College | Design, Creative and Digital Industries |
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Head | Ms Virginia Grose |
Tabrizian, M. 2011. Untitled 2009. National Gallery of Modern Art, Queensland, Australia 18 Dec 2010 - 26 Apr 2011
Shinkle, E. 2011. Playing for the camera: Huizinga's Homo Ludens: technology, and the playful body in fashion photography. in: Sigurjónsdóttir, Æ., Turney, J. and Langkjær, M.A. (ed.) Images in time: flashing forward, backward, in front and behind photography in fashion, advertising and the press Bath Wunderkammer Press. pp. 165-182
Perrier, E. 2011. Schillermarkt studio. Schirn Art Gallery, Frankfurt, Germany 11 - 25 Aug 2011
Grose, V. 2011. Basic fashion management 01: fashion merchandising. Worthing AVA Publishing.
Christodoulou, C. 2011. Rumble in the jungle: city, place, and uncanny bass. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 44-63.
Campany, D. 2011. Jeff Wall: picture for women. London Afterall Books.
Stewart, K. 2010. Mull of Kintyre Performance . Tate Britain 12 Jul 2010
Campany, D. 2010. The scene of photography and the future of its illusion. Photoworks. 14, pp. 4-11.
Campany, D. 2010. Drink the wine, discard the bottle, drink something else. Philosophy of Photography. 1 (1), pp. 18-21. https://doi.org/10.1386/pop.1.1.18/7
Barnwell, J. 2010. The Poetic Truth. Interview with production designer Stuart Craig . Wide Screen. 1 (2).
Peters, T. 2010. Ceramic Narratives. Ceramics on Show: Public and Private Displays. Victoria & Albert Museum, London 24 - 25 Sep 2010
Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.
Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15
Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99
Goddard, M. and Halligan, B (ed.) 2010. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate.
Goddard, M. 2010. Gombrowicz, Polish Modernism and the Subverison of Form. West Lafayette, Indiana Purdue University Press.
Thomas, R. 2010. Still magic: an Aladdin’s cave of 1950s B-movie fantasy. Tasveer Ghar: A Digital Archive of South Asian Popular Visual Culture.
Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134
Campany, D. 2010. The 'sinister' photograph: Manuel Alvarez Bravo's Parabola optica, 1931. The Tosca Photography Fund Thames & Hudson.
Campany, D. 2010. Two reflections and a meditation. in: John Stezaker: film still collages Ridinghouse/Karsten Schubert.
Campany, D. 2010. Moving with the times: Eadweard Muybridge. Tate etc.. 20.
Campany, D. 2010. Jeff Wall speaks with David Campany. in: Conversations with photographers Madrid La Fabrica.
Campany, D. 2010. Clare Strand: the spot marks the X. Aperture. 200.
Bate, D. 2010. The real aesthetic. Portfolio: contemporary photography in Britain. 51.
Campany, D. (ed.) 2010. Hannah Collins: time will explain it all. Bogota Museo de Arte de la Universidad Nacional de Columbia.