|College||Design, Creative and Digital Industries|
|Head||Ms Michaela O'Brien|
Peters, T. 2023. Reframing the Past. in: Meekyoung Shin, Time/Material: Performing Museology Seoul, South Korea Coreana Museum of Art, Seoul, South Korea.
Costagliola, A. 2023. ‘Allow her to flourish and grow’: commodifying gendered handicraft labour in conscious capitalist brand imagery on Instagram. Third World Quarterly. Advanced online publication. https://doi.org/10.1080/01436597.2023.2179983
Gimenez, J., Paterson, R. and Specht, D. 2023. Doctoral writing through a trajectorial lens: an exploratory study on challenges, strategies and relationships. Higher Education. Advanced online publication. https://doi.org/10.1007/s10734-023-01019-7
Bedu-addo, K. 2023. Power, Policy, and Digital Switchover: An Analysis of Communication Policy Making and its Challenges for Regulating Ghana’s Digital Television Sector. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w121z
Sakr, N. 2023. Saudi Arabian Television: The Challenge of Connecting with Reality. in: Ogola, G. (ed.) The Future of Television in the Global South: Reflections from Selected Countries Palgrave Macmillan.
Mohammed Faisal Amadu, Eliasu Mumuni and Ahmed Taufique Chentiba 2023. Journalistic ethics and elections news coverage in the Ghanaian press: a content analysis of two daily Ghanaian newspaper coverage of election 2020. Journal of Information, Communication & Ethics in Society. 21 (1), pp. 63-75. https://doi.org/10.1108/jices-04-2022-0039
Kent, A.J. and Specht, D. 2023. Geospatial Technologies in Archaeology. in: The Routledge Handbook of Geospatial Technologies and Society Routledge.
Specht, D. 2023. Geospatial Technology and the Sustainable Development Goals. in: Kent, A.J. and Specht, D. (ed.) Routledge Handbook of Geospatial Technology and Society Abingdon, Oxon Routledge.
Angeli, S. and Quaranta, C. 2023. Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014). Studies in European Cinema. 20 (1), pp. 20-35. https://doi.org/10.1080/17411548.2021.1921931
Kent, A.J. and Specht, D. (ed.) 2023. Routledge Handbook of Geospatial Technologies and Society. Routledge.
Lodhi, A. 2022. Reclaiming a Lost Past: Black British Women, Visibility and the BBC. https://canvas-story.bbcrewind.co.uk/reclaiming/
Lodhi, A. 2022. The Conversation Continues: We Are Still Listening (with Trevor Mathison). Stuart Hall Foundation
Hort, P. 2022. Fragments and Annotations. Archives and Imaginaries exhibition, HKW Berlin, March 24th to April 28th 2022
Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.
Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.
Sandra Gaudenzi 2022. Corona Haikus. Interactive Film & Media Journal. 2 (4). https://doi.org/10.32920/ifmj.v2i4.1667
Specht, D. 2022. Environmental recovery after colonialism. The Consequences of War and their Interdependence. Bringing Human Security Back to the Global Political Agenda. University of Padova, Italy 14 - 15 Nov 2022
Jones, C.W. 2022. Balenciaga’s controversial new campaign and the long history of ‘shockvertising’. The Conversation.
Jones, C.W. 2022. Decolonising Advertising through content creation, broadcast on social media, to inspire social transformation. Kate Hamburger Kolleg Aachen: Cultures of Research.
Specht, D. 2022. The codification of local knowledges through digital cartographic artefacts: A Case study of the Humanitarian OpenStreetMap Team in Dar es Salaam, Tanzania. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w0607
Kala, Geetanjali 2022. Internet Memes as Instruments of Subversion in the Context of Islam and Muslims. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w03x3
Barnett, Steven, Murdoch, Tom and Townend, J. 2022. Where public interest and public benefit meet: the application of charity law to journalism. Journal of Media Law. Advanced online publication. https://doi.org/10.1080/17577632.2022.2141225
Mushayabasa, Reward 2022. Democratic Transition and Digital Media Activism in Africa: A Zimbabwean Case Study. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w0230
Xin, X. 2022. Xinhua News Agency. in: The SAGE Encyclopedia of Journalism Thousand Oaks, CA Sage. pp. 1781-1784
Xin, X. 2022. (Re-)Popularizing Party Journalism in China: A Qualitative Study of Xinhua News Agency's Online Media Content. in: Zhang, S.I. (ed.) Digital Journalism in China London Routledge. pp. 36-47
Day, C. 2022. The people's broadcasters. IPPR Progressive Review. 29 (2), pp. 45-52. https://doi.org/10.1111/newe.12298
Chabanova, Anastasia 2022. VFX – A New Frontier: The Impact of Innovative Technology on Visual Effects. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vzx94
Winston Mano 2022. Between citizen and vigilante journalism. Communicare: Journal for Communication Studies in Africa. 29 (sed-1), pp. 57-70. https://doi.org/10.36615/jcsa.v29ised-1.1675
Meikle, G. 2022. Deepfakes. Cambridge, UK Polity.
du Gay, P., Pryke, M. and Bennett, T. 2022. Cultural revolutions: interview with Paul du Gay and Michael Pryke. Journal of Cultural Economy. Advanced online publication. https://doi.org/10.1080/17530350.2021.2021970
Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description. Zenodo. https://doi.org/10.5281/zenodo.6224372
Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them. Zenodo. https://doi.org/10.5281/zenodo.6482865
Bennett, T. 2022. A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change. 7 (1) 06. https://doi.org/10.20897/jcasc/12257
Angela McRobbie and Toby Bennett 2022. From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy. Advanced online publication. https://doi.org/10.1080/17530350.2022.2112263
Yang, C. 2022. The identity construction and representation of diasporic Chinese content creators on YouTube. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vz7zz
Yang, Xinyi 2022. The Political Economy of Internet Celebrities in China. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vxwq8
Aouragh, M. 2022. The Arab Spring a decade on: Revolution, Counter-Revolution and the transformation of a region. Amsterdam Transnational Institute Amsterdam.
Tsagarousianou, R. 2022. Time and mobility/immobility: the chronopolitics of mobility and the temporalities of suffering and hope in situations of encampment. Mobilities. Advanced online publication. https://doi.org/10.1080/17450101.2022.2088297
Ganguly, M. 2022. The Future of Investigative Journalism in the Age of Automation, Open-Source Iintelligence (OSINT) and Artificial Intelligence (AI). PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vx128
Bocchino, A. 2022. Using Social Media to build a Counter-Power Movement: Multiple Sclerosis and CCSVI, a Case Study. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/vx124