Westminster School of Arts

Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587

Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Kempadoo, R. 2016. Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure. London Rowman & Littlefield.

Aitken, J. 2016. Art Practices & The Housing Crisis. Aitken, J. (ed.) Art Practices & The Housing Crisis. The People's History Museum 18 - 18 Nov 2016

Aitken, J. 2016. Promising Home. The People's History Museum, Manchester 29 Oct 2016 - 15 Jan 2017

Aitken, J. 2016. The War at Home. Photography & The Left. University Nova de Lisboa / National Museum of Contemporary Art 16 - 17 Jun 2016

Aitken, J. and Brake, J. 2016. Picturing Change: Photographic Discourses and Urban Transformation . Barış Öztürk (ed.) Contemphoto '16: 3rd International Visual Culture and Contemporary Photography Conference. Dakam: Eastern Mediterranean Academic Research Centre, Istanbul, Turkey 27 - 27 May 2016 Özgür Öztürk BİLSAS.

Goddard, M. and Silveira, F 2016. David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks. Questões Transversais - Revista de Epistemologias da Comunicação. 3 (6), pp. 120-126.

Goddard, M. 2016. Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks. Senses of Cinema. 79 4.

Soezen, D. 2016. Kahvehane Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Soezen, D. 2016. Kahvehane (Coffeehouse) Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Aitken, J. and Brake, J. 2016. Picturing Gentrification: Representation of Urban Change, Pendleton Salford. From Contested Cities to Global Urban Justice. Universidad Autonoma de Madrid, Spain 04 - 07 Jul 2016

Aitken, J. and Brake, J. 2016. The War at Home. Photography & the Left. Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas 16 - 17 Jun 2016

Aitken, J. 2016. Developing Frontiers: Photographies as borderwork in the case of Xian urban village, Guangzhou. Visualising Chinese Borders . Manchester Metropolitan University 06 Apr 2016

Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

Tabrizian, M. 2015. 'Looking back' - on the young unemployed. Venice Biennial 09 May - 22 Nov 2015

Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Leach, Robert and Groves, Andrew 2015. Archetypes. London Gallery West, The Forum, University of Westminster Watford Road, Northwick Park, Middlesex HA1 3TP 15 May 2015

Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Cummings, P. 2015. Production Line. Southampton

White, R. 2015. The Nicaragua Grand Canal – Economic Miracle or Folie de Grandeur? Practical Action Publishing.

Robert Leach 2015. Fashion Resource Book : insupireÌ„shon o eru tame no aidea soÌ„su to jitsureishuÌ [Tankobon Softcover - Japan]. Tankobon, Japan.

Bate, D. 2015. Doubled Up: the Art of the Body. in: Enans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance Intellect. pp. 39-41

Sprecher, Danielle 2015. Book Review: Advertising Menswear: Masculinity and Fashion in the British Media since 1945. Journal of Design History. 28 (3), pp. 329-330. https://doi.org/10.1093/jdh/epv030

Lee, Yeseung 2015. Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion. Luxury: History, Culture, Consumption. 2 (1), pp. 61-80. https://doi.org/10.1080/20511817.2015.11428565

Lee, Yeseung 2015. The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion. Critical Studies in Fashion & Beauty. 6 (1), pp. 75-93. https://doi.org/10.1386/csfb.6.1.75_1

Bate, D. 2015. Art Photography. Tate Publishing.

Danino, N., Matthee, J., Novaczek, R., Pucill, S. and Syed, A. 2015. Roundtable Discussion: The Women of the London Filmmaker’s Co-op. The Moving Image Review & Art Journal (MIRAJ). 4 (1&2), pp. 164-179. https://doi.org/10.1386/miraj.4.1-2.164_1

Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Sprecher, D. and Raw, Natalie 2015. Tailored: A Very British Fashion.

Orlow, U. 2015. Made-Unmade.

Orlow, U. 2015. Unmade Film.

Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015

Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015

Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.