Westminster School of Arts

Boon, H. 2023. Live Coding and Music Production as Hybrid Practice. Organised Sound. 28 (2), pp. 253-263. https://doi.org/10.1017/S1355771823000419

Klewitz, Ralph 2023. Potentials and limitations of language in observing and interpreting art. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2y7q

Soutter, L. and Wooldridge, D. (ed.) 2023. Writer Conversations. London 1000 Words.

Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5

Hopwood, Alasdair 2023. Misinformation as Material: Towards the use of cognitive psychology as a research tool for artists. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2v9z

Musgrave, G., Howard, C., Schofield, A., Silver, E. and Tibber, M.S. 2023. Mental health and the music industry: an evolving intervention landscape. The Lancet Psychiatry. 10 (5), pp. P311-313. https://doi.org/10.1016/S2215-0366(23)00093-7

Pitsillides, Stacey, Boddington, Ghislaine and Vindis, Tadej 2023. Donate Yourself: An AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity. 12, pp. 103-123. https://doi.org/10.1386/vcr_00064_1

Arese Visconti, F. 2023. Re-thinking Photographic Portraiture of 21st Century Italian Migrants in the Arc Lémanique area. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w216q

Evans, Jenny 2023. Open Research Practice Based Researchers. Practice Based Researchers and Open Research. Northumbria University 25 Nov 2022 Northumbria University. https://doi.org/10.25398/rd.northumbria.22269343.v1

Evans, J. 2023. Telling a story with metadata: always drink from the upstream. What if your metadata isn’t properly represented in the stream. NISO Plus 2023. Online 14 - 16 Feb 2023 University of Westminster. https://doi.org/10.34737/w1739

Behrman, Pryle 2023. A Study of Curation, Location and Temporality in Contemporary Art Fairs. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w166w

Musgrave, G. 2023. Musicians, their Relationships, and their Wellbeing: Creative Labour, Relational Work. Poetics. 96 101762. https://doi.org/10.1016/j.poetic.2023.101762

Ghufran, Iram 2023. Situating documentary film in a speculative future: an exploration in multi species entanglements. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w121x

Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.

Shinkle, E. 2023. On Boredom and Contemporary Fashion Photography. in: Filippello, R. and Parkins, I. (ed.) Fashion and Feeling: the Affective Politics of Dress Palgrave Macmillan. pp. 271-284

Musgrave, G. 2023. Music and Wellbeing vs Musicians’ Wellbeing: Examining the Paradox of Music-Making Positively Impacting Wellbeing, but Musicians Suffering from Poor Mental Health. Cultural Trends. 32 (3), pp. 280-295. https://doi.org/10.1080/09548963.2022.2058354

Loveday, C., Musgrave, G. and Gross, S. 2023. Predicting anxiety, depression and wellbeing in professional and non-professional musicians. Psychology of Music. 51 (2), pp. 508-522. https://doi.org/10.1177/03057356221096506

Campany, D. 2023. William Klein: Yes. UK/US Thames & Hudson.

Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice. 13 (1), pp. 37-51. https://doi.org/10.1386/fict_00072_1

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022

Reddington, J. 2022. How Artists are Using Music NFTs to Build Active Communities.

Stewart, K. 2022. The Horror Show. Somserset House, London 27 Oct 2022 - 19 Feb 2023

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Pucill, S. 2022. Screening of 'Magic Mirror ' (16mm, 75min, 2013) at Lexi Cinema, curated by Juliet Jacques.

Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Boon, H. 2022. Sound Based Music Design Demonstration. London

Reddington, J. 2022. Sound of Fractures - IRL EP.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

Sprecher, Danielle 2022. Curating Semi-Synthetic and Synthetic Fibres and Fabrics 2022. Dress and Textile Specialists.

Pucill, S. 2022. Confessions to the Mirror. Cobra Museum, Amstelveen, Netherlands Spring 2021 and then Kunsthal Museum Gallery, Rotterdam 2022 21 May - 28 Aug 2022

Hermes, K. 2022. Machines on Stage: Approaches to Performing Electronic Music Live. Audio Engineering Society.

Kerry Stewart 2022. Diver . 09 - 23 Apr 2022

Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Pucill, S. 2022. “Eruption, rupture, suture and disruption” A text by Sarah Pucill on two films by Sandra Lahire, “Arrows “(1984) and “Night dances” (1995). in: Maria Palacios Cruz and Charlotte Proctor (ed.) ‘Cahier’ booklet to accompany a screening at Courtisane Film Festival, April/May 2021