Westminster School of Arts

Goddard, M., Halligan, B and Spelman, N (ed.) 2013. Resonances: Noise and Contemporary Music. London Bloomsbury Academic.

Goddard, M. 2013. The Cinema of Raul Ruiz: Impossible Cartographies. London Wallflower Press.

ten Brink, J. and Oppenheimer, J. 2013. Invincible.

Wilson, L.G. 2013. "Miraculous constellations in real material”: spiritualist phenomena, dada photomontage and magic. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Thompson, Shirley 2013. Nanny of the maroons.

Thomas, R. 2013. Thieves of the Orient: the Arabian Nights in early Indian cinema. in: Kennedy, P.F. and Warner, M. (ed.) Scheherazade's children: global encounters with the Arabian Nights New York New York University Press. pp. 362-393

Tabrizian, M. 2013. Tehran project. Fondazione Fotografia, Modena, Italy 20 Apr - 23 Jun 2013

Tabrizian, M. 2013. Another country, 2010. Fondazione Fotografia, Modena, Italy 20 Apr - 23 Jun 2013

Shinkle, E. 2013. Fashion's digital body: seeing and feeling in fashion interactives. in: Bartlett, D., Cole, S. and Rocamora, A. (ed.) Fashion media: past and present London Bloomsbury Publishing.

Pucill, S. 2013. Magic Mirror.

Orlow, U. 2013. Sounds from beneath. Japan 10 Aug - 27 Oct 2013

Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Mays, S. 2013. From the premodern to the postmodern: mnemotechnics and the ghost of "the folk". in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Christodoulou, C. 2013. DJs and the aesthetic of acceleration in drum 'n' bass. in: Attias, B.A., Gavanas, A. and Rietveld, H.C. (ed.) DJ culture in the mix: power, technology, and social change in electronic dance music London Bloomsbury Academic. pp. 195-218

Bate, D. 2013. The digital condition of photography: cameras, computers and display. in: Lister, M. (ed.) The photographic image in digital culture (2nd edition) Routledge. pp. 77-94

Mays, S. and Matheson, N. (ed.) 2013. The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester Manchester University Press.

Reddington, J. 2012. McQ Autumn/Winter Show 2012.

Ingawanij, M.A. 2012. Mother India in six voices: melodrama, voice performance, and Indian films in Siam. Bioscope: South Asian Screen Studies. 3 (2), pp. 99-121. https://doi.org/10.1177/097492761200300202

Wyver, J. 2012. Julius Caesar.

Robert Leach 2012. Fashion Resource Book. Thames & Hudson.

Alamouti, D. 2012. Gilad and all that Jazz.

Bate, D. 2012. The social network game. Philosophy of Photography. 3 (1), pp. 29-35. https://doi.org/10.1386/pop.3.1.29_7

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Goddard, M. 2012. Noise as Cultural Subversion: The Return of Postpunk. in: Cieslak, M. and Rasmus, A. (ed.) Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance Newcastle upon Tyne Cambridge Scholars Publishing. pp. 20-34

Goddard, M. 2012. The Impossible Polish New Wave and its Accursed Auteurs. in: Imre, A. (ed.) Blackwell Companion to Eastern European Cinema New York; London Wiley. pp. 291-310

Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.

Goddard, M. and Halligan, B 2012. Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics. Framework: The Journal of Cinema and Media. 53 (1), pp. 172-189.

Goddard, M. 2012. Cinematic and Aesthetic Cartographies of Subjective Mutation. Subjectivity. 5 (1), pp. 75-94. https://doi.org/10.1057/sub.2011.24

Goddard, M., Halligan, B and Hegarty, P (ed.) 2012. Reverberations: The Philosophy, Aesthetics, and Politics of Noise. London Bloomsbury Academic.

ten Brink, J. 2012. Re-enactment, history of violence and documentary film. in: ten Brink, J. and Oppenheimer, J. (ed.) Killer images: documentary film, memory and the performance of violence New York Columbia University Press.

Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Thompson, Shirley 2012. Mandela tales.

Tabrizian, M. 2012. Leicestershire.

Shinkle, E. 2012. Videogames and the digital sublime. in: Karatzogianni, A. and Kuntsman, A. (ed.) Digital cultures and the politics of emotion: feelings, affect and technological change London Palgrave Macmillan.

Shinkle, E. 2012. Uneasy bodies: affect, embodies perception, and contemporary fashion photography. in: Pappenburg, B. and Zarzycka, M. (ed.) Carnal aesthetics: transgressive imagery and feminist politics I.B. Tauris.

Rawlings, J. 2012. Wave/ing.

Orlow, U. 2012. The Reconnaissance. Aargauer Kunsthaus 1 Sep - 18 Nov 2012

Oppenheimer, J. and ten Brink, J. 2012. The act of killing.

Matheson, N. 2012. Fear of reflections: the photoworks of Paul McCarthy. in: Bleyen, M. (ed.) Minor photography: connecting Deleuze and Guttari to photography theory University of Leuven Press.