|College||Design, Creative and Digital Industries|
|Head||Prof Gregory Sporton|
Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.
Pucill, S. 2020. Collaborating with Claude Cahun: Between Photography and Film. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.
Tabrizian, M. Film stills .
Goddard, M. 2019. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) A Practical Aesthetics New York; London Bloomsbury Academic.
Cumberland, S. 2019. Sensible Signs: Pictures and Not Painting After Conceptual Art. PhD thesis University of Westminster Westminster School of Arts, College of Design, Creative and Digital Industries
Goddard, M. 2019. ‘This is Radio Clash’: 1st Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock New York Oxford University Press.
Goddard, M. 2019. Art as Energy, Art as Power: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe.
Gross, S. 2019. Mental health in the new economy. Minds at Work: Making mental health a priority in the changing world of work, Fabian Society Policy Report.
Gross, S. 2019. Can I Get a Witness? in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music: performance, technology and business New York Routledge.
Gross, S. and Musgrave, G. 2019. Can Music Make You Sick? Measuring the Price of Musical Aspiration. London University of Westminster Press.
Thomas, R. 2019. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars London Palgrave Macmillan.
Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.
Sprio, Margherita 2019. Italian Post-War Migration to Britain: Cinema and The Second Generation. in: Tsagarousianou, R. and Retis, J. (ed.) The Handbook of Diasporas, Media and Culture UK Wiley-Blackwell.
Marsh, J. 2018. Jamaat (2018). Brick Lane Mosque
Tabrizian, M. 2018. The Insider - video art . Uk &US
Cummings, P. 2018. Recipients. London
Cummings, P. 2018. Season. London
Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.
Hogg, C. and Goddard, M. 2018. Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations. Critical Studies in Television: The International Journal of Television Studies. 13 (4), pp. 470-474.
Goddard, M. and Hogg, C. 2018. Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4. Critical Studies in Television: The International Journal of Television Studies. 13 (4).
Gross, S. 2018. Research and Culture Change – A Necessary Relationship . Global Summit On Mental Health Culture Change 2018 . London 10 - 13 Oct 2018
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? International Week - PXL-Music. Belgium 05 - 09 Feb 2018
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? Music and Depression . Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures.
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? Mental health and working conditions in the UK music industry. CAMEo Annual Conference . University of Leicester 12 - 14 Sep 2018
Marsh, J. 2018. Assembly: performing the materiality of Muslim prayer spaces.
Marsh, J. 2018. Assembly: Artist Talk at Closeup Film Centre. Julie Marsh.
Marsh, J. 2018. Assembly Exhibition Catalogue. London Julie Marsh.
Sheikh, S. and Orlow, U. (ed.) 2018. Theatrum Botanicum. Berlin Sternberg Press.
Campany, D. 2018. The Singular Picture. in: Jeff Wall - Appearance Germany Edition Cantz. pp. 122-139
Campany, D. 2018. So Present, so Invisible - Conversations on Photography. London and Rome Contrasto.
Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263
Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.
Gross, S., Musgrave, G. and Janciute, L. 2018. Well Being and Mental Health in the Gig Economy: Policy Perspectives on Precairty. London University of Westminster Press.
Stevens, S. Stevens, S. and Price, T. (ed.) 2018. COBRA RES 1.3. London Pamphleteer Films.
Cummings, P. 2018. Critical Mass. South Korea
Thomson, J. 2018. Rethinking Affordances - Symposium and Exhibition.
Thomson, J. 2018. Shaping Earth Futures, Centre for GeoHumanities Creative Commission.
Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich
Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe
Thomas, R. 2018. Open Sesame: Ali Baba and the Oriental Film in India. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.