Westminster School of Arts

Klewitz, R. 2021. WZ59_Mont2_Poem1 (2021). Bournemouth, England

Pucill, S. 2021. Online Masterclass as part of 'Photo Film' research group I gave a masterclass presentation of my two films on the writer and photographer Claude Cahun.

Reddington, J. 2021. Universal Publishing Production Music UK .

Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Hermes, K. 2021. Performing Electronic Music Live - video tutorial series.

Reddington, J. 2021. Real Friends EP.

Riley, M. 2021. Jazz Jamaica All Stars: The Trojan Story - Live Event. Royal Festival Hall, London

Boon, H. 2021. The Space Between The Stars.

Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

Marsh, J. 2021. Virtual Assembly .

Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London

Groves, Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. London Gallery West 08 - 28 Jun 2021

Musgrave, G. and Gross, S. 2021. [Audiobook] Can Music Make You Sick? Measuring the Price of Musical Ambition . London University of Westminster Press. https://doi.org/10.16997/book43

Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021

Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021

Astor, Pete 2021. ‘Hot Dog, Jumping Frog’: the community of experience and meaning in songs. Academia Letters. https://doi.org/10.20935/al136

Pucill, S. 2021. 'Confessions to the Mirror' (16mm, col 68min 2016) . Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Mitterfellner, O. 2021. What is ethical consumption? The Fashion Archive Magazine.

Russell White 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

White, R. 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

Harrison, L., Britton, N., Chatterley, A. and Russell, M. 2021. Bridging the Technical Divide: Techniques for effective communication with artists. AES Spring Show. Online 25 - 28 May 2021 Audio Engineering Society.

Harrison, L. 2021. Guiding Audiences with Sound: Techniques for interactive and games audio. AES Spring Show. Online 25 - 28 May 2021 Audio Engineering Society.

Colotti, C. 2021. A review of contemporary practices incorporating digital technologies with live classical music. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music. Future Opportunities Routledge. pp. 273-289

Rumball, H. 2021. Fashion and Materiality: Cultural Practices in Global Contexts, ed. by Heike Jenss and Viola Hofmann. Costume. 55 (1), pp. 147-148.

David Bate 2021. The Figure of Migration. in: Carville, J. and Lien, S. (ed.) Contact Zones: Photography, Migration, and Cultural Encounters in the United States Leuven University Press. pp. 29-54

Klewitz, R. 2021. Freedom to create. Ralph Klewitz.

Summer, T., Cook, J., Famer, W., Ferrè, E.R., Harrison, L., Hemming, R., Nescu, A.I., Reed, L., Roberts, F., Stevens, R., Tatlow, S. and Whittaker, L. 2021. Music and Sound in Virtual/Augmented Realities-Questions, Challenges and Approaches A Multidisciplinary Roundtable. Journal of Sound and Music in Games. 2 (2), pp. 63-83. https://doi.org/10.1525/jsmg.2021.2.2.63

Harrison, L A. 2021. Teaching Principles of Interactive Sound. in: Stevens, B. (ed.) Teaching Electronic Music Routledge. pp. 90-102

Oh, Sun Young 2021. Curating Arts on the Edge of an Unstable Society. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vwv1x

Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7

Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2

Thomson, Joel 2021. Quantum Ecologies in Cosmological Infrastructures: A Critical Holographers Encounters with the Meta/Physics of Landscape-Laboratories. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vwq22

Bate, D. 2021. Photography (Art Essentials). Thames & Hudson.

Sprecher, Danielle 2021. Book Review: Fur: A Sensitive History. Journal of Design History. https://doi.org/10.1093/jdh/epab045

Sprecher, Danielle 2021. ‘The men who wear corsets are just ordinary people, Officers, aye and Privates too’: Fragments of biography of a gentleman’s corset in mid-twentieth century Britain. Sartorial Society Season 4. Out of Sight: Concealed Dress, Dress that Conceals. Online 30 Sep - 09 Dec 2021

Sprecher, Danielle and Groves, Andrew 2021. Contaminated Objects - Collecting and Exhibiting Face Masks during COVID-19. Clothing the Pandemic Conference. Online 01 Dec 2021 - 01 Mar 2022 ICOM Costume: ICOM International Committee for Museums and Collections of Costume, Fashion and Textiles.

Fry, C. 2021. Encounters with Errors: How the error shapes relationships with digital media practice . 24th Generative Art Conference. Cagliari, Sardinia, Italy 15 - 17 Dec 2021 Domus Argenia Publisher.

Lee, Yeseung 2021. Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий. Теория моды: одежда, тело, культура (Fashion Theory, Russian edition). 62 (April), pp. 162-187.

Chiocchetti, Federica 2021. Photo-Texts: Critical Intersections in History. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vv4z6

Gross, S. 2021. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.”. PhD thesis University of Westminster School of Media https://doi.org/10.34737/vv213