boon, H. 2020. Not From Round Here. London

2020

Skyline Melody - Modular Synthesiser Proof of Concept
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

2020

Sonic Recursion - Sound Based Music
Boon, H. 2020. Sonic Recursion - Sound Based Music. London

2017

Creativity, Collaboration and Workflow in Ableton
Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021


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