Westminster School of Arts

Dawood, S. 2012. Piercing brightness.

Dawood, S. 2012. New dream machine project. Parasol Unit Foundation for Contemporary Art 5 December 2012 - 23 February 2013

Campany, D. 2012. Walker Evans' Pages. in: diBello, P., Wilson, C. and Zamir, S. (ed.) The photobook: from Talbot to Ruscha and beyond I.B. Tauris.

Bate, D. 2012. Photography after postmodernism: Barthes, Stieglitz and the art of memory. London I.B. Tauris.

ten Brink, J. and Oppenheimer, J. (ed.) 2012. Killer images: documentary film, memory and the performance of violence. New York & Chichester Columbia University Press.

Ingawanij, M.A. and McKay, B. (ed.) 2012. Glimpses of freedom: independent cinema in Southeast Asia. Ithaca, NY Cornell Southeast Asia Program Publications.

Alamouti, D. 2011. Voices of Courage.

Alamouti, D. 2011. Mother.

Soutter, L. 2011. Dial ‘P’ for panties: Narrative photography in the 1990s. in: Grant, C. and Waxman, L. (ed.) Girls! Girls! Girls! in Contemporary Art Intellect. pp. 45-62

Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Stevens, S. and Orlow, U. 2011. Difficulties in Writing the Truth. in: Leaver-Yap, I. (ed.) 8 Metaphors London Lux Productions.

Goddard, M. 2011. Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios. Fibreculture. 17 FCJ-114.

Twomey, C. 2011. Made in China. Westnorway Museum of Decorative Art 17 Sep 2011 - 08 Jan 2012

Twomey, C. 2011. Collecting the edges. Denver Art Museum 11 Jun - 18 Sep 2011

Thomas, R. 2011. Distant voices, magic knives: Lal-e-Yaman and the transition to sound in Bombay cinema. in: Dwyer, R. and Pinto, J. (ed.) Beyond the boundaries of Bollywood: the many forms of Hindi cinema Oxford Oxford University Press.

Tabrizian, M. 2011. Untitled 2009. National Gallery of Modern Art, Queensland, Australia 18 Dec 2010 - 26 Apr 2011

Shinkle, E. 2011. Playing for the camera: Huizinga's Homo Ludens: technology, and the playful body in fashion photography. in: Sigurjónsdóttir, Æ., Turney, J. and Langkjær, M.A. (ed.) Images in time: flashing forward, backward, in front and behind photography in fashion, advertising and the press Bath Wunderkammer Press. pp. 165-182

Perrier, E. 2011. Schillermarkt studio. Schirn Art Gallery, Frankfurt, Germany 11 - 25 Aug 2011

Grose, V. 2011. Basic fashion management 01: fashion merchandising. Worthing AVA Publishing.

Cumberland, S. 2011. Four circle paintings.

Christodoulou, C. 2011. Rumble in the jungle: city, place, and uncanny bass. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 44-63.

Campany, D. 2011. Jeff Wall: picture for women. London Afterall Books.

Bate, D. 2011. Zone. London Artwords Press.

Stewart, K. 2010. Mull of Kintyre Performance . Tate Britain 12 Jul 2010

Campany, D. 2010. The scene of photography and the future of its illusion. Photoworks. 14, pp. 4-11.

Campany, D. 2010. Drink the wine, discard the bottle, drink something else. Philosophy of Photography. 1 (1), pp. 18-21. https://doi.org/10.1386/pop.1.1.18/7

Reddington, J. 2010. Paloma Faith - Upside Down.

Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.

Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15

Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Goddard, M. and Halligan, B (ed.) 2010. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate.

Goddard, M. 2010. Gombrowicz, Polish Modernism and the Subverison of Form. West Lafayette, Indiana Purdue University Press.

Wyver, J. and McCarthy, J. 2010. Art of faith.

Wyver, J. and Grant, S. 2010. Macbeth.

Twomey, C. 2010. A dark day in paradise.

Twomey, C. 2010. Clare Twomey: forever.

Thomas, R. 2010. Still magic: an Aladdin’s cave of 1950s B-movie fantasy. Tasveer Ghar: A Digital Archive of South Asian Popular Visual Culture.

Pucill, S. 2010. Phantom Rhapsody.