Westminster School of Arts

Stewart, K. 2022. The Horror Show. Somserset House, London 27 Oct 2022 - 19 Feb 2023

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Boon, H. 2022. Sound Based Music Design Demonstration. London

Reddington, J. 2022. Sound of Fractures - IRL EP.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

Sprecher, Danielle 2022. Curating Semi-Synthetic and Synthetic Fibres and Fabrics 2022. Dress and Textile Specialists.

Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Moore, D. 2022. Pictures from the Real World. The Whitworth, Manchester. 25 Nov 2021 - 26 Feb 2023

Moore, D. 2022. Work Portraits.

David Bate 2022. Return of the Tableau. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Photographic Episteme. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. After Postmodernism? in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Archival Dream. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Alfred Stieglitz and the Migration of Meaning. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Roland Barthes and Camera Lucida. in: Photography after Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

Houlton, L. 2022. Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom. Moving Image Review & Art Journal . 11 (1), pp. 128-133. https://doi.org/10.1386/miraj_00088_5

Klewitz, R. 2022. CV listing the full chronology of video art dissemination.

Klewitz, R. 2022. Index sheets of completed video artworks from 2009 to 2022.

Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

Goldschmidt, S. 2022. 'Strange Fits of Passion' - Narrational ecologies "In the House of Ephra and Bahmanduch". Hyphen Journal. 3.1 9.

Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Goldschmidt, S. 2022. Aramaic Incantation Bowls and Contemporary Ceramic Art Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2167

Evans, J. 2022. Identifiers for Practice Research. DataCite Member Meeting 2022. British Library 22 Sep 2022 British Library. https://doi.org/10.23636/j6wh-ev50

Julia Toppin 2022. “They’re Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music. in: Anderton, C. and James, M. (ed.) Media Narratives in Popular Music Bloomsbury. pp. 53-70

Reddington, J. 2022. Re-Imagining Higher Popular Education. Masters thesis UCL IOE

Ingawanij, M.A. and Ross, J. 2022. Animistic Apparatus: A Gathering . World Records. 7.

Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Fry, C. 2022. Regulating Observers: Visuality and the influence of scopic regimes on the experience of virtual space. 25th Generative Art Conference. Biblioteca Vallicelliana, Rome 12 - 14 Dec 2022 Domus Argenia Publisher.

Sporton, G. and Allen, E. 2022. Focussing on the Critical: Film Pedagogy in the Modern University. 3rd Kyoto Conference on Arts, Media and Culture (KAMC2022). Kyoto, Japan, and online 17 - 20 Oct 2022 International Academic Forum. https://doi.org//10.22492/issn.2436-0503.2022.15

Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Begklis, Fotios 2022. Grand Tour – a film in-debt(ed): Exploring the possibilities of the essayistic filmmaking form. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vzw53

Bate, D. 2022. Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory. Routledge.

Sprecher, Danielle 2022. The Cut Must Suit the Making: Masculinity, Mass Production and Design in British Menswear Tailoring, 1945-1970. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022