Westminster School of Arts

Pucill, S. (In press). Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Stewart, K. (In press). Residency at Kunstland, Norway . Norway 14 Feb - 09 Aug 2020

Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020

Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020

Stewart, K. 2020. Tell Me The Story of All These Things. Firstsite 28 Mar - 28 Jun 2020

Stewart, K. Too Cute . Birmingham Museum and Art Gallery 26 Jan - 12 May 2019

Stewart, K. Public Art Commission / Glen Cinema Disaster. Renfrewshire Council.

Goddard, M. and Hogg, C. 2020. 'Introduction', Trans TV Dossier 3, Trans TV Re-evaluated (Part 2). Critical Studies in Television. 15 (3).

Goddard, M. and Hogg, C. 2020. 'Introduction', Trans TV Dossier 3, Trans TV Re-evaluated (Part 1). Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. doi:10.1177/1749602020918957

Goddard, M. and Hogg, C. (In press). Trans TV Re-Evaluated, part 2. Critical Studies in Television. 15 (3).

Sporton, G. 2018. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. doi:10.1386/scene_00017_5

Sporton, G. 2020. Reviews for Scene 2015-. Intellect.

Perez, A. 2020. Hacking Antarctica. PhD thesis University of Westminster Westminster School of Arts

Carréra Campos Leal, G. 2020. Amid the debris: ruins of underdevelopment in contemporary Brazilian documentary. PhD thesis University of Westminster Westminster School of Arts

Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Barnwell, J. (In press). How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal. 79 (2), pp. 59-67. doi:10.1080/00043249.2020.1765556

Bate, D. 2020. Photography as Critical Practice: Notes on Otherness . Intellect.

Shinkle, E. 2020. The city inhabits me: space, topology, and Gabriele Basilico’s Milan: Ritratti di Fabbriche . Journal of Architecture. 24 (8), pp. 1070-1083. doi:10.1080/13602365.2019.1704832

Barnwell, J. 2020. Paddington in Prison: How does the design of the prison in Paddington 2 (2017) reflect character and story? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan.

Reynolds, L. 2020. Experiment, Cybernetics and the Formal Film in Britain. in: A companion to Experimental Cinema Wiley-Blackwell.

Ross, J. 2020. Experimental Film. in: Fujiki, H. and Philips, A. (ed.) The Japanese Cinema Book London BFI Publishing.

Sprio, Margherita 2020. Carol White: The Bardot of Battersea. in: Petrie, D., Williams, M. and Mayne, L. (ed.) Sixties British Cinema Reconsidered Edinburgh University Press. pp. 47-62

Campany, D. 2020. On Photographs. UK Thames & Hudson.

McNicholas Smith, K. (In press). Lesbians On Television: New Queer Visibility and The Lesbian Normal. Bristol Intellect.

Goddard, M. (In press). Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Goddard, M. 2020. ‘This is Radio Clash’: 1st Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock New York Oxford University Press.

Thomas, R. 2020. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Wyver, J., Wrigley, A. (ed.) 2020. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Pucill, S. 2020. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

Pucill, S. 2019. Ottawa Art Gallery Screening: Confessions to the Mirror. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020

Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London 24 Oct - 24 Nov 2019

Christodoulou, C. Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop.

Christodoulou, C. Sounding Dark ICA Panel discussion – 9 September, 2016.

Christodoulou, C. 2019. Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass.

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019