College | Design, Creative and Digital Industries |
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Head | Ms Virginia Grose |
Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360
Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288
Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.
Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.
Orlow, U. 2016. What Plants Were Called Before They Had A Name.
Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012
Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.
Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278
Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.
Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017
Campany, D. 2016. A Question of Finish: thoughts on the work of Jeff Cowen. in: Jeff Cowen: Photoworks Cologne, Germany Konig.
Campany, D. 2016. The Given Image. in: Trosch, J. and Bosshard, M. (ed.) John Stezaker: Unassisted Readymade Zurich, Switzerland JRP/Ringier.
Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.
Neville, M. Campany, D. (ed.) 2016. Mark Neville: Fancy Pictures. Gottingen, Germany Steidl Verlag.
Campany, D. 2016. Walker Evans: Anonymous and Ingognito. in: Zander, T. (ed.) Walker Evans: Labor Anonymous Cologne, Germany Konig.
Campany, D. 2016. Light and Dark Chambers. in: Intimate Distance New York Aperture Foundation, Inc..
Campany, D. and Braden, P. 2016. Adventures in the Lea Valley. London Hoxton Mini Press.
Ross, J. 2016. Game Play: Artists playing video games. Art Cinema OFFoff 14 - 14 Nov 2016
Ross, J. 2016. Cosmos - Takashi Makino. London Gallery West 22 Jan - 21 Feb 2016
Ross, J. 2016. Fluorescent Chrysanthemum. ICA, London 04 Oct - 27 Nov 2016
Ross, J. 2016. STILL MOVING – Een expositie van diafilms. Art Cinema OFFoff, Ghent, as part of Film Fest Gent 11 - 21 Oct 2016
Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema in the Time of Pop. Tate Modern 22 - 24 Jan 2016
Ross, J. 2016. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals. in: De Luca, T. and Jorge, N. Barradas (ed.) Slow Cinema Edinburgh, Scotland Edinburgh University Press. pp. 261-272
Ross, J. 2016. Pafōmansu to shite no ekusupande'do cinema. in: American Avant-Garde Movies Japan Shinwasha. pp. 161-181
Ross, J. 2016. Curating Problems for Expanded Cinema. in: Ferreboeuf, R., Noble, F. and Plunkett, T. (ed.) Preservation, Radicalism and the Avant-Garde Canon Palgrave Macmillan. pp. 35-49
Cumberland, S. 2016. The Painting Show. Touring Exhibition: Currently Aram Art Gallery, Goyang Cultural Centre, South Korea. Previously Vilnius Contemporary Art Centre, Lithuania, and Limerick City Gallery of Art, Ireland. 22 Jan 2016 - 24 Sep 2017
Cumberland, S. 2016. Handmade Colour Pictures. The approach 1st Floor, 47 Approach Road Bethnal Green, London E2 9LY 10 Jul - 07 Aug 2016
Hermes, K., Brookes, T. and Hummersone, C. 2016. The harmonic centroid as a predictor of string instrument timbral clarity. Audio Engineering Society Convention. Paris, France 04 - 07 Jun 2016 Audio Engineering Society.
Evans, G. 2016. Migrants what does home mean to you? Hive Dalston 15 Apr 2017
Peters, T. 2016. Ceramic Art in Social Contexts. in: Brown, C., Stair, J. and Twomey, C. (ed.) Contemporary Clay & Museum Culture London and New York Routledge. pp. 97-104