Westminster School of Arts

Barnwell, J. Paddington in Prison: How does the design of the prison in Paddington 2 (2017) reflect character and story? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan.

Stewart, K. 2020. Public Art Commission / Glenn Cinema .

Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal.

Bate, D. 2020. Photography as Critical Practice: Notes on Otherness . Intellect.

Reynolds, L. 2020. Experiment, Cybernetics and the Formal Film in Britain. in: A companion to Experimental Cinema Wiley-Blackwell.

Ross, J. 2020. Experimental Film. in: Fujiki, H. and Philips, A. (ed.) The Japanese Cinema Book London BFI Publishing.

Sprio, Margherita 2020. Carol White: The Bardot of Battersea. in: Petrie, D., Williams, M. and Mayne, L. (ed.) Sixties British Cinema Reconsidered Edinburgh University Press. pp. 47-62

Campany, D. 2020. On Photographs. UK Thames & Hudson.

McNicholas Smith, K. 2020. Lesbians On TV: New Queer Visibility and The Lesbian Normal. Bristol Intellect.

Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Goddard, M. 2020. ‘This is Radio Clash’: 1st Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) The Oxford Handbook of Punk Rock New York Oxford University Press.

Thomas, R. 2020. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Wyver, J., Wrigley, A. (ed.) 2020. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Pucill, S. 2020. A Dialogue with the work of Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London

Christodoulou, C. Hauntological Nostalgia: the lost futures of the BBC Radiophonic Workshop.

Christodoulou, C. Sounding Dark ICA Panel discussion – 9 September, 2016.

Christodoulou, C. 2019. Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Jungle/Drum ‘n’ Bass.

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival

Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival

Pucill, S. and Gewurtz, M. 2019. Garden Self Portraits after Claude Cahun and Marcel Moore. Ottawa Municipal Art Gallery

Cummings, P. 2019. Ornamental Chronology. Istanbul

Dawood, S. 2019. Leviathan. Bluecoat, Liverpool

Cummings, P. 2019. An Ugly Aside. Warwickshire

Wyver, J. RSC Live from Stratford-upon-Avon. Stratford-upon-Avon

White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival

Thomson, J. 2019. Deciphering Deep Time Machine Learning. Akademie Schloss Solitude

Fry, C. 2019. Radiant Eye .

Fry, C. 2019. Expressions of Ideal Relations.

Riley, M. and Fully Focussed 2019. Bass Culture film.

Fry, C. 2019. Master and Emissary .

Thomson, J. 2019. On Air, Aerocene Symposium: BEHIND THE SUN. Palais De Tokyo

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival

Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.

Thomson, J. G24|0vßß. Galeria Arte Moderna e Contemporanea (GAMeC), Bergamo