Westminster School of Arts

Burgher, V. 2025. Food for thought: decolonial dining and dreaming as anti-racist praxis. 2024 Race and Socially Engaged Research. University of York 19 - 20 Jun 2024 University of York.

Groves, Andrew and Sprecher, Danielle 2025. Past, Present, Provocation: The Radical Methodology of the Westminster Menswear Archive. 11th Hellenic Costume Society Conference. Athens, Greece 25 Jan 2025

Boon, H., Christodoulou, C., Toppin, J. and Riley, M. 2025. Bridging Gaps in Black Music Research: A Conversation on Experimental Sound by the BMRU. Organised Sound.

Mitterfellner, O. 2025. Fashion Marketing and Communications: Theory and Practice Across the Fashion Industry. 2nd edition. Abingdon Routledge.

Harrison, L. 2025. Where now for interactive sound and music? in: Routledge.

Harrison, L. 2025. Can we create an artefact of a piece of interactive audio? in: Routledge.

Lucy Ann Harrison and Harrison, L. 2025. Is interactive sound and music ever finished? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How can you make interaction a meaningful part of the work? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How do you compose for multiple possibilities? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. How do audience expectations change in an interactive space? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Is it actually interactive and does it actually matter? in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Harrison, L. 2025. Introduction. in: Interactive Sound and Music: Beyond Pressing Play Routledge.

Pucill, S. and Danino, N. 2025. Interview with Nina Danino and Sarah Pucill. in: Experimental narrative film and women’s practices at the London Film-maker’s Co-operative Lux Productions.

Kim, S. 2025. The Photobook as Shape Shifter in the Expanded Realm of Contemporary Photography: Examples from South Korea. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London, UK Routledge. pp. 353-363

Soutter, L. 2025. Introduction: Global Photographies and Questions of Cultural Translation. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London Routledge. pp. 1-12

Soutter, Lucy and Wooldridge, Duncan (ed.) 2025. The Routledge Companion to Global Photographies. London, Routledge.

Harrison, L.A. 2025. Interactive Sound and Music: Beyond Pressing Play. Focal Press.

Boon, H. 2025. The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural. in: Nessa Johnston, Jamie Sexton and Elodie A. Roy (ed.) Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s London Bloomsbury Academic.

Boon, H. 2025. Songwriting, Visuality and Technological Determinism – Exploring Artistic Responses to Perceived Negative Effects of Streaming on Songwriting and Production. in: The Handbook on Music Business and Creative Industries in Education Equinox Publishing.

Pucill, S. 2024. Narcissus' 2013, b/w photograph. in: Michael Petre (ed.) Mirror Mirror: the use of reflection in Contemporary Art London Thames and Hudson Ltd.

Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2024. PR Voices simple portfolio. London University of Westminster. https://doi.org/10.34737/wx8w1

Pucill, S. 2024. Backcomb (16mm col, 1995, 6min).

Kerry Stewart 2024. Girl on a Rug. DA2 DOMUS, SALAMANCA, SPAIN 24 Oct 2024 - 02 Mar 2025

Boon, H. 2024. The Old, The New, And The Dangerous. Commercial Electronic Musical Instruments in 21st Century Music Practice. University of West London 09 - 10 Sep 2024

Boon, H. 2024. The Old, The New, And The Dangerous - [PRESENTATION] - 2024. London

Lost Text/Found Space, Harrison, L., McCutcheon, R. and Rebellato, D. 2024. Still Lives. The Old Waiting Room, Peckham Rye 02 - 13 Jul 2024

Boon, H. 2024. Solving What Problem: AI’s Reconfiguring Music Production Practices. Critical & Creative Digital Dynamics: A Symposium on AI & Digital Innovations for Inter-art Chamber Music Practices. Senate House, Malet Street, London WC1E 7HU 24 Jun 2024

Boon, H. 2024. Single Tonality Chord Songwriting. Innovation in Music Conference 2024. Kristiania University College, Oslo 21 - 23 Jun 2024

Hermes, K. Forthcoming. Research methods in live electronic music and audio-visual performance. in: Dylan-Smith, G., Dines, M. and Rambarran, S. (ed.) Handbook of Popular Music Methodologies London, UK Intellect.

Hermes, K. 2024. Blender for Musicians. University of Westminster CreaTech Conference. London 10 Jun 2024

Cummings, P. 2024. I Hear Myself With My Throat. Pallant House Gallery, Chichester 11 May - 20 Oct 2024

Boon, H. 2024. AI Music Arts and Creativity - [PRESENTATION] - 2024.

Groves, Andrew and Sprecher, Danielle 2024. Umbro 100: Sportswear x Fashion . Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS 12 - 28 Apr 2024

Reddington, J. 2024. Behind the Music E28: Sound of Fractures Sponsored by WAVES.

Reddington, J. 2024. Sound of Fractures Teases Forthcoming Album 'Scenes' with New Single 'Bubbles': The album is set to exist in a unique digital manner, intending to rethink the artist-audience relationship.

Kerry Stewart 2024. Ghost . Arker, Istanbul, Turkey 18 Jan - 29 Dec 2024

Dr Hannah Rumball 2024. The Ulster Ulster. Locating Menswear Forum. Manchester Metropolitan University, Manchester 04 - 05 Jul 2024

Cummings, P. 2024. I Hear Myself With My Throat. in: The Shape of Things: Still Life in Britain Chichester, England Pallant House Gallery. pp. 158-167

Michael Mazière and Lucy Reynolds 2024. Editorial. The Moving Image Review & Art Journal (MIRAJ). 13 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00126_2

Vials Moore, A., Evans, J., McNicholl, R., Dumbill, E. and Watts, N. 2024. Bridging the Gap: A Standardized Schema for Practice Research Outputs. RDA 23rd Plenary Meeting. San José, Costa Rica 12 - 14 Nov 2024 University of Westminster. https://doi.org/10.34737/wxy2x