Westminster School of Arts

Pucill, S. 2025. Screening of ‘Double Exposure’ (17min, 2023) at Cambridge University. Cambridge University

Pucill, S. 2025. Screening of ‘Stages of Mourning’ CBA Madrid. CBA Madrid

Kerry Stewart 2025. Harvest Moon . Studio D, Brunswick Wharf, 55 Laburnum Street. E2 8BD 29 - 30 Mar 2025

Kerry Stewart 2025. Money . Studio D, Brunswick Wharf, 55 Laburnum Street. E2 8BD 29 - 30 Mar 2025

Kerry Stewart 2025. Driver. Studio D, Brunswick Wharf, 55 Laburnum Street. E2 8BD 29 - 30 Mar 2025

Squires, K. 2025. The Factory.

Michael Mazière and Lucy Reynolds 2025. Editorial. The Moving Image Review & Art Journal (MIRAJ). 14 (1), pp. 5-7. https://doi.org/10.1386/miraj_00140_2

Orlow, U. 2025. Living Wood (Forwards).

Uriel Orlow, Liliana Gómez and Fabienne ­Liptay 2025. Reading Wood (Backwards). in: Gómez, L. and Liptay, F. (ed.) Eco-Operations Diaphanes. pp. 301-314

Boon, H. 2025. Not From Round Here – Racial Framing and the Paradox of Choice. National Identities . https://doi.org/10.1080/14608944.2025.2497405

Hermes, K. 2025. Augmented creativity: does AI help or hinder musicians' creative processes? in: Innovation In Music 24 New York Routledge.

Wyver, J. 2025. OTD in early British television. Illuminations.

Hall, Deborah 2025. WOMEN ARTISTS’ TELEVISION Artists’ television from the 1970s to 2000s: Broadcast experiments and interventions into television by and about British-based women artists’, producers and commissioners. Doctoral research project. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wz7x1

Groves, Andrew and Sprecher, Danielle 2025. From Necessity to Luxury: Menswear and the Evolution of Face Coverings during COVID-19. Fashion, Style and Popular Culture.

Groves, Andrew and Sprecher, Danielle 2025. Determining the Future: Pre-Creation Accessioning and the Documentation of Design Process. 4th International Artefacta Conference. University of Helsinki, Helsinki, Finland 13 - 14 Feb 2025

Gross, S., Musgrave, G. and Carney, D. 2025. Determinants of Anxiety, Depression and Subjective Wellbeing Among Musicians in Denmark: Findings From the ‘When Music Speaks’ Project . Scandinavian Journal of Psychology. 66 (1) 1. Advanced online publication. https://doi.org/10.1111/sjop.13095

Pickering, Gail 2024. Near Real Time. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wyy6x

Burgher, V. 2025. Food for thought: decolonial dining and dreaming as anti-racist praxis. 2024 Race and Socially Engaged Research. University of York 19 - 20 Jun 2024 University of York.

Groves, Andrew and Sprecher, Danielle 2025. Past, Present, Provocation: The Radical Methodology of the Westminster Menswear Archive. 11th Hellenic Costume Society Conference. Athens, Greece 25 Jan 2025

Boon, H., Christodoulou, C., Toppin, J. and Riley, M. 2025. Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU. Organised Sound. Advanced online publication. https://doi.org/10.1017/S1355771825000032

Mitterfellner, O. 2025. Fashion Marketing and Communications: Theory and Practice Across the Fashion Industry. 2nd edition. Abingdon Routledge.

Harrison, L. 2025. Where now for interactive sound and music? in: Routledge.

Harrison, L. 2025. Can we create an artefact of a piece of interactive audio? in: Routledge.

Lucy Ann Harrison and Harrison, L. 2025. Is interactive sound and music ever finished? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How can you make interaction a meaningful part of the work? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How do you compose for multiple possibilities? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How do audience expectations change in an interactive space? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Is it actually interactive and does it actually matter? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Introduction. in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Pucill, S. and Danino, N. 2025. Interview with Nina Danino and Sarah Pucill. in: Protected: Experimental narrative film and women’s practices at the London Film-maker’s Co-operative Lux Productions.

Kim, S. 2025. The Photobook as Shape Shifter in the Expanded Realm of Contemporary Photography: Examples from South Korea. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London, UK Routledge. pp. 353-363

Soutter, L. 2025. Introduction: Global Photographies and Questions of Cultural Translation. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London Routledge. pp. 1-12

Soutter, Lucy and Wooldridge, Duncan (ed.) 2025. The Routledge Companion to Global Photographies. London, Routledge.

Harrison, L.A. 2025. Interactive Sound and Music: Beyond Pressing Play. Focal Press.

Boon, H. 2025. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.

Boon, H. 2025. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Pucill, S. 2024. Narcissus' 2013, b/w photograph. in: Michael Petre (ed.) Mirror Mirror: the use of reflection in Contemporary Art London Thames and Hudson Ltd.

Marsh, J. 2024. Moving Pictures at the Zoroastrian Centre - expanded film event . Zoroastrian Centre 26 Nov 2024

Twomey, C. 2024. Continuum. Palácio Nacional da Ajuda, Lisbon, Portugal

Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2024. PR Voices simple portfolio. London University of Westminster. https://doi.org/10.34737/wx8w1