Westminster School of Arts

Marsh, J. 2018. Assembly: Artist Talk at Closeup Film Centre. Julie Marsh.

Marsh, J. 2019. Assembly: catalogue of research findings. London Shelter Press, France.

Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180

Bate, D. 2010. Australian Picnic. London 24 Sep 2010 - 28 Oct 2010

Negus, K. and Astor, P. 2022. Authenticity, Empathy, and the Creative Imagination. Rock Music Studies. 9 (2), pp. 157-173. https://doi.org/10.1080/19401159.2021.1989272

Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.

Musgrave, G. 2020. Avicii: True Stories - Review. Dancecult: Journal of Electronic Dance Music Culture. 12 (1), pp. 94-97. https://doi.org/0.12801/1947-5403.2020.12.01.15

Pucill, S. 2018. Bagdam Lesbian Festival, Toulouse, France, screening of Confessions to the Mirror . Toulouse, France 29 Mar - 14 Apr 2018

Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

Grose, V. 2011. Basic fashion management 01: fashion merchandising. Worthing AVA Publishing.

Riley, M. 2014. Bass Culture. University of Westminster. https://doi.org/10.34737/qqvqz

Riley, M. 2018. Bass Culture 70/50. Ambika P3 25 Oct - 22 Nov 2018

Riley, M. and Fully Focused 2019. Bass Culture film.

Riley, M. 2014. Bass Culture: an alternative sound track to Britishness. in: Stratton, J. and Zuberi, N. (ed.) Black Popular Music in Britain since 1945 Farnham Ashgate. pp. 101-114

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Stewart, K. 2013. Bat Performance . Frieze, London 20 2013 - 13 Oct 2014

Thompson, Shirley 2017. BBC Proms Brochure - BBC Prom 62 - August 30 2017.

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Pucill, S. 2018. BEEF Bristol Screening: Confessions To The Mirror and Q+A with Vicky Smith. Cube Microplex Cinema, Bristol 20 Feb 2018

Oppenheimer, J. and Uwemedimo, M. 2007. Beneath the sheets of history: historical recovery in the work of Vision Machine Project. in: Marchessault, J. and Lord, S. (ed.) Fluid screens, expanded cinema Toronto, Canada University of Toronto Press. pp. 167-183

Campany, D. 2017. Beneath the Street: Helen Levitt’s Subway Photographs. in: Manhattan Transit: The Subway Photographs of Helen Levitt Cologne, Germany Konig.

Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver

Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.

Lehaney, B., Clarke, S., Coakes, E. and Jack, G. 2003. Beyond knowledge management. Hershey, USA Idea Group Publishing.

Goddard, M. 2014. Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski. in: Mazierska, E. and Goddard, M. (ed.) Polish Cinema in a Transnational Context Boydell & Brewer. pp. 236-257

Tabrizian, M. 2004. Beyond the limits. London, UK Thames & Hudson.

Tabrizian, M. 2004. Beyond the limits: silent majority.

Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018

Pucill, S. 2016. BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min). BFI Southbank, London 05 - 16 Oct 2016

David Bate 2003. Black object, white subject 1. in: Photography and surrealism: sexuality, colonialism and social dissent Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Ross, J. 2019. Blackout. Greylight Projects, Brussels 06 - 14 Apr 2019

Ross, J. 2019. Blackout. Ambika P3, London 12 - 17 Mar 2019

Ross, J. 2019. Blackout. Kunsthal, Rotterdam 24 Jan - 03 Feb 2019

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Pucill, S. 2007. Blind Light (2007). 66 East 4th Street, New York, NY 10003 01 Dec 2007

Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1

Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134