Westminster School of Arts

Twomey, C. 2007. Contemporary clay. in: Hanaor, C. (ed.) Breaking the mould: new approaches to ceramics London Black Dog.

Twomey, C. 2007. Blossom.

Thomas, R. 2007. Miss Frontier Mail: the film that mistook its star for a train. in: Narula, M., Sengupta, S., Bagchi, J. and Sundaram, R. (ed.) Sarai Reader 07: Frontiers Delhi, India Centre for the Study of Developing Societies. pp. 294-309

Pucill, S. 2007. Taking My Skin. Toronto, Canada 12 Apr 2007

Pucill, S. 2007. Blind Light (2007). 66 East 4th Street, New York, NY 10003 01 Dec 2007

Orlow, U. and Farqhuar, M. 2007. The transgenerational memory of monkeys. South London Gallery 07 Nov 2007

Orlow, U. 2007. Descent. Artneuland, Berlin 25 Nov 2006 - 05 Apr 2007

Orlow, U. 2007. The Benin Project. BFI Southbank 16 Jun 2007

Orlow, U. 2007. The Benin Project. Fribourg Kunsthalle /Centre dArt Contemporain, Switzerland 06 Jul - 19 Aug 2007

Oppenheimer, J. and Uwemedimo, M. 2007. Participatory imagination and narration in the work of vision machine and Jean Rouch. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.

Oppenheimer, J. and Uwemedimo, M. 2007. Beneath the sheets of history: historical recovery in the work of Vision Machine Project. in: Marchessault, J. and Lord, S. (ed.) Fluid screens, expanded cinema Toronto, Canada University of Toronto Press. pp. 167-183

Oppenheimer, J. 2007. Show of force.

Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.

Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47

Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium

Dawood, S. 2007. Artists' studio.

Dawood, S. Perrot, C. (ed.) 2007. Artist's studio. London Culture Shock Media.

Cumberland, S. 2007. Stuart Cumberland: Congratulations.

Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75

Campany, D. 2007. Photography and cinematic surface. Aperture. 188, pp. 40-49.

Bate, D., Wollen, P., Christie, I. and Cowie, E. 2007. Everyday madness: surrealism, ethnography and the photographic image. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.

Bate, D. 2007. Emperor's new clothes. in: Elkins, J. (ed.) Photography theory London Routledge. pp. 253-255

Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.

Campany, D. (ed.) 2007. The cinematic. London ; Cambridge, Mass Whitechapel ; MIT Press.

Oppenheimer, J. 2006. Short films 2001-3.

Bradeanu, A. and Thomas, R. 2006. Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania. South Asian Popular Culture. 4 (2), pp. 141-146. https://doi.org/10.1080/14746680600797129

Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.

Urwin, P.J., Jack, G. and Lissenburgh, S. 2006. The impact of the National Minimum Wage in low-wage sectors: does the Earnings Top-up Evaluation study add to our understanding? Industrial Relations Journal. 37 (3), pp. 259-277. https://doi.org/10.1111/j.1468-2338.2006.00402.x

Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1

Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359

Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.

White, R. 2006. “Behind the Mask”: Eminem and Post-Industrial Minstrelsy. European Journal of American Culture. 25 (1), pp. 65-79. https://doi.org/10.1386/ejac.25.1.65/1

Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856

Twomey, C. 2006. Trophy.

Twomey, C. 2006. Temporary. Northern Clay Centre, Minneapolis, USA 14 Jul - 27 Aug 2006

Tabrizian, M. and Williams, C. 2006. The predator.

Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.

Rawlings, J. 2006. Mariners and migrants: in search of home.

Pucill, S. 2006. The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92

Pucill, S. 2006. Stages of Mourning. 66 East 4th Street, New York, NY 10003 18 Nov 2006