Westminster School of Arts

Mitterfellner, O. 2023. Luxury Fashion Brand Management: Unifying Fashion with Sustainability. Abingdon Routledge.

Rumball, H. 2023. "We Must Hope That the Moderates with Their Quiet Attire Are the Rising Section": British Women Friends’ Relinquishment of Plain Dress. in: Robynne Rogers Healey and Carole Dale Spencer (ed.) Quaker Women, 1800-1920: Studies of a Changing Landscape Pennsylvania State University Press. pp. 222-244

Julia Toppin 2023. Jungle: A Critical Intersectional History. in: Monique Charles and with Mary Gani (ed.) Black Music in Britain in the 21st Century Liverpool University Press. pp. 89-104

Gortazar, P. 2023. Generative Photographic Spaces: A Pixel-perfect Thrill. How do Humans and Machines See the World. King's College, London, UK 06 Dec 2023

Gortazar, P. 2023. Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph. Photography and Artificial Intelligence. Royal Photographic Society, Bristol, UK 09 - 10 Oct 2023

Wyver, J. 2023. RSC Live from Stratford-upon-Avon: Ten Things I Think I Know, or, Of Course We’re Making a Movie. in: Smith. E. (ed.) Shakespeare Survey 76: Digital and Virtual Shakespeare Cambridge Cambridge University Press. pp. 9-16

Jenny Evans, Adam Vials Moore, Rachael Kotarski and Alan Stone 2023. Telling a story with metadata or Always drink upstream from the herd: What if your metadata isn’t properly represented in the stream? Information Services & Use. 43 (3-4), pp. 257-267. https://doi.org/10.3233/isu-230208

Musgrave, G., Gross, S. and Carney, D. 2023. When Music Speaks: Mental Health and Next Steps in the Danish Music Industry. Part 1 – Danish Music Creators’ Subjective Wellbeing and Mental Health. Copenhagen, Denmark Danish Partnership for Sustainable Development in Music. https://doi.org/10.5281/zenodo.10169748

Mahlouji, Vali 2023. Narrativising Dispossessed Histories. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w6z53

Ingawanij, M.A. 2023. To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi. Hocken Collections, University of Otago.

Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

Groves, Andrew and Sprecher, Danielle 2023. Representing Black British Music in the Westminster Menswear Archive. UoW Annual Black Music Symposium at the British Library. British Library 20 Oct 2023

Boon, H. 2023. Suzanne Ciani – The Diva of the Diode. Technoetic Arts: A Journal of Speculative Research. Volume 21 (Issue 2, Women in Art and Science), pp. 193-209. https://doi.org/10.1386/tear_00116_1

Grose, V. and Mansfield, N. 2023. Fashion Supply Chain Management: Integrating Sustainability through the Fashion Supply Chain. Routledge.

Sprecher, Danielle and Groves, Andrew 2023. Invisible Men in Black. ICOM Costume: International Committee for Museums and Collections of Costume, Fashion and Textiles Annual Meeting 2023. National Museums of Scotland, Edinburgh 24 - 27 Sep 2023

Bakshi, S. 2023. The Shape of Life: Reading Space in Sai Paranjpye's Cinema (1980-2009). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w6280

Butt, Z. 2023. To be present with what we cannot see: Curating as a dialogical practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w627y

Asante, B. 2023. That Bird is Singing Us an Invitation to Meet Our Future: Listening to the Call of Sankofa to Develop Memory Practice Methodologies for Performative Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w627x

Groves, Andrew, Briggs-Goode, Amanda, Britt, Helena and Arnold, Kevin 2023. Investigating the Value of UK Higher Education Fashion and Textile Collections. Archiving Fashion Conference: Mapping Fashion Collections. Fashion Institute of Technology, 300 7th Avenue, New York, NY 10001 11 - 11 Nov 2023

Christodoulou, C. 2023. Liquid Funk: Acceleration, late capitalism and the signification of nature in jungle drum and bass music. (1), p. 2 2.

