Westminster School of Arts

Harrison, L. 2025. Forthcoming. Where now for interactive sound and music? in: Routledge.

Harrison, L. 2025. Forthcoming. Can we create an artefact of a piece of interactive audio? in: Routledge.

Lucy Ann Harrison and Harrison, L. 2025. Forthcoming. Is interactive sound and music ever finished? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Forthcoming. How can you make interaction a meaningful part of the work? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Forthcoming. How do you compose for multiple possibilities? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Forthcoming. How do audience expectations change in an interactive space? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Forthcoming. Is it actually interactive and does it actually matter? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Forthcoming. Introduction. in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Pucill, S. and Danino, N. 2025. Forthcoming. Interview with Nina Danino and Sarah Pucill. in: Experimental narrative film and women’s practices at the London Film-maker’s Co-operative Lux Productions.

Kim, S. 2025. Forthcoming. The Photobook as Shape Shifter in the Expanded Realm of Contemporary Photography: Examples from South Korea. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London, UK Routledge. pp. 353-363

Soutter, L. 2025. Forthcoming. Introduction: Global Photographies and Questions of Cultural Translation. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London Routledge. pp. 1-12

Soutter, Lucy and Wooldridge, Duncan (ed.) 2025. Forthcoming. The Routledge Companion to Global Photographies. London, Routledge.

Harrison, L.A. 2025. Forthcoming. Interactive Sound and Music: Beyond Pressing Play. Focal Press.

Boon, H. 2025. Forthcoming. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.

Boon, H. 2025. Forthcoming. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Pucill, S. 2024. Narcissus' 2013, b/w photograph. in: Michael Petre (ed.) Mirror Mirror: the use of reflection in Contemporary Art London Thames and Hudson Ltd.

Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2024. PR Voices simple portfolio. London University of Westminster. https://doi.org/10.34737/wx8w1

Pucill, S. 2024. Backcomb (16mm col, 1995, 6min).

Boon, H. 2024. The Old, The New, And The Dangerous. Commercial Electronic Musical Instruments in 21st Century Music Practice. University of West London 09 - 10 Sep 2024

Boon, H. 2024. The Old, The New, And The Dangerous - [PRESENTATION] - 2024. London

Lost Text/Found Space, Harrison, L., McCutcheon, R. and Rebellato, D. 2024. Still Lives. The Old Waiting Room, Peckham Rye 02 - 13 Jul 2024

Boon, H. 2024. Solving What Problem: AI’s Reconfiguring Music Production Practices. Critical & Creative Digital Dynamics: A Symposium on AI & Digital Innovations for Inter-art Chamber Music Practices. Senate House, Malet Street, London WC1E 7HU 24 Jun 2024

Boon, H. 2024. Single Tonality Chord Songwriting. Innovation in Music Conference 2024. Kristiania University College, Oslo 21 - 23 Jun 2024

Hermes, K. Forthcoming. Research methods in live electronic music and audio-visual performance. in: Dylan-Smith, G., Dines, M. and Rambarran, S. (ed.) Handbook of Popular Music Methodologies London, UK Intellect.

Hermes, K. 2024. Blender for Musicians. University of Westminster CreaTech Conference. London 10 Jun 2024

Boon, H. 2024. AI Music Arts and Creativity - [PRESENTATION] - 2024.

Groves, Andrew and Sprecher, Danielle 2024. Umbro 100: Sportswear x Fashion . Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS 12 - 28 Apr 2024

Reddington, J. 2024. Behind the Music E28: Sound of Fractures Sponsored by WAVES.

Reddington, J. 2024. Sound of Fractures Teases Forthcoming Album 'Scenes' with New Single 'Bubbles': The album is set to exist in a unique digital manner, intending to rethink the artist-audience relationship.

Kerry Stewart 2024. Ghost . Arker, Istanbul, Turkey 18 Jan - 29 Dec 2024

Vials Moore, A., Evans, J., McNicholl, R., Dumbill, E. and Watts, N. 2024. Bridging the Gap: A Standardized Schema for Practice Research Outputs. RDA 23rd Plenary Meeting. San José, Costa Rica 12 - 14 Nov 2024 University of Westminster. https://doi.org/10.34737/wxy2x

Sprecher, Danielle 2024. Exhibiting Menswear . Locating Menswear Forum. Manchester Metropolitan University, Manchester 04 - 05 Jul 2024

Wang, Jian 2024. In Place: Visualising Migrant and Diasporic Home-making in Contemporary London. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wxq29

Olufemi, Omolola 2024. "But... the luminous tree!" The Uses of the Imagination in Resistant Cultural Production. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wxq28

Groves, Andrew and Sprecher, Danielle 2024. Westminster Menswear Archive. Fashion Theory. Advanced online publication. https://doi.org/10.1080/1362704X.2024.2423585

Pucill, S. 2024. "Untitled II from 'Stages of Mourning' (2004) and 'Double Exposure' (2023). in: Flora Dunster and Theo Gordon (ed.) Photography, a Queer History Ilex Press.

Marsh, Julie 2024. Assembly. Architecture and Culture. 10 (4), pp. 559-561. https://doi.org/10.1080/20507828.2023.2337456

Roche, Catherine 2024. The Space of Clay: an investigation of contemporary clay-based art practice as a site of embodied viewer experience. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wx441

Moore, D. 2024. The Southgate Estate, Runcorn New Town, Cheshire. 1991. England Café Royal Books.

Groves, Andrew and Sprecher, Danielle 2024. Tailored by Umbro, Tailored by England: Constructing Englishness Through Cut, Fit, and Style. A Century of Umbro and the Aesthetic of Sporting Englishness. Manchester Metropolitan University 09 Oct 2024