Westminster School of Arts

Orlow, U. 2006. Latent archives, roving lens. in: Lanyon, J. and Connarty, J. (ed.) Ghosting: the role of the archive within contemporary artists' film and video Bristol, UK Picture This Moving Image.

Orlow, U. 2006. Housed memory. Dark Studio, Arnolfini, 16 Narrow Quay, Bristol, UK 03 - 25 Jun 2006

Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100

Gray, R. 2006. Morpho-illogical: Collage Reportage. Victoria and Albert Museum, London 02 Feb 2006 - 23 Apr 2006

Campany, D. 2006. Posing, acting and photography. in: Green, D. and Lowry, J. (ed.) Stillness and time: photography and the moving image Brighton, UK Photoworks / Photoforum. pp. 97-112

Bate, D. 2006. Zone. A series of 16 photographs exploring dimensions of social change in Eastern Europe after the Soviet Union through the case study of one city, Tallinn.

Matheson, N. (ed.) 2006. The sources of surrealism. Hastings Lund Humphries.

Matheson, N. (ed.) 2006. The sources of surrealism. Hastings, UK Helm Information.

Thompson, Shirley and Maliphant, R. 2005. Shift.

Wyver, J. 2005. The art of Henry Moore.

Carty, A. 2005. The Iraq invasion as a recent United Kingdom 'contribution to international law'. European Journal of International Law. 16 (1), pp. 143-151. https://doi.org/10.1093/ejil/chi109

Pucill, S. 2005. "Marble Arch" (2005) 16mm black & white screening at Close Up.

Barnwell, J. 2005. Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema. Journal of British Cinema and Television. 2 (1), pp. 117-129. https://doi.org/10.3366/jbctv.2005.2.1.117

White, R. 2005. ‘Samuel L. Jackson: Beyond the Post-Soul Male’. in: Moseley, R. (ed.) Fashioning Film Stars: Dress, Culture, Identity BFI Publishing.

Bate, David 2005. Editorial. History of Photography. 29 (2), pp. 97-99. https://doi.org/10.1080/03087298.2005.10441362

Goddard, M. 2005. The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety. Pli: Warwick Journal of Philosophy. 16.

Goddard, M. 2005. 68-77-99 and Beyond: Bifo's Futural Thought. Cultural Studies Review. 11 (2), pp. 49-56. https://doi.org/10.5130/csr.v11i2.3638

Goddard, M. 2005. Diagram for a Transversal, Molecular Feminism? Women: A Cultural Review. 16 (3), pp. 271-283. https://doi.org//10.1080/09574040500321339

Urwin, P.J., Jack, G., Sturgis, P. and Di Pietro, G. 2005. Measuring the returns to networking and the accumulation of social capital: are the yuppies networking? ESPE 2005: XIX Annual Conference of the European Society of Population Economics. Paris, France 16-18 Jun 2005

Urwin, P.J., Jack, G., Sturgis, P. and Di Pietro, G. 2005. Identifying the returns to networking and social capital accumulation. Whither Social Capital? Past, Present and Future, An International Conference. London, UK 06-07 April 2005

Urwin, P.J., Jack, G. and Lissenburgh, S. 2005. The impact of the National Minimum Wage in low wage sectors: does the earnings top-up evaluation study add to our understanding? Royal Economic Society Annual Conference 2005. Nottingham, UK 23 Mar 2005

Thomas, R. 2005. Zimbo and son meet the girl with a gun. in: Blamey, D. and D'Souza, R. (ed.) Living pictures: perspectives on the film poster in India London, UK Open Editions. pp. 27-44

Thomas, R. 2005. Not Quite (Pearl) White: Fearless Nadia, queen of the stunts. in: Kaur, R. and Sinha, A.J. (ed.) Bollywood: popular Indian cinema through a transnational lens London, UK Sage. pp. 35-69

Shinkle, E. 2005. Feel it, don't think: the significance of affect in the study of digital games. DiGRA 2005: Changing Views: Worlds in Play, 2005 International Conference. Vancouver 16-20 Jun 2005

Shinkle, E. 2005. Corporealis ergo sum: affective response in digital games. in: Garrelts, N. (ed.) Digital gameplay: essays on the nexus of game and gamer North Carolina, USA McFarland & Co. pp. 21-35

Orlow, U. 2005. What the billboard saw / la ville mode d'emploi. Fribourg, Switzerland Kunsthalle Fribourg Fri-Art.

Orlow, U. 2005. Urban Inventory #1-4. Fri-Art centre d'art contemporain/Kunsthalle, Fribourg, Switzerland 01 Jul - 04 Sep 2005

Orlow, U. 2005. Talk is cheap: some notes on freedom of speech and the ethics of listening in Route 181 by Michel Khleifi and Eyal Sivan. 1+1+1. 2.

Orlow, U. 2005. Still moving and moving still.

Orlow, U. 2005. Inside the archive. City Gallery Leicester offsite exhibition at New Walk Museum, Leicester, UK 14 Apr - 06 May 2006

Orlow, U. 2005. In concert. LSE, Kingsway Building, London 29 Apr - 29 May 2005

Orlow, U. 2005. Excerpts from 'time and again'. Printed Project. 4.

Matheson, N. 2005. The phantom of surrealism: photography, cultural identity and the reception of surrealism in England. History of Photography. 29 (2), pp. 149-162.

Dowmunt, T. and Thomas, R. 2005. Supervising and examining practice-based PhDs in the moving image. Journal of Media Practice. 6 (2), pp. 121-126. https://doi.org/10.1386/jmpr.6.2.121/7

Dawood, S., Gino, T. and Hammond, C. 2005. Paradise row.

Dawood, S., Ghazi, B., Hulusi, M., Araeen, R., Aramesh, R., Islam, R. and Seize, A. 2005. We Have Met the Enemy & He Is Us.

Dawood, S. 2005. 'Sister Kali's Soul Temple – the Goddess of Death and Aretha Franklin' and 'Lecture in Conversation - an improved dialogue between Albert Camus and Lord Krishna'. 6900 Bregenz, Bergmannstrasse 6, Austria. 16 Jul - 04 Sep 2005

Dawood, S. 2005. London in six easy steps.

Dawood, S. 2005. For a few rupees more.

Cumberland, S. 2005. The way we work now.