| College | Design, Creative and Digital Industries |
|---|---|
| Head | Ms Virginia Grose |
Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium
Cumberland, S. 2007. Stuart Cumberland: Congratulations.
Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75
Campany, D. 2007. Photography and cinematic surface. Aperture. 188, pp. 40-49.
Bate, D., Wollen, P., Christie, I. and Cowie, E. 2007. Everyday madness: surrealism, ethnography and the photographic image. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.
Bate, D. 2007. Emperor's new clothes. in: Elkins, J. (ed.) Photography theory London Routledge. pp. 253-255
Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.
Campany, D. (ed.) 2007. The cinematic. London ; Cambridge, Mass Whitechapel ; MIT Press.
Bradeanu, A. and Thomas, R. 2006. Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania. South Asian Popular Culture. 4 (2), pp. 141-146. https://doi.org/10.1080/14746680600797129
Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.
Urwin, P.J., Jack, G. and Lissenburgh, S. 2006. The impact of the National Minimum Wage in low-wage sectors: does the Earnings Top-up Evaluation study add to our understanding? Industrial Relations Journal. 37 (3), pp. 259-277. https://doi.org/10.1111/j.1468-2338.2006.00402.x
Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359
Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.
White, R. 2006. “Behind the Mask”: Eminem and Post-Industrial Minstrelsy. European Journal of American Culture. 25 (1), pp. 65-79. https://doi.org/10.1386/ejac.25.1.65/1
Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856
Twomey, C. 2006. Temporary. Northern Clay Centre, Minneapolis, USA 14 Jul - 27 Aug 2006
Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.
Rawlings, J. 2006. Mariners and migrants: in search of home.
Pucill, S. 2006. The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92
Pucill, S. 2006. Stages of Mourning. 66 East 4th Street, New York, NY 10003 18 Nov 2006
Orlow, U. 2006. The world possessed. Museum of Garden History, London, UK 03 Jul - 29 October 2006
Orlow, U. 2006. Midday/Midnight (66° 33'). ICA, London 24 May - 16 Jul 2006
Orlow, U. 2006. Latent archives, roving lens. in: Lanyon, J. and Connarty, J. (ed.) Ghosting: the role of the archive within contemporary artists' film and video Bristol, UK Picture This Moving Image.
Orlow, U. 2006. Housed memory. Dark Studio, Arnolfini, 16 Narrow Quay, Bristol, UK 03 - 25 Jun 2006
Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100
Gray, R. 2006. Morpho-illogical: Collage Reportage. Victoria and Albert Museum, London 02 Feb 2006 - 23 Apr 2006
Campany, D. 2006. Posing, acting and photography. in: Green, D. and Lowry, J. (ed.) Stillness and time: photography and the moving image Brighton, UK Photoworks / Photoforum. pp. 97-112
Bate, D. 2006. Zone. A series of 16 photographs exploring dimensions of social change in Eastern Europe after the Soviet Union through the case study of one city, Tallinn.
Matheson, N. (ed.) 2006. The sources of surrealism. Hastings Lund Humphries.
Matheson, N. (ed.) 2006. The sources of surrealism. Hastings, UK Helm Information.
Carty, A. 2005. The Iraq invasion as a recent United Kingdom 'contribution to international law'. European Journal of International Law. 16 (1), pp. 143-151. https://doi.org/10.1093/ejil/chi109
White, R. 2005. ‘Samuel L. Jackson: Beyond the Post-Soul Male’. in: Moseley, R. (ed.) Fashioning Film Stars: Dress, Culture, Identity BFI Publishing.