Westminster School of Arts

Thompson, Shirley 2016. Diversity in Classical Music Composition. Diversity in Classical Music. 19 Oct 2016 - 19 Aug 2017

Thompson, Shirley 2016. The Franklin Effect - CD.

Thompson, Shirley 2016. Life Sequences: Machinery of Replication and Random Sequences. STM Productions.

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Orlow, U. 2016. Geraniums Are Never Red.

Orlow, U. 2016. The Fairest Heritage.

Orlow, U. 2016. The Memory of Trees.

Orlow, U. 2016. What Plants Were Called Before They Had A Name.

Orlow, U. 2016. The Crown against Mafavuke.

Orlow, U. 2016. Theatrum Botanicum. London

Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Campany, D. 2016. A Question of Finish: thoughts on the work of Jeff Cowen. in: Jeff Cowen: Photoworks Cologne, Germany Konig.

Campany, D. 2016. The Given Image. in: Trosch, J. and Bosshard, M. (ed.) John Stezaker: Unassisted Readymade Zurich, Switzerland JRP/Ringier.

Campany, D. 2016. Doomed to See. in: Blank Cologne, Germany Hatje Cantz.

Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.

Neville, M. Campany, D. (ed.) 2016. Mark Neville: Fancy Pictures. Gottingen, Germany Steidl Verlag.

Campany, D. 2016. Walker Evans: Anonymous and Ingognito. in: Zander, T. (ed.) Walker Evans: Labor Anonymous Cologne, Germany Konig.

Campany, D. 2016. Light and Dark Chambers. in: Intimate Distance New York Aperture Foundation, Inc..

Campany, D. and Braden, P. 2016. Adventures in the Lea Valley. London Hoxton Mini Press.

Campany, D. 2016. Walker Evans. New York, New York, USA Aperture Foundation, Inc..

Ross, J. 2016. Game Play: Artists playing video games. Art Cinema OFFoff 14 - 14 Nov 2016

Ross, J. 2016. Cosmos - Takashi Makino. London Gallery West 22 Jan - 21 Feb 2016

Ross, J. 2016. Fluorescent Chrysanthemum. ICA, London 04 Oct - 27 Nov 2016

Ross, J. 2016. STILL MOVING – Een expositie van diafilms. Art Cinema OFFoff, Ghent, as part of Film Fest Gent 11 - 21 Oct 2016

Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema in the Time of Pop. Tate Modern 22 - 24 Jan 2016

Ross, J. 2016. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals. in: De Luca, T. and Jorge, N. Barradas (ed.) Slow Cinema Edinburgh, Scotland Edinburgh University Press. pp. 261-272

Ross, J. 2016. Pafōmansu to shite no ekusupande'do cinema. in: American Avant-Garde Movies Japan Shinwasha. pp. 161-181

Ross, J. 2016. Curating Problems for Expanded Cinema. in: Ferreboeuf, R., Noble, F. and Plunkett, T. (ed.) Preservation, Radicalism and the Avant-Garde Canon Palgrave Macmillan. pp. 35-49

White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016

White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016

White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.