Westminster School of Arts

Shinkle, E. 2023. Forthcoming. On Boredom and Contemporary Fashion Photography. in: Fashion and Feeling Palgrave Macmillan.

Campany, D. 2023. Forthcoming. William Klein: Yes. UK/US Thames & Hudson.

Stewart, K. 2022. The Horror Show. Somserset House, London 27 Oct 2022 - 19 Feb 2023

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Boon, H. 2022. Sound Based Music Design Demonstration. London

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Begklis, Fotios 2022. Grand Tour – a film in-debt(ed): Exploring the possibilities of the essayistic filmmaking form. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vzw53

Bate, D. 2022. Photography After Postmodernism: Barthes, Stieglitz and teh Art of Memory. Routledge.

Groves, Andrew 2022. A casual obsession: Inside the British Sock Fetish Council. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022 Intellect. https://doi.org/10.1386/csmf_00059_1

Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Waring, C. 2022. The Prostitute and the PhD: Navigating Academic Spaces as a Tainted Researcher. in: Jones, D. and Sanders, T. (ed.) Student Sex Work Palgrave.

Evans, J. 2022. Practice Research Voices (PRVoices). UK ORCID Consortium Meeting. Online 07 Jun 2022 University of Westminster. https://doi.org/10.34737/vzq86

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Evans, J., Watts, N., Mudd, T. and Renner, T. 2022. From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse. Insights. 35 14. https://doi.org/10.1629/uksg.582

Groves, A. 2022. A casual obsession: Inside the British Sock Fetish Council. Critical Studies in Men's Fashion. 9 (2), pp. 187-206. https://doi.org/10.1386/csmf_00059_1

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. Advanced online publication. https://doi.org/10.1177/09213740221117811

Mollenhauer, Pablo 2022. Film Practices for the Inclusion of the More than Human in the Representation of Cultural Landscapes. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vx846

Hueyuen Choong 2022. The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia. International Journal of Music Education. Advanced online publication. https://doi.org/10.1177/02557614221107917

Monika Jaeckel 2022. Listening as act of response-ability. Interactive Film & Media Journal. 2 (2). https://doi.org/10.32920/ifmj.v2i2.1574

Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

Jaeckel, M. 2022. Book review: Island encounters. Timor-Leste from the outside in, Lisa Palmer, (Monographs in anthropology series) , ANU Press, The Australian National University, Acton ACT Australia (2021), 10.22459/IE.2021, xviii, 228 pages, ebook, ISBN: 9781760464509. Emotion, Space and Society. 44 100884. https://doi.org/10.1016/j.emospa.2022.100884

Upeniece, Vita 2022. The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vw732

Groves, Andrew 2022. Inside the Westminster Menswear Archive: A case study of garment-research as a pedagogical practice. IFFTI2022. University of Nottingham 05 - 08 Apr 2022 International Foundation of Fashion Technology Institute.

Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.

Musgrave, G. 2022. Music and Wellbeing vs Musicians’ Wellbeing: Examining the Paradox of Music-Making Positively Impacting Wellbeing, but Musicians Suffering from Poor Mental Health. Cultural Trends. Advanced online publication. https://doi.org/10.1080/09548963.2022.2058354

Loveday, C., Musgrave, G. and Gross, S. 2022. Predicting anxiety, depression and wellbeing in professional and non-professional musicians. Psychology of Music. https://doi.org/10.1177/03057356221096506

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9

Leisewitz, A. and Musgrave, G. 2022. Does Spotify Create Attachment? Algorithmic Playlists, Intermediation and the Artist-Fan Relationship. Culture Unbound: Journal of Current Cultural Research. 14 (1), pp. 75-100. https://doi.org/10.3384/cu.3384

Redman, S. and Waring, C. 2022. Visual Violence: Sex Workers' Experiences of Image-Based Abuses. United Kingdom National Ugly Mugs.

Gross, S. 2022. ‘Women Working in the Music Business: An Alumni Study’. in: Abfalter, D. and Reitsamer, R. (ed.) Music as Labour: Inequalities and Activism in the Past and Present London Routledge.