College | Design, Creative and Digital Industries |
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Head | Prof Catherine Dormor |
David Bate 2016. Global Photography. in: Photography: the Key Concepts. 2nd edition Bloomsbury.
David Bate 2016. Documentary and Storytelling. in: Photography: the Key Concepts. 2nd edition Bloomsbury.
David Bate 2016. Snapshots and Institutions. in: Photography: the Key Concepts. 2nd edition Routledge.
David Bate 2016. The Scopic Drive. in: Photography: the Key Concepts. 2nd edition Bloomsbury.
David Bate 2016. Seeing Portraits. in: Photography: The Key Concepts. 2nd edition Routledge.
Rumball, H. 2016. Visibility and Invisibility. Critical Studies. 2, pp. 30-39.
Lee, Y. 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.
Klewitz, R. 2016. Insights into an Artistic Practice through Self-Reflection. The International Journal of Arts Education. 11 (2), pp. 13-25. https://doi.org/10.18848/2326-9944/cgp/v11i02/13-25
Lee, Yeseung 2016. The Authentic Surface: Making Garments, Selves and Others. In Pursuit of Luxury 2. LIM College, New York 06 May 2016
Lee, Yeseung 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.
Lee, Yeseung 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol and Chicago Intellect.
Bate, D. 2016. Daguerre’s Abstraction. Photographies. 9 (2), pp. 135-146. https://doi.org/10.1080/17540763.2016.1185881
Shinkle, E. 2016. The Universal Foreground: Ordinary Landscapes and Boring Photographs. in: Gardiner, M. and Haladyn, J.J. (ed.) Boredom Studies: Frameworks and Perspectives London Routledge. pp. 99-111
Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82
Hermes, K. 2016. The harmonic centroid as predictor of single sound spectral clarity.
Cumberland, S. 2016. Pictures Out of Painting. University of Westminster. https://doi.org/10.34737/qqqz8
Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).
Gross, S. 2016. Let's Talk About Sex: Gender Trouble in the Music Industry. Sørveiv Conference . Kristiansand 28 - 29 Oct 2016
Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.
Sprecher, D. 2016. Well Dressed Men: From Montague Burton to Topman. in: Selby, Elizabeth (ed.) Moses, Mods and Mr Fish: The Menswear Revolution London Jewish Museum London. pp. 79-88
Sