Westminster School of Arts

Stewart, K. 2022. Forthcoming. The Horror Show. Somserset House, London 05 Nov 2020 - 28 Feb 2021

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Monika Jaeckel 2022. Listening as act of response-ability. Interactive Film & Media Journal. 2 (2). https://doi.org/10.32920/ifmj.v2i2.1574

Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

Jaeckel, M. 2022. Book review: Island encounters. Timor-Leste from the outside in, Lisa Palmer, (Monographs in anthropology series) , ANU Press, The Australian National University, Acton ACT Australia (2021), 10.22459/IE.2021, xviii, 228 pages, ebook, ISBN: 9781760464509. Emotion, Space and Society. 44 100884. https://doi.org/10.1016/j.emospa.2022.100884

Upeniece, Vita 2022. The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vw732

Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.

Musgrave, G. 2022. Music and Wellbeing vs Musicians’ Wellbeing: Examining the Paradox of Music-Making Positively Impacting Wellbeing, but Musicians Suffering from Poor Mental Health. Cultural Trends. Advanced online publication. https://doi.org/10.1080/09548963.2022.2058354

Loveday, C., Musgrave, G. and Gross, S. 2022. Predicting anxiety, depression and wellbeing in professional and non-professional musicians. Psychology of Music.

Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9

Musgrave, G. and Leisewitz, A. 2022. Does Spotify Create Attachment? Algorithmic Playlists, Intermediation and the Artist-Fan Relationship. Culture Unbound: Journal of Current Cultural Research.

Redman, S. and Waring, C. 2022. Visual Violence: Sex Workers' Experiences of Image-Based Abuses. United Kingdom National Ugly Mugs.

Gross, S. 2022. ‘Women Working in the Music Business: An Alumni Study’. in: Abfalter, D. and Reitsamer, R. (ed.) Music as Labour: Inequalities and Activism in the Past and Present London Routledge.

Evans, J. 2022. Next steps for practice research: the PR Voices and SPARKLE projects. Jisc Digital Research Community Event. 09 Feb 2022 University of Westminster. https://doi.org/10.34737/vqz2y

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Campany, D. 2022. William Klein: Yes. UK/US Thames & Hudson.

Campany, D. 2022. Indeterminacy: Thoughts on Time, the Image, and Race(ism) . UK MACK.

Campany, D. 2022. Victor Burgin's Photopath. UK MACK.

Lee, Yeseung 2022. Eyes in the skin I live in: The incorporation of surveillance in mediatized culture. Fashion Theory. 26 (2), pp. 185-210. https://doi.org/10.1080/1362704X.2019.1697509

Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy . in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

Musgrave, G. 2022. Lessons from the Loss of Avicii: Business Ethics, Responsibility, and Mental Wellbeing. SAGE Business Cases. https://doi.org/10.4135/9781529794601

Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50

Hermes, K. 2022. Performing Electronic Music Live. UK Routledge.

Musgrave, G. 2022. ‘Losing Work, Losing Purpose’: Representations of Musicians' Mental Health in the Time of Covid-19. in: Morrow, G., Nordgård, D. and Tschmuck, P. (ed.) Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19 Springer.

Boon, H. 2022. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Wyver, J. and Wrigley, A. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023

Sprecher, Danielle and Groves, Andrew 2021. Clothing the Pandemic: A Virtual Exhibition of COVID-19 Face Masks from Around the World. 23 Dec 2021

Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021

Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

Christodoulou, C. 2021. The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’. Dancecult.

Bate, D. 2021. Mechanic Unconscious.

Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Hermes, K. 2021. Performing Electronic Music Live - video tutorial series.

Ingawanij, M.A. Forthcoming. Preposterous Relations: The Tableaux of Araya Rasdjarmrearnsook . in: Nagib, Lucia and Solomon, Stefan (ed.) The Moving Form of Film: Historicising the Medium through other Media Oxford University Press.

Riley, M. 2021. Jazz Jamaica All Stars: The Trojan Story - Live Event. Royal Festival Hall, London

Boon, H. 2021. The Space Between The Stars.