Westminster School of Media and Communication

Sakr, N. 2023. Purposes and practices of MENA television: Components of an ever-evolving medium . in: Gholam, K. and Guaaybess, T. (ed.) The Handbook of Media and Culture in the Middle East Hoboken, NJ Wiley.

Lodhi, A. 2022. Reclaiming a Lost Past: Black British Women, Visibility and the BBC. https://canvas-story.bbcrewind.co.uk/reclaiming/

Linfoot, M. 2022. Hearing Our Stories: LGBTQ+ Lives and the BBC. https://canvas-story.bbcrewind.co.uk/hearingourstories/

Lodhi, A. 2022. The Conversation Continues: We Are Still Listening (with Trevor Mathison). Stuart Hall Foundation

Hort, P. 2022. Fragments and Annotations. Archives and Imaginaries exhibition, HKW Berlin, March 24th to April 28th 2022

Evan Carl Pugh, Lincoln Geraghty, David Garland, Van Norris and Alexander John Sergeant 2022. Pop Matters: Episode 1, "Disney's Marvel Series and the MCU".

Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Xin, X. 2022. Contextualising Soft Power in China. International Association for Media and Communication Research (IAMCR) 2022. (online), hosted by Tsinghua University, Beijing, China 11 - 15 Jul 2022

Rebecca Lewis 2022. The Simultaneity of Loneliness and Popularity in Dear Evan Hansen. Exchanges: The Interdisciplinary Research Journal. 9 (3), pp. 84-103. https://doi.org/10.31273/eirj.v9i3.864

Schneider, N. 2022. Governable Stacks against Digital Colonialism. tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society. 20 (1). https://doi.org/10.31269/triplec.v20i1.1281

Nathan Schneider 2022. The Tyranny of openness: what happened to peer production? Feminist Media Studies. 22 (6), pp. 1411 - 1428. https://doi.org/10.1080/14680777.2021.1890183

Amy A. Hasinoff and Nathan Schneider 2022. From Scalability to Subsidiarity in Addressing Online Harm. Social Media + Society. 8 (3). https://doi.org/10.1177/20563051221126041

Nathan Schneider 2022. Admins, mods, and benevolent dictators for life: The implicit feudalism of online communities. New Media & Society. 24 (9), pp. 1965 - 1985. https://doi.org/10.1177/1461444820986553

Rekret, P., O'Cearnaigh, E. and King, P. 2022. Robert Linhart and the Circuitous Paths of Inquiry. Viewpoint Magazine.

Mwainyekule, L. 2022. Social Media, Transparency and Freedom of Expression. PhD thesis University of Hull Department of Sociology and Social Anthropology

Seaton, J. 2022. “It's the news, stupid”. IPPR Progressive Review. 29 (1), pp. 7-15. https://doi.org/10.1111/newe.12303

Jones, C.W. 2022. Balenciaga’s controversial new campaign and the long history of ‘shockvertising’. The Conversation.

Jones, C.W. 2022. Decolonising Advertising through content creation, broadcast on social media, to inspire social transformation. Kate Hamburger Kolleg Aachen: Cultures of Research.

Specht, D. 2022. The codification of local knowledges through digital cartographic artefacts: A Case study of the Humanitarian OpenStreetMap Team in Dar es Salaam, Tanzania. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w0607

Kala, Geetanjali 2022. Internet Memes as Instruments of Subversion in the Context of Islam and Muslims. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w03x3

Barnett, Steven, Murdoch, Tom and Townend, J. 2022. Where public interest and public benefit meet: the application of charity law to journalism. Journal of Media Law. 14 (2), p. 323–351. https://doi.org/10.1080/17577632.2022.2141225

Mushayabasa, Reward 2022. Democratic Transition and Digital Media Activism in Africa: A Zimbabwean Case Study. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w0230

Medrado, A., Rega, I. and Paulla, M. 2022. South-to-South dialogues between Brazilian and Kenyan artivists: decolonial and intersectional feminist perspectives. Tapuya: Latin American Science, Technology and Society. https://doi.org/10.1080/25729861.2022.2126245

Xin, X. 2022. Xinhua News Agency. in: The SAGE Encyclopedia of Journalism Thousand Oaks, CA Sage. pp. 1781-1784

Xin, X. 2022. (Re-)Popularizing Party Journalism in China: A Qualitative Study of Xinhua News Agency's Online Media Content. in: Zhang, S.I. (ed.) Digital Journalism in China London Routledge. pp. 36-47

Day, C. 2022. The people's broadcasters. IPPR Progressive Review. 29 (2), pp. 45-52. https://doi.org/10.1111/newe.12298

Chabanova, Anastasia 2022. VFX – A New Frontier: The Impact of Innovative Technology on Visual Effects. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vzx94

Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452

Winston Mano 2022. Between citizen and vigilante journalism. Communicare: Journal for Communication Studies in Africa. 29 (sed-1), pp. 57-70. https://doi.org/10.36615/jcsa.v29ised-1.1675

Meikle, G. 2022. Deepfakes. Cambridge, UK Polity.

Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description. Zenodo. https://doi.org/10.5281/zenodo.6224372

Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them. Zenodo. https://doi.org/10.5281/zenodo.6482865

Bennett, T. 2022. A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change. 7 (1) 06. https://doi.org/10.20897/jcasc/12257

Yang, C. 2022. The identity construction and representation of diasporic Chinese content creators on YouTube. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vz7zz

Medrado, A. and Cabral, A. 2022. Contrasting Federal and State Government Communication on Facebook in Brazil: Contradictory Messages and Realities. in: Maarek, P. (ed.) Manufacturing Government Communication on Covid-19: A Comparative Perspective Cham, Switzerland Springer. pp. 175-211

Yang, Xinyi 2022. The Political Economy of Internet Celebrities in China. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vxwq8

Aouragh, M. 2022. The Arab Spring a decade on: Revolution, Counter-Revolution and the transformation of a region. Amsterdam Transnational Institute Amsterdam.

Ganguly, M. 2022. The Future of Investigative Journalism in the Age of Automation, Open-Source Iintelligence (OSINT) and Artificial Intelligence (AI). PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vx128

Bocchino, A. 2022. Using Social Media to build a Counter-Power Movement: Multiple Sclerosis and CCSVI, a Case Study. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vx124