Westminster School of Arts

Stewart, K. Forthcoming. Public Art Commission / Glen Cinema Disaster. Renfrewshire Council.

Harrison, L. 2020. Guiding Audiences with Sound. Lighthouse (ed.) The Space in Sound. Online Sep 2020

Seadog Theatre, Harrison, L., Bridges, L, Slade, E. and Trower, S. 2020. The Living Library.

Seadog Theatre, Harrison, L., Bridges, L., Slade, E. and Trower, S. 2020. The Living Library. Sinespace

Peters, T. and Brown, C. 2020. Cultural Icons. Clay, Mindfulness and Memory: National Council on the Education for the Ceramic Arts 54th Annual Conference. Richmond, Virginia 25 - 28 Mar 2020

Alejandro Gil Alzate, Fernando Andres Castro Torres, Verónica Posada Álvarez and Posada Alvarez, V. 2020. Investigar la identidad de género: representaciones colectivas, comunicación y lenguaje [Researching Gender Identity: Collective Representations, Communication and Language]. Anagramas: Rumbos y Sentidos de la Comunicación. 19 (37), pp. 87-109. https://doi.org/10.22395/angr.v19n37a5

Elīna Ruka and David Bate 2020. Interview: Elīna Ruka - Art Without Coincidences. in: Photography as Critical Practice: Notes on Otherness Intellect. pp. 162-173

David Bate 2020. A House in Germany. Membrana Journal of Photography. 5 (1). https://doi.org/10.47659/m8.010.pro

Rumball, H. 2020. How waterproof were Ulsters? Analysing the waterproof claims of Ladies c 19th ulsters. Early tailored clothes for women, 1800-1875: TEAMS RIG Tailoring Group Meeting. Online - London 26 Nov 2020

Clark, G. 2020. True Journey is Return: On Detours and Returning in Ute Aurand's films. in: Ortega, G. and Palacios Cruz, M. (ed.) Meditations on the Present: Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami Spain Punto de Vista.

Mary Martins 2020. Capoeira: An exploration of animism and the representation of the spirit through ethnographic animation. Animation Practice, Process & Production. 9 (1), pp. 37-56. https://doi.org/10.1386/ap3_000016_1

Christodoulou, C. 2020. Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass. Dancecult: journal of electronic dance music culture. 12 (1), pp. 3-21. https://doi.org/10.12801/1947-5403.2020.12.01.08

Lee, Yeseung 2020. The Textilesphere: The threshold of everyday contacts. Textile: Cloth and Culture. 18 (2), pp. 160-179. https://doi.org/10.1080/14759756.2019.1652429

Lee, Yeseung (ed.) 2020. Surface and Apparition: The Immateriality of Modern Surface. London and New York Bloomsbury Academic.

Alamouti, D. 2020. The digital ethical space: towards a transnational documentary ethics, a filmmaker\textquoterights point of view. Transnational Cinemas. 11 (2), pp. 103-120. https://doi.org/10.1080/25785273.2020.1734305

Sjogren, Peter-Arne 2020. Diving: using fiction narrative and intermedial assemblage to understand family histories in colonial India between 1933-1947. PhD thesis University of Westminster https://doi.org/10.34737/vq188

Kempadoo, R. 2020. Photobook Review: Maud Sulter: Passion. Aperture: the PhotoBook Review. 018.

Bate, David 2020. Editorial. Photographies. 13 (3), p. 295. https://doi.org/10.1080/17540763.2020.1794367

Jaeckel, Monika 2020. Unlearning as Moving Towards Dehumanism and Decolonial Entanglements – Singh, Julietta (2018): <i>Unthinking Mastery: Dehumanism and Decolonial Entanglements</i>. Durham, NC: Duke University Press. Anthropocenes – Human, Inhuman, Posthuman. 1 (1). https://doi.org/10.16997/ahip.19

Bate, D. 2020. The Indexical Imagination. in: Bull, S. (ed.) A Companion to Photography Wiley. pp. 85-96

Marsh, J. 2020. Assembly. University of Westminster. https://doi.org/10.34737/v844y

Ross, J. 2020. Killer Joe’s: 1960s Japanese Expanded Cinema in Discotheques. The Broadcast.

Hirasawa, G., Adachi-Tasch, A. and Ross, J. (ed.) 2020. Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s. Berlin Archive Books.

Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a

Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver

Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57

Gortazar, P. 2020. Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava . 52nd Annual ASEEES Convention. Washington DC, USA 08 Jun - 05 Nov 2021

Calleja, G. 2020. Ethnography and experimental non-fiction storytelling: relating the experiences of Maltese Fishermen. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v4zzx

Mortimer, R. 2020. Ghosts, Imagination and Theatre: re-enacting the futural past through documentary film. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v414w

Orlow, U. 2020. Conversing with Leaves. Berlin Archive Books.

Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

Jonsson, A. 2020. The Body Politics of Data. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v31zq

Fry, C. 2020. Certainty and Fragility: reassessing the role of automatically generated aids to the making process. 23rd Generative Art Conference. METID, Politecnico di Milano University, Milan, Italy 15 - 17 Dec 2020 Domus Argenia Publisher.

Leahy, D. 2020. Musicians in Space. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v2z0q

Tanza, S. 2020. The Emergent City (2007- 2017): Artistic explorations of the control and the ethics of data. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v2vx1

York, A. 2020. Transforming musical performance: activating the audience as digital collaborators. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v22qq

Zoppelletto, C. 2020. Decolonisation Through ‘Development Films’: Constructing and Re-Constructing the Zairian Spirit on Film. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v218w

Boon, H. 2020. The Condition of My Existence.

Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

Gross, S. and Musgrave, G. 2020. Can Music Make You Sick? Measuring the Price of Musical Ambition. London University of Westminster Press.