Westminster School of Arts

Sprecher, Danielle 2022. The Cut Must Suit the Making: Masculinity, Mass Production and Design in British Menswear Tailoring, 1945-1970. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022

Groves, Andrew 2022. A casual obsession: Inside the British Sock Fetish Council. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022 Intellect. https://doi.org/10.1386/csmf_00059_1

Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Waring, C. 2022. The Prostitute and the PhD: Navigating Academic Spaces as a Tainted Researcher. in: Jones, D. and Sanders, T. (ed.) Student Sex Work Palgrave Macmillan.

Evans, J. 2022. Practice Research Voices (PRVoices). UK ORCID Consortium Meeting. Online 07 Jun 2022 University of Westminster. https://doi.org/10.34737/vzq86

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Evans, J., Watts, N., Mudd, T. and Renner, T. 2022. From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse. Insights. 35 14. https://doi.org/10.1629/uksg.582

Groves, A. 2022. A casual obsession: Inside the British Sock Fetish Council. Critical Studies in Men's Fashion. 9 (2), pp. 187-206. https://doi.org/10.1386/csmf_00059_1

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. 34 (4), pp. 271-296. https://doi.org/10.1177/09213740221117811

Mollenhauer, Pablo 2022. Film Practices for the Inclusion of the More than Human in the Representation of Cultural Landscapes. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vx846

Sprecher, Danielle 2022. More than a Uniform: Westminster Menswear Archive. More than a Uniform: Wrens in Wartime and Beyond. Prince Philip Maritime Collections Centre, Royal Museums Greenwich 17 Jun 2022

Hueyuen Choong 2022. The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia. International Journal of Music Education. 41 (3), pp. 345-513. https://doi.org/10.1177/02557614221107917

Monika Jaeckel 2022. Listening as act of response-ability. Interactive Film & Media Journal. 2 (2). https://doi.org/10.32920/ifmj.v2i2.1574

Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

Jaeckel, M. 2022. Book review: Island encounters. Timor-Leste from the outside in, Lisa Palmer, (Monographs in anthropology series) , ANU Press, The Australian National University, Acton ACT Australia (2021), 10.22459/IE.2021, xviii, 228 pages, ebook, ISBN: 9781760464509. Emotion, Space and Society. 44 100884. https://doi.org/10.1016/j.emospa.2022.100884

Sprecher, Danielle 2022. Westminster Menswear Archive: Objects and Collecting. Fashioning the male: on collecting, curating, displaying masculine attire. London College of Fashion 14 May 2022

Upeniece, Vita 2022. The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vw732

Groves, Andrew 2022. Inside the Westminster Menswear Archive: A case study of garment-research as a pedagogical practice. IFFTI2022. University of Nottingham 05 - 08 Apr 2022 International Foundation of Fashion Technology Institute.

Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Sprecher, Danielle 2022. Book Review: Dandy Style: 250 Years of British Men's Fashion. Costume. 56 (1), pp. 142-143. https://doi.org/10.3366/cost.2022.0222

Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9

Leisewitz, A. and Musgrave, G. 2022. Does Spotify Create Attachment? Algorithmic Playlists, Intermediation and the Artist-Fan Relationship. Culture Unbound: Journal of Current Cultural Research. 14 (1), pp. 75-100. https://doi.org/10.3384/cu.3384

Redman, S. and Waring, C. 2022. Visual Violence: Sex Workers' Experiences of Image-Based Abuses. United Kingdom National Ugly Mugs.

Gross, S. 2022. ‘Women Working in the Music Business: An Alumni Study’. in: Abfalter, D. and Reitsamer, R. (ed.) Music as Labour: Inequalities and Activism in the Past and Present London Routledge.

Evans, J. 2022. Next steps for practice research: the PR Voices and SPARKLE projects. Jisc Digital Research Community Event. 09 Feb 2022 University of Westminster. https://doi.org/10.34737/vqz2y

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Campany, D. 2022. Walker Evans & Anastasia Samoylova: Floridas. Germany Steidl Verlag.

Campany, D. 2022. Indeterminacy: Thoughts on Time, the Image, and Race(ism) . UK MACK.

Campany, D. 2022. Victor Burgin's Photopath. UK MACK.

Lee, Yeseung 2022. Eyes in the skin I live in: The incorporation of surveillance in mediatized culture. Fashion Theory. 26 (2), pp. 185-210. https://doi.org/10.1080/1362704X.2019.1697509

Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022

Negus, K. and Astor, P. 2022. Authenticity, Empathy, and the Creative Imagination. Rock Music Studies. 9 (2), pp. 157-173. https://doi.org/10.1080/19401159.2021.1989272

Wyver, J. 2022. The screen language of lockdown: connection and choice in split-screen performance. in: Allred, G.K., Broadribb, B. and Sullivan, E. (ed.) Lockdown Shakespeare: New Evolutions in Performance and Adaptation London Bloomsbury Academic.

Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

Musgrave, G. 2022. Lessons from the Loss of Avicii: Business Ethics, Responsibility, and Mental Wellbeing. SAGE Business Cases. https://doi.org/10.4135/9781529794601

Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50