Hannah Rumball 2023. The Ladies Ulster in the 1870s and 1880s: From “Eccentric-Looking” to “Beau Ideal”. Textile: Cloth and Culture. 21 (1), pp. 300-328. https://doi.org/10.1080/14759756.2022.2084317

Boon, H. 2023. Sonic Futures: Short Fiction Storytelling: Artificial Intelligence in Popular Music Studies . Westminster Annual learning and Teaching Symposium 2023. Marylebone 04 Sep 2023

Kempadoo, R. 2023. Provoking Us to Change the World. NACLA Report on the Americas. 55 (3), pp. 327-331. https://doi.org/10.1080/10714839.2023.2247778

Waring, Camille 2023. Whoretography – The Sex Worker As Image-Maker: A critical analysis of sex workers’ self-representation in online public spaces. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w4ww5

Sprecher, Danielle and Groves, Andrew 2023. Tailored by Umbro: Football, fashion and the construction and reconstruction of Englishness through cut, fit, and style. 2023 British Society of Sport History Conference. Manchester Metropolitan University, Manchester 24 - 25 Aug 2023

Morris-cafiero, Haley 2023. Reversing The Weapons: Recuperating the marginalised body with performative photography. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w4641

Groves, Andrew and Sprecher, Danielle 2023. Linen in Menswear 1800 - present. in: Camilleri, A. (ed.) Le Lin, fibre de civilisation(s) Paris, France Actes Sud.

Groves, Andrew 2023. Palliative Prototypes or Therapeutic Functionality? Examining C.P. Company’s Urban Protection Collection. in: Woolley, D., Johnstone, F., Sampson, E. and Chambers, P. (ed.) Wearable Objects and Curative Things: Materialist Approaches to the Intersections of Fashion, Art, Health and Medicine. Palgrave Macmillan.

Sprecher, Danielle 2023. I Am an Ordinary Man: Getting and Wearing Suits in Britain 1945-1980. in: Bethan Bide, Jade Halbert and Liz Tregenza (ed.) Everyday Fashion: Interpreting British Clothing Since 1600 London Bloomsbury Visual Arts.

Khong, Kok Wai 2023. The Contemporary Malaysian Fantastic Film: Imagining an Alternative Modernity. PhD thesis University of Westminster The Centre for Research and Education in Arts and Media https://doi.org/10.34737/w4368

Groves, Andrew, Sprecher, Danielle, Jenkinson, Jo and Owen, Paul 2023. Locating Menswear – A Non-Hierarchical Exploration of Place and Community. Dress Devolution. Falmouth University 06 - 07 Jul 2023

Groves, Andrew and Sprecher, Danielle 2023. The Repositioning of the Football Jersey from the Pitch to the Runway. International Football History Conference . Hampden Park Stadium, Glasgow 30 Jun - 01 Jul 2023

Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2023. Practice Research Voices (PRVOICES): Final report and recommendations. London University of Westminster. https://doi.org/10.34737/w3803

Moore, D. 2023. The Lisa and John Slideshow (2017): A Play about Photography. Arts. 12 (3) 109. https://doi.org/10.3390/arts12030109

Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030

Campos, Patrick 2023. Topologies of Regional Cinema: Philippine, Mindanaon, and Southeast Asian Films. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w34v2

Gortazar, P. 2023. Cosmos, Fiction and Transcendence. Third Text. 37 (1), pp. 1-117. https://doi.org/10.1080/09528822.2023.2214048

Barnwell, J. 2023. ‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,. in: Histories, Adaptations and Legacies of Tinker, Tailor, Soldier, Spy New York Routledge.

Boon, H. 2023. Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production. Journal of Popular Music Education. 7, pp. 285-302. https://doi.org/10.1386/jpme_00126_1

Klewitz, R. 2023. Research outputs for the PhD by Published Work “Potentials and limitations of language in observing and interpreting art”. University of Westminster.