|College||Design, Creative and Digital Industries|
|Head||Prof Gregory Sporton|
Waring, C. 2021. Forthcoming. Visual Terrorism: The weaponisation of photography, image-based violence and the online sex worker. in: Cooper, E. and Maginn, P. (ed.) Navigating Contemporary Sex Work: Gender, Justice and Policy in the 21st century Palgrave Macmillan.
Boon, H. 2021. Forthcoming. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press.
Reynolds, L. 2021. Forthcoming. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.
Pucill, S. 2021. Forthcoming. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermediality Edinburgh Edinburgh University Press.
Marsh, J. 2020. Jamaat at Harrow Mosque (2020). Harrow Mosque 23 - 23 Oct 2020
Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021
Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London
Boon, H. 2020. Sonic Recursion - Sound Based Music. London
Stewart, K. 2020. Residency at Kunstland, Norway . Norway 14 Feb - 09 Aug 2020
Boon, H. 2020. Not From Round Here. London
Boon, H. 2020. Symbolic Violence (Critical Theory). London
Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . Old Kent Road Mosque 19 Jun - 19 Sep 2020
Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020
Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London
Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London
Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020
Stewart, K. 2020. Tell Me The Story of All These Things. Firstsite 28 Mar - 28 Jun 2020
Boon, H. 2020. Improvisation Demonstration Number 1.
Marsh, J. 2020. 2021 Venice Architecture Biennale - The British Mosque/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021
Stewart, K. Forthcoming. Too Cute . Birmingham Museum and Art Gallery 26 Jan - 12 May 2019
Stewart, K. Forthcoming. Public Art Commission / Glen Cinema Disaster. Renfrewshire Council.
Bate, D. 2020. Photography as Critical Practice: Notes on Otherness. Intellect.
York, A. 2020. Transforming musical performance: activating the audience as digital collaborators. PhD thesis University of Westminster Westminster School of Arts
Zoppelletto, C. 2020. DECOLONISATION THROUGH ‘DEVELOPMENT FILMS’: CONSTRUCTING AND RE-CONSTRUCTING THE ZAIRIAN SPIRIT ON FILM. PhD thesis University of Westminster Westminster School of Arts
Boon, H. 2020. The Condition of My Existence.
Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.
Gross, S. and Musgrave, G. 2020. Can Music Make You Sick? Measuring the Price of Musical Ambition. London University of Westminster Press.
Ingawanij, M.A. 2020. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. Autumn.
Waring, C. 2020. Visual Activism and Marginalised Communities in Online Spaces. in: Deepwell, K. (ed.) Feminist Art Activism and Artivisms Netherlands Valiz.
Musgrave, G. 2020. Avicii: True Stories - Review. Dancecult: Journal of Electronic Dance Music Culture. 12 (1), pp. 94-97. https://doi.org/0.12801/1947-5403.2020.12.01.15
Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566
Goddard, M. and Hogg, C. 2020. 'Introduction', Trans TV Dossier 3, Trans TV Re-evaluated (Part 1). Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957
Goddard, M. and Hogg, C. 2020. Trans TV Re-Evaluated, part 2. Critical Studies in Television. 15 (3), p. 255–266. https://doi.org/10.1177/1749602020937566
Sporton, G. 2020. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. https://doi.org/10.1386/scene_00017_5
Sporton, G. 2020. Reviews for Scene 2015-. Intellect.
Perez, A. 2020. Hacking Antarctica. PhD thesis University of Westminster Westminster School of Arts
Carréra Campos Leal, G. 2020. Amid the debris: ruins of underdevelopment in contemporary Brazilian documentary. PhD thesis University of Westminster Westminster School of Arts
Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020
Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.
Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal. 79 (2), pp. 59-67. https://doi.org/10.1080/00043249.2020.1765556