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Campany, D. 2009. And yes, it's over, now the powerful have found me (or, LA through a high altitude daydream). PA Magazine. 2.

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Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. and Ross, J. 2022. Animistic Apparatus: A Gathering . World Records. 7.

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Campany, D. 2010. Anonymes. Paris Le Bal.

Tabrizian, M. 2013. Another country, 2010. Fondazione Fotografia, Modena, Italy 20 Apr - 23 Jun 2013

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Lee, Yeseung 2018. Apparition: the (im)materiality of Modern Surface. Apparition: the (im)materiality of Modern Surface. De Montfort University, Leicester 09 Mar 2018

Goldschmidt, S. 2022. Aramaic Incantation Bowls and Contemporary Ceramic Art Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2167

Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

Leach, Robert and Groves, Andrew 2015. ARCHETYPES . London Gallery West, The Forum, University of Westminster Watford Road, Northwick Park, Middlesex HA1 3TP 15 May 2015

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Sprio Margherita 2007. Archival memories: between history and experience. in: Johnson, C. (ed.) Feast: Christy Johnson and 33 confessors AHRC/University of the Creative Arts Publication.

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Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

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Campany, D. (ed.) 2003. Art and photography. London, UK Phaidon Press.

Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135

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Bate, D. 2015. Art Photography. London Tate Publishing.

Aitken, J. 2016. Art Practices & The Housing Crisis. Aitken, J. (ed.) Art Practices & The Housing Crisis. The People's History Museum 18 - 18 Nov 2016

Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

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Orlow, U. 2019. Artemisia in Katanga (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Dawood, S. Perrot, C. (ed.) 2007. Artist's studio. London Culture Shock Media.

Dawood, S. 2007. Artists' studio.

Rawlings, J. 2008. As the crow flies. London Gallery West 30 Jan - 08 Mar 2008

Rumball, H. 2019. As “a hedge, as a convenience, a good thing”: Elizabeth Petipher Cash’s continued fashioning of a Plain appearance. 107th CAA Annual Conference. New York, New York, United States 13 - 16 Feb 2016

Marsh, J. 2020. Assembly. University of Westminster. https://doi.org/10.34737/v844y

Marsh, J. 2018. Assembly Exhibition Catalogue. London Julie Marsh.

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