College | Design, Creative and Digital Industries |
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Head | Dr Doug Specht |
Garrisi, D. and Johanssen, J. 2018. Competing narratives in framing disability in the UK media: a comparative analysis of journalistic representations of facial disfigurement versus practices of self-representations online. JOMEC Journal. 12, pp. 128-144. https://doi.org/10.18573/jomec.172
Xin, X. 2018. New Poles in Uncertain Times? in: Culture Report EUNIC Yearbook 2018, "Cultures of We": Europe and the Search for a New Narrative Göttingen, Germany Steidl Verlag. pp. 48-53
Cope, J. and Wells, M. 2018. Picturing statistical narratives: a century of data visualisation from the healthcare public relations perspective. in: Collister, S. and Roberts-Bowman, S. (ed.) Visual Public Relations: Strategic Communication Beyond Text Abingdon, Oxon Routledge.
Xin, X. 2018. Financialisation of News in China in the Age of the Internet: The Case of Xinhuanet. Media, Culture and Society. 40 (7), pp. 1039-1054. https://doi.org/10.1177/0163443717745121
Sabry, T. 2018. Arab Thought and Revolution as Event: Towards New Affective Registers of Critique. Javnost / The Public. 25 (4), pp. 351-364. https://doi.org/10.1080/13183222.2018.1463374
Marsh, V. 2018. Tiangao or tianxia? The ambiguities of CCTV's English-language news for Africa. in: Thussu, D.K., de Burgh, H. and Shi, A. (ed.) China's Media Go Global Abingdon Routledge. pp. 103-121
Lodhi, A. 2018. 'Countries in the Air': Travel and Geomodernism in Louis MacNeice's BBC Features. Media History. 24 (2), pp. 226-238. https://doi.org/10.1080/13688804.2018.1471349
Meikle, G. (ed.) 2018. The Routledge Companion to Media and Activism. London Routledge.
Bunz, M. and Meikle, G. 2018. The Internet of Things. Cambridge Polity Press.
Verdegem, P. and D'heer, E. 2018. Social Media Logic and Its Impact on Political Communication During Election Times. in: Schwanholz, J., Graham, T.S. and Stoll, P.-T. (ed.) Managing Democracy in the Digital Age: Internet Regulation, Social Media Use, and Online Civic Engagement Springer. pp. 119-135
Sakr, N. 2018. ‘Smarter, stronger, kinder’: Interests at stake in the remake of Iftah ya Simsim for Gulf children. Middle East Journal of Culture and Communication. 11 (1), pp. 9-28. https://doi.org/10.1163/18739865-01101002
Specht, D. 2018. Neogeography, development and human rights in Latin America. in: Raftopoulos, Malayna and Powęska, Radosław (ed.) Natural Resource Development and Human Rights in Latin America: State and Non-state Actors in the promotion and opposition to extractivism activities London University of London.
Hogg, C. and Smith, C. L. 2018. Well-being and the Television Actor: Challenges and Coping Strategies. in: Hogg, C. and Cantrell, T. (ed.) Exploring Television Acting London Bloomsbury. pp. 171-186
D'Arma, A. 2018. The Hollowing Out of Public Service Media: A Constructivist Institutionalist Analysis of the Commercialisation of BBC’s In-house Production. Media, Culture and Society. 40 (3), pp. 432-448. https://doi.org/10.1177/0163443717713260
Fuchs, Christian 2018. Capitalism, Patriarchy, Slavery, and Racism in the Age of Digital Capitalism and Digital Labour. Critical Sociology. 44 (4-5), pp. 677-702. https://doi.org/10.1177/0896920517691108
Specht, D. and Tsilman, J. 2018. Teaching vicarious trauma in the journalism classroom: an examination of educational provision in UK Universities. Journal of Applied Journalism & Media Studies . 7 (2), pp. 407-427. https://doi.org/10.1386/ajms.7.2.407_1
Cantrell, T. and Hogg, C. (ed.) 2018. Exploring Television Acting. London Bloomsbury.
Johanssen, J. 2018. Not Belonging to one’s Self: Affect on Facebook’s Site Governance page. International Journal of Cultural Studies . 21 (2), pp. 207-222. https://doi.org/10.1177/1367877916666116
Thorburn, J. 2017. All the World is Now Richer meets The Woman Who Refused to Dance. The Diaspora Pavilion Venice
Alexander Sergeant 2017. All Adventurous Women Sing: Articulating the Feminine Through the Music of Girls. in: Meredith Nash and Imelda Whelehan (ed.) Reading Lena Dunham’s Girls Springer Nature. pp. 135-147
Rekret, P. 2017. Critical IR & the Sovereignty of Sovereignty. in: Winter, B. and Sorbera, L. (ed.) Contending Legitimacy in World Politics: The State, Civil Society and the International Sphere in the Twenty-first Century Routledge.
Rekret, P. 2017. Working Holiday: Labour and Leisure in Trap Rap. Cesura//Acceso: A Journal of Music Politics and Poetics. 2, pp. 184-195.
Rekret, P. 2017. Down With Childhood: Pop Music and the Crisis of Innocence. Repeater Books.
Whiteman, Natasha, O'Reilly, Michelle, Dogra, Nisha, Hughes, Jason and Reilly, Paul 2017. Written evidence for Parliament: “Mental health in schools.”. House of Commons.
Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.
Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134
Bennett, T. 2017. The Production and Consumption of Music in the Digital Age. Popular Music and Society. 40 (2), pp. 242-244. https://doi.org/10.1080/03007766.2017.1276332
Cunha, M. 2017. Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto. in: da Silva, A. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer. pp. 77-95
da Silva, A.M. and Cunha, M. 2017. Introduction. in: da Silva, A.M. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer.
da Silva, A.M. and Cunha, M. (ed.) 2017. Space and Subjectivity in Contemporary Brazilian Cinema. Springer.
Specht, D. 2017. Cajamarca’s rejection of mining in Colombia was also a victory for social media and social mapping. LSE.
Doug Specht 2017. Book Review: Surveillance after Snowden. Media, Culture & Society. 39 (1), pp. 138-140. https://doi.org/10.1177/0163443716667068
Specht, D. 2017. Lore in the Time of Cholera. Maplines. 31 (3), pp. 4-5.
Angeli, S. 2017. "Lars von Trier’s Women, edited by Rex Butler and David Denny.”. Alphaville: Journal of Film and Screen Media. 13, pp. 162-167. https://doi.org/10.33178/alpha.13.10
Angeli, S. 2017. An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016). New Cinemas: Journal of Contemporary Film. 15 (2), pp. 141-155. https://doi.org/10.1386/ncin.15.2.141_1
Angeli, S. 2017. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978). PhD thesis University of Westminster
Angeli, S. 2017. Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968). Journal of Religion & Film. 21 (2) 16.
Medrado, A. and Souza, R. 2017. Sonic Oppression and Resistance: Voices of Rio’s Favelas in the Buildup to the Olympics. Journal of Radio & Audio Media. 24 (2), pp. 289-301. https://doi.org/10.1080/19376529.2017.1336766
Seaton, J. 2017. Review of Tabloid Century: The Popular Press in Britain, 1896 to the Present. By Adrian Bingham and Martin Conboy. Twentieth Century British History. 28 (3), pp. 477-479. https://doi.org/10.1093/tcbh/hwx008