Westminster School of Arts

Matheson, N. 2008. National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz. Journal of War and Culture Studies. 1 (3), pp. 261-274. https://doi.org/10.1386/jwcs.1.3.261_1

Matheson, N. 2008. Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction. in: Holmgren Troy, M. and Wenno, E. (ed.) Space, haunting, discourse Newcastle Cambridge Scholars Publishing.

Campany, D. 2008. The one, the many, the one. PA Magazine. 1, pp. 4-5.

Campany, D. 2008. The fashion shoot in cinema. Aperture. 190.

Campany, D. 2008. A conversation with Edgar Martins. in: Edgar Martins: Topologies New York Aperture. pp. 115-122

Campany, D. 2008. The aesthetics of the pixel: Thomas Ruff's JPEGs. IANN Magazine. 2, pp. 32-47.

Campany, D. 2008. Strangely simple and simply strange: the photobook for children. Source Magazine. 54, pp. 20-25.

Campany, D. 2008. Re-viewing Rear Window. Aperture. 192, pp. 52-55.

Campany, D. 2008. Photography and Cinema. London, UK Reaktion Press.

Campany, D. 2008. From ecstacy to agony: cinema and the fashion shoot. Aperture. 190, pp. 40-45.

Campany, D. 2008. Brian Alfred is a person. in: Brian Alfred: Millions now living will never die!!! London Haunch of Venison. pp. 4-8

Bate, D. 2008. Bungled Memories.

Bate, D. 2008. Bungled Memories. Zacheta National Gallery, Poland May - June 2008

Shinkle, E. (ed.) 2008. Fashion as photograph: viewing and reviewing images of fashion. London I.B. Tauris.

Orfanidou, M., Triantaphillidou, S. and Allen, E. 2008. Predicting image quality using a modular image difference model. in: Farnand, S.P. and Gaykema, F. (ed.) Image quality and system performance V : 28-30 January 2008, San Jose, California, USA IS&T - The Society for Imaging and Science and Technology and SPIE.

Campany, D. 2008. The painting of modern life. Frieze. 112.

Thompson, Shirley 2007. Spirit of the middle passage.

Campany, D. 2007. Polly Braden's solo city. Photoworks. 9, pp. 38-43.

Campany, D. 2007. Conversation with Paul Graham. Art World. 1, pp. 128-129.

Ingawanij, M.A. 2007. Nang Nak: Thai bourgeois heritage cinema. Inter-Asia Cultural Studies. 8 (2), pp. 180-193. https://doi.org/10.1080/14649370701295599

Campany, D. 2007. Conversation with Brett Rogers, director of the Photographers' Gallery, London. Foam: international photography magazine. 11, pp. 22-26.

Triantaphillidou, S., Allen, E. and Jacobson, R.E. 2007. Image quality comparison between JPEG and JPEG2000. II. Scene dependency, scene analysis, and classification. Journal of Imaging Science and Technology. 51 (3), pp. 259-270.

Campany, D. 2007. John Stezaker's precise enigmas. Photoworks. 8, pp. 12-19.

Allen, E., Triantaphillidou, S. and Jacobson, R.E. 2007. Image quality comparison between JPEG and JPEG2000. I. Psychophysical investigation. Journal of Imaging Science and Technology. 51 (3), pp. 248-258. https://doi.org/10.2352/J.ImagingSci.Technol.(2007)51:3(248)

Campany, D. 2007. 'A theoretical diagram in an empty classroom': Jeff Wall's picture for women. Oxford Art Journal. 30 (1), pp. 7-25. https://doi.org/10.1093/oxartj/kcl033

Barnwell, J. 2007. A Conversation with Peter Lamont. International Journal of Production & Costume Design. pp. 34-47.

Orlow, Uriel 2007. Photography as cinema: 'La jetée' and the redemptive powers of the image (2006). in: Campany, D. (ed.) The Cinematic Whitechapel Gallery / MIT Press. pp. 177-184

Orlow, U. 2007. The Dialectical Image. in: Campany, D. (ed.) The Cinematic Whitechapel Gallery.

Bate, D. 2007. The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge. Afterimage: The Journal of Media Arts and Cultural Criticism. 35 (3), pp. 3-6. https://doi.org/10.1525/aft.2007.35.3.3

Bate, D. 2007. The Politics Of Friendship. Angelaki. 12 (3), pp. 107-113. https://doi.org/10.1080/09697250802041186

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346

Moore, D. 2007. The Last Things. London Dewi Lewis.

Goddard, M. 2007. East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu. Studies in French Cinema. 7 (2), pp. 107-117.

Wyver, J. ten Brink, J. (ed.) 2007. Vision on: film, television and the arts in Britain. London, UK Wallflower Press.

Ursu, M.F., Cook, J.J., Zsombori, V., Zimmer, R., Kegel, I., Williams, D., Thomas, M., Wyver, J. and Mayer, H. 2007. Conceiving ShapeShifting TV: a computational language for truly-interactive TV. in: Cesar, P., Chorianopoulos, K. and Jensen, J.F. (ed.) Interactive TV: a shared experience Berlin Springer.

Twomey, C. 2007. Think tank trophy. Contemporary Applied Arts London Jan 2007

Twomey, C. 2007. Contemporary clay. in: Hanaor, C. (ed.) Breaking the mould: new approaches to ceramics London Black Dog.

Twomey, C. 2007. Blossom.

Thomas, R. 2007. Miss Frontier Mail: the film that mistook its star for a train. in: Narula, M., Sengupta, S., Bagchi, J. and Sundaram, R. (ed.) Sarai Reader 07: Frontiers Delhi, India Centre for the Study of Developing Societies. pp. 294-309