| College | Creative Arts and Technologies |
|---|---|
| Head | Ms Virginia Grose |
Stevens, S. and Orlow, U. 2011. Difficulties in Writing the Truth. in: Leaver-Yap, I. (ed.) 8 Metaphors London Lux Productions.
Goddard, M. 2011. Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios. Fibreculture. 17 FCJ-114.
Twomey, C. 2011. Made in China. Westnorway Museum of Decorative Art 17 Sep 2011 - 08 Jan 2012
Twomey, C. 2011. Collecting the edges. Denver Art Museum 11 Jun - 18 Sep 2011
Thomas, R. 2011. Distant voices, magic knives: Lal-e-Yaman and the transition to sound in Bombay cinema. in: Dwyer, R. and Pinto, J. (ed.) Beyond the boundaries of Bollywood: the many forms of Hindi cinema Oxford Oxford University Press.
Tabrizian, M. 2011. Untitled 2009. National Gallery of Modern Art, Queensland, Australia 18 Dec 2010 - 26 Apr 2011
Shinkle, E. 2011. Playing for the camera: Huizinga's Homo Ludens: technology, and the playful body in fashion photography. in: Sigurjónsdóttir, Æ., Turney, J. and Langkjær, M.A. (ed.) Images in time: flashing forward, backward, in front and behind photography in fashion, advertising and the press Bath Wunderkammer Press. pp. 165-182
Perrier, E. 2011. Schillermarkt studio. Schirn Art Gallery, Frankfurt, Germany 11 - 25 Aug 2011
Grose, V. 2011. Basic fashion management 01: fashion merchandising. Worthing AVA Publishing.
Christodoulou, C. 2011. Rumble in the jungle: city, place, and uncanny bass. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 44-63.
Campany, D. 2011. Jeff Wall: picture for women. London Afterall Books.
Stewart, K. 2010. Mull of Kintyre Performance . Tate Britain 12 Jul 2010
Campany, D. 2010. The scene of photography and the future of its illusion. Photoworks. 14, pp. 4-11.
Campany, D. 2010. Drink the wine, discard the bottle, drink something else. Philosophy of Photography. 1 (1), pp. 18-21. https://doi.org/10.1386/pop.1.1.18/7
Barnwell, J. 2010. The Poetic Truth. Interview with production designer Stuart Craig . Wide Screen. 1 (2).
Peters, T. 2010. Ceramic Narratives. Ceramics on Show: Public and Private Displays. Victoria & Albert Museum, London 24 - 25 Sep 2010
Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.
Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15
Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99
Goddard, M. and Halligan, B (ed.) 2010. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate.
Goddard, M. 2010. Gombrowicz, Polish Modernism and the Subverison of Form. West Lafayette, Indiana Purdue University Press.
White, N., Smith, D. and Jeong, D. 2010. Fieldworks from the Museum of the Void: Experiments in the Event of an Archive. University of the Arts London: Chelsea Space.
White, N. 2010. Dark Places Catalogue (First ed.). University of Southampton: John Hansard Gallery.
Thomas, R. 2010. Still magic: an Aladdin’s cave of 1950s B-movie fantasy. Tasveer Ghar: A Digital Archive of South Asian Popular Visual Culture.
Sprio Margherita 2010. Texts – Filmmaker Sarah Pucill in conversation with Dr Margherita Sprio. Sequence Magazine. 1.
Sprio Margherita 2010. Sarah Pucill: an historical overview of her films (1990-2010). (DVD essay). London Lux Productions.
Sprio Margherita 2010. Migrant translations: Matarazzo remembered. in: Riccobono, R.M. (ed.) The poetics of the margins: mapping Europe from the interstices Peter Lang. pp. 73-84
Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134