Westminster School of Arts

Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver

Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57

Gortazar, P. 2020. Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava . 52nd Annual ASEEES Convention. Washington DC, USA 08 Jun - 05 Nov 2021

Calleja, G. 2020. Ethnography and experimental non-fiction storytelling: relating the experiences of Maltese Fishermen. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v4zzx

Mortimer, R. 2020. Ghosts, Imagination and Theatre: re-enacting the futural past through documentary film. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v414w

Orlow, U. 2020. Conversing with Leaves. Berlin Archive Books.

Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

Jonsson, A. 2020. The Body Politics of Data. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v31zq

Fry, C. 2020. Certainty and Fragility: reassessing the role of automatically generated aids to the making process. 23rd Generative Art Conference. METID, Politecnico di Milano University, Milan, Italy 15 - 17 Dec 2020 Domus Argenia Publisher.

Leahy, D. 2020. Musicians in Space. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v2z0q

Tanza, S. 2020. The Emergent City (2007- 2017): Artistic explorations of the control and the ethics of data. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v2vx1

York, A. 2020. Transforming musical performance: activating the audience as digital collaborators. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v22qq

Zoppelletto, C. 2020. Decolonisation Through ‘Development Films’: Constructing and Re-Constructing the Zairian Spirit on Film. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v218w

Boon, H. 2020. The Condition of My Existence.

Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

Gross, S. and Musgrave, G. 2020. Can Music Make You Sick? Measuring the Price of Musical Ambition. London University of Westminster Press.

Evans, J. 2020. Taking a holistic approach to practice-based arts research: our experiences (successes and challenges) at the University of Westminster. RDMF20: RDM and Data sharing/openness in the arts (Virtual Forum). Virtual (online) 03 - 03 Jun 2020

Waring, C. 2020. Visual Activism and Marginalised Communities in Online Spaces. in: Deepwell, K. (ed.) Feminist Art Activism and Artivisms Netherlands Valiz.

Musgrave, G. 2020. Avicii: True Stories - Review. Dancecult: Journal of Electronic Dance Music Culture. 12 (1), pp. 94-97. https://doi.org/0.12801/1947-5403.2020.12.01.15

Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566

Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957

Evans, J. 2020. Practice-based (arts and architecture) research. ORCID Regional Meeting SE. Virtual (online) 30 Mar 2020

Sprecher, D. 2020. Demob Suits: One Uniform for Another? Burtons and the Leeds Multiple Tailors' Production of Men's Demobilization Tailoring after the Second World War. Costume. 54 (1), pp. 108-130. https://doi.org/10.3366/cost.2020.0145

Perez, A. 2020. Hacking Antarctica. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qyy62

Carréra Campos Leal, G. 2020. Amid the debris: ruins of underdevelopment in contemporary Brazilian documentary. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qy75y

Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal. 79 (2), pp. 59-67. https://doi.org/10.1080/00043249.2020.1765556

David Bate 2020. Jacques Rancière. in: Durden, M. and Tormey, J. (ed.) Routledge Companion to Photography Theory Oxford Routledge.

Bate, D. 2020. Photography as Critical Practice: Notes on Otherness . Intellect.

Shinkle, E. 2020. The city inhabits me: space, topology, and Gabriele Basilico’s Milan: Ritratti di Fabbriche . Journal of Architecture. 24 (8), pp. 1070-1083. https://doi.org/10.1080/13602365.2019.1704832

Barnwell, J. 2020. How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan. pp. 223-242

Ross, J. 2020. Experimental Film. in: Fujiki, H. and Philips, A. (ed.) The Japanese Cinema Book London BFI Publishing.

Campany, D. 2020. On Photographs. UK Thames & Hudson.

Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Goddard, M. 2020. “This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) Punk Rock New York Oxford University Press.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Pucill, S. 2019. Ottawa Art Gallery Screening: Confessions to the Mirror. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020

Orlow, U. 2019. Artemisia in Katanga (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Orlow, U. 2019. Malaria, Congo and the Belgians (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC