| College | Creative Arts and Technologies |
|---|---|
| Head | Ms Virginia Grose |
Sprio Margherita 2007. Archival memories: between history and experience. in: Johnson, C. (ed.) Feast: Christy Johnson and 33 confessors AHRC/University of the Creative Arts Publication.
Pucill, S. 2007. Blind Light (2007). 66 East 4th Street, New York, NY 10003 01 Dec 2007
Orlow, U. and Farqhuar, M. 2007. The transgenerational memory of monkeys. South London Gallery 07 Nov 2007
Orlow, U. 2007. The Benin Project. Fribourg Kunsthalle /Centre dArt Contemporain, Switzerland 06 Jul - 19 Aug 2007
Oppenheimer, J. and Uwemedimo, M. 2007. Participatory imagination and narration in the work of vision machine and Jean Rouch. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.
Oppenheimer, J. and Uwemedimo, M. 2007. Beneath the sheets of history: historical recovery in the work of Vision Machine Project. in: Marchessault, J. and Lord, S. (ed.) Fluid screens, expanded cinema Toronto, Canada University of Toronto Press. pp. 167-183
Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.
Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47
Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium
Cumberland, S. 2007. Stuart Cumberland: Congratulations.
Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75
Campany, D. 2007. Photography and cinematic surface. Aperture. 188, pp. 40-49.
Bate, D., Wollen, P., Christie, I. and Cowie, E. 2007. Everyday madness: surrealism, ethnography and the photographic image. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.
Bate, D. 2007. Emperor's new clothes. in: Elkins, J. (ed.) Photography theory London Routledge. pp. 253-255
Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.
Campany, D. (ed.) 2007. The cinematic. London ; Cambridge, Mass Whitechapel ; MIT Press.
Bradeanu, A. and Thomas, R. 2006. Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania. South Asian Popular Culture. 4 (2), pp. 141-146. https://doi.org/10.1080/14746680600797129
Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.
Urwin, P.J., Jack, G. and Lissenburgh, S. 2006. The impact of the National Minimum Wage in low-wage sectors: does the Earnings Top-up Evaluation study add to our understanding? Industrial Relations Journal. 37 (3), pp. 259-277. https://doi.org/10.1111/j.1468-2338.2006.00402.x
Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359
Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.
White, R. 2006. “Behind the Mask”: Eminem and Post-Industrial Minstrelsy. European Journal of American Culture. 25 (1), pp. 65-79. https://doi.org/10.1386/ejac.25.1.65/1
Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856
Twomey, C. 2006. Temporary. Northern Clay Centre, Minneapolis, USA 14 Jul - 27 Aug 2006
Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.
Rawlings, J. 2006. Mariners and migrants: in search of home.
Pucill, S. 2006. The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92
Pucill, S. 2006. Stages of Mourning. 66 East 4th Street, New York, NY 10003 18 Nov 2006
Orlow, U. 2006. The world possessed. Museum of Garden History, London, UK 03 Jul - 29 October 2006
Orlow, U. 2006. Midday/Midnight (66° 33'). ICA, London 24 May - 16 Jul 2006