| College | Creative Arts and Technologies |
|---|---|
| Head | Ms Virginia Grose |
Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.
Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.
Campany, D. 2014. Photography, Encore. in: Time Present : Photography from the Deutsche Bank Collection Frankfurt am Main, Germany Deutsche Bank AG.
Campany, D. 2014. Angel of History in the Age of the Internet. in: Krempel, L. (ed.) Stan Douglas: Mise en Scene Munich- New York - London Prestel.
Campany, D. 2014. Architecture as photography: document, publicity, commentary, art. in: Constructing Worlds: Photography and Architecture in the Modern Age Munich, London, New York Prestel.
Campany, D. 2014. Walker Evans: the magazine work. Gottingen, Germany Steidl Verlag.
Campany, D. 2014. The Open Road: Photography and the American Road Trip. New York, USA Aperture Foundation, Inc..
Ross, J. 2014. In & Out of Japan: Documenting Travels in Japanese Experimental Film and Art 1960-1980. Eye Film Institute 18 - 18 Feb 2014
Ross, J. 2014. Screen Play: an evening with Takahiko Iimura. Rongwrong, Amsterdam 20 - 20 Oct 2014
Ross, J. 2014. Takahiko Iimura: Movies & Performances. Eye Film Institute 2014
Ross, J. 2014. 「もうヨーロッパに何も期待しなくていいんだ」 日本の非商業映画・実験映画ヨーロッパ公開史. 言語文化. 31.
Ross, J. 2014. Eiga o chokusetsu kōdō toshite. in: Akseagawa Genpei Japan Kawade Shobo Shinsha. pp. 225-233
Ross, J. 2014. In the Realm of the Senses. in: The Routledge Encyclopedia of Films Routledge.
White, N. 2014. On Being Overt. Knowledge Value and Dark Data: Absences, Interventions And Digital Worlds. University of Exeter 15 - 16 Dec 2014
Goddard, M. 2014. Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era. in: Apprich, C., Slater, J.B., Iles, A. and Schultz, O.L. (ed.) Provocative Alloys: A Post-Media Anthology Mute Books. pp. 44-61
Goddard, M. 2014. Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski. in: Mazierska, E. and Goddard, M. (ed.) Polish Cinema in a Transnational Context Boydell & Brewer. pp. 236-257
White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014
White, N. 2014. Skoob Performances. in: Le Feuvre, L. (ed.) NOIT 2 / Burning London Flat Time House.
Thomas, R. 2014. Bombay before Bollywood: film city fantasies. New Delhi, India Orient BlackSwan.
Sprio Margherita 2014. Contemporary fine art education in Britain. in: Academy Now 1 Italy Damiani Press. pp. 14-15
Shinkle, E. 2014. Prelude to a future: global risk and environmental apocalypse in contemporary landscape photography. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging landscapes: between production and representation Farnham Ashgate. pp. 29-38
Riley, M. 2014. Bass Culture: an alternative sound track to Britishness. in: Stratton, J. and Zuberi, N. (ed.) Black Popular Music in Britain since 1945 Farnham Ashgate. pp. 101-114
Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) 2014. Emerging landscapes: between production and representation. Farnham Ashgate.
Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020
Klewitz, R. 2013. WZ59_Mont2 (2013) – Now. Kuching, Malaysia
Orlow, U. 2013. Rituals of Filming and the Dialogic Camera. Moving Image Review & Art Journal . 2 (1), pp. 98-105. https://doi.org/10.1386/miraj.2.1.98_7
Orlow, U. 2013. Archives of stone, archives of air. Journal of Visual Culture. 12 (3), pp. 404-413. https://doi.org/10.1177/1470412913503533
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Mariam at Burford: Youth and Young Girlhood.
Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Cary: The Mariam Cycles.
Peters, T. 2013. Christie Brown: DreamWork. Interpreting Ceramics. 15.
Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.
Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 (41)), pp. 136-153. https://doi.org/10.1215/07990537-2323364
Alamouti, D. 2013. Boys with Broken Ears/ Iran's Sporting Dreamers. Aljazeera.
Bate, D. 2013. The Digital Condition of Photography: Cameras, Computers and Display. in: Lister, M. (ed.) The Photographic Image in Digital Culture. 2nd edition Routledge.
Stevens, S. 2013. Spectacle of a Spectacle. in: COBRA: A Critical Response 1.1, A Creative Response to British Emergency Politics London Cobra Press. pp. 91
Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80
Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013
Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.