Westminster School of Arts

Pucill, S. 2020. Collaborating with Claude Cahun: Between Photography and Film. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

Thomas, R. 2019. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars London Palgrave Macmillan.

Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.

Sprio, Margherita 2019. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Sprio, Margherita 2019. Women in the Frame: Feminist Intimacies on the British Screen. Bloomsbury Academic.

Sheikh, S. and Orlow, U. (ed.) 2018. Theatrum Botanicum. Berlin Sternberg Press.

Campany, D. 2018. The Singular Picture. in: Jeff Wall - Appearance Germany Edition Cantz. pp. 122-139

Campany, D. 2018. So Present, so Invisible - Conversations on Photography. London and Rome Contrasto.

Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.

Stevens, S. Stevens, S. and Price, T. (ed.) 2018. COBRA RES 1.3. London Pamphleteer Films.

Cummings, P. 2018. Critical Mass. South Korea

Thomson, J. 2018. Rethinking Affordances - Symposium and Exhibition.

Thomson, J. 2018. Shaping Earth Futures, Centre for GeoHumanities Creative Commission.

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe

Thomas, R. 2018. Open Sesame: Ali Baba and the Oriental Film in India. in: Bhaskar, I. and Allen, R. (ed.) Bollywood’s Islamicate Cinemas: Idioms, Cultures, Histories London and Delhi Intellect Books and Orient Blackswan.

Bate, D. 2018. Camera Phones and Mobile Intimacies. in: Bohr, M. and Sliwinska, B. (ed.) The Evolution of the Image Abingdon, Oxon Routledge. pp. 14-26

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds

Cummings, P. 2018. Model for a Common Room. Victoria Gallery and museum - University of Liverpool

Wyver, J., others 2018. Hamlet. London BBC 2.

Wyver, J., Wrigley, A. (ed.) 2018. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Sprio, Margherita 2018. Italian Post-War Migration to Britain: Cinema and The Second Generation. in: Tsagarousianou, R. and Retis, J. (ed.) The Handbook of Diasporas, Media and Culture UK Wiley-Blackwell.

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41.

Ingawanij, M.A. 2018. Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image I.B. Tauris.

Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

Wyver, J. 2018. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120.

Stevens, S. ESSAY FILM NOW! Arts Foundation.

Thompson, Shirley Questions Unanswered - opera for solo voice.

Sporton, G. 2017. The Life of a Dance: Double Take, Part II. DocPerform2: Documenting Performance. City University, London 06 - 07 Nov 2017 IdeaExchange@UAkron.

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Cummings, P. 2017. Woman's Hour Craft Prize.

Dawood, S. 2017. Leviathan.

Aitken, J. and Brake, J. 2017. Joy and Division in Salford (and Manchester): The Artful Discourses of Gentrification.

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London