Media, Arts and Design

Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Michalis, M. 2021. Why should we care about media policy? Critical directions in media policy research. in: McDonald, P. (ed.) The Routledge Companion to Media Industries London and New York Routledge. pp. 66-75

Specht, D. 2021. The Technopolitics of Mapping Dar es Salaam: An examination of the technological and political motivations of the Humanitarian OpenStreetMap Team / La tecnopolítica de la cartografía de Dar es Salaam: Un examen de las motivaciones tecnológicas y políticas del equipo humanitario OpenStreetMap. Espacio, Tiempo y Forma. Serie VI, Geografía. 14, pp. 193-216. https://doi.org/10.5944/etfvi.14.2021.30644

Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15

Fuchs, Christian 2021. Foundations of Communication/Media/Digital (In)justice. Journal of Media Ethics. 36 (4), pp. 186-201. https://doi.org/10.1080/23736992.2021.1964968

Medrado, A. and Rega, I. 2021. Modelo de Escalas da Visibilidade: Mapeando Percursos de Visibilidade e suas Consequências para Midiativistas do Sul Global. Revista Comunicação Mídia e Consumo (CMC). 18 (52), pp. 220-251. https://doi.org/10.18568/CMC.V18I52.2490

Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Denisova, A. 2021. ‘Viral journalism’, is it a thing? Adapting quality reporting to shifting social media algorithms and wavering audiences. in: Morrison, J., Birks, J. and Berry, M. (ed.) The Routledge Companion to Political Journalism Oxford Routledge. pp. 271-278

Specht, D., Chatterton, P., Hartley, P. and Saunders, G. 2021. Developing Belief in Online Teaching: Efficacy and Digital Transformation. Journal of Perspectives in Applied Academic Practice. 9 (2), pp. 68-76. https://doi.org/10.14297/jpaap.v9i2.486

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

Denisova, A. 2021. Fashion Media and Sustainability. London, UK University of Westminster Press.

Groves, Andrew and Sprecher, D. 2021. Undercover.

Fuchs, Christian 2021. Social Media: A Critical Introduction. London Sage.

Fuchs, Christian 2021. The Digital Commons and the Digital Public Sphere: How to Advance Digital Democracy Today. Westminster Papers in Communication and Culture. 16 (1), pp. 9-26. https://doi.org/10.16997/wpcc.917

Milton, V. and Mano, W. 2021. Afrokology as a transdisciplinary approach to media and communication studies. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of African Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.256-275

Mano, W. and Milton, V. 2021. Afrokology of media and communication studies: theorising from the margins. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.19-42

Harper, E.T. and Specht, D. (ed.) 2021. Imagining Apocalyptic Politics in the Anthropocene. Routledge.

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

Sakr, N. and Steemers, J. 2021. Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe . Critical Studies in Television. 16 (2), pp. 181-195. https://doi.org/10.1177/17496020211004102

Fuchs, Christian 2021. How Did Donald Trump Incite a Coup Attempt? tripleC: Communication, Capitalism & Critique . 19 (1), pp. 246-251. https://doi.org/10.31269/triplec.v19i1.1239

Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

Fuchs, Christian 2021. Cornel West and Marxist Humanism. Critical Sociology. 47 (7-8), pp. 1219-1243. https://doi.org/10.1177/0896920520988314

Milton, V. and Mano, W. 2021. South Africa: Beyond democratic deficit in public service broadcasting. in: Thussu, D.K. and Nordenstreng, K. (ed.) BRICS Media Reshaping the Global Communication Order? Book Routledge.

Ride, P. 2021. Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange . Tate Papers. 34.

Fuchs, Christian 2021. Friedrich Engels and Digital Capitalism. How Relevant Are Engels’s Works 200 Years After His Birth? Triple C: Communication, Capitalism & Critique. 19 (1), pp. 15-51. https://doi.org/10.31269/triplec.v19i1.1228

Fuchs, Christian 2021. Friedrich Engels in the Age of Digital Capitalism. Introduction. Triple C: Communication, Capitalism & Critique. 19 (1), pp. 1-14. https://doi.org/10.31269/triplec.v19i1.1229

Fuchs, Christian (ed.) 2021. Engels@200: Friedrich Engels in the Age of Digital Capitalism. TripleC.

Musgrave, G. and Athanassiou, D 2021. Building a Heavy Metal World: Cultural Entrepreneurship in the Polish People’s Republic. Artivate: A Journal of Entrepreneurship in the Arts. 10 (1), pp. 1-19. https://doi.org/10.34053/artivate.10.1.111

D'Arma, A., Raats, T. and Steemers, J. 2021. Public service media in the age of SVoDs: A comparative study of PSM strategic responses in Flanders, Italy and the UK. Media, Culture & Society. 43 (4), pp. 682-700. https://doi.org/10.1177/0163443720972909

Chaparro, Gerardo and Musgrave, George 2021. Moral Music Management: Ethical Decision-Making After Avicii. International Journal of Music Business Research. 10 (1), pp. 3-16. https://doi.org/10.2478/ijmbr-2021-0001

Sakr, N. 2021. Divergent Trajectories of Creativity and Coercion - An Introduction to the Media and Popular Culture Section. in: The Routledge Handbook of Contemporary Egypt Abdingdon Routledge. pp. 389-400

Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. 54 (Summer 1), pp. 84-103.

Kavada, Anastasia and Poell, Thomas 2021. From Counterpublics to Contentious Publicness: Tracing the Temporal, Spatial, and Material Articulations of Popular Protest Through Social Media. Communication Theory. 31 (2), pp. 190-208. https://doi.org/10.1093/ct/qtaa025

Fuchs, Christian 2021. History and Class Consciousness 2.0: Georg Lukács in the age of digital capitalism and big data. Information, Communication & Society. 24 (15), pp. 2258-2276. https://doi.org/10.1080/1369118X.2020.1759670

Sabry, T. 2021. Ethnography as thrownness and the face of the sufferer. European Journal of Cultural Studies. 24 (4), pp. 816-831. https://doi.org/10.1177/1367549421994577

Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.

Sakr, N. and Steemers, J. 2021. Children's television in an era of digital distribution: European and Arab responses. in: Digital Media Distribution: Portals, Platforms, Pipelines New York New York University Press. pp. 222-241

Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.

Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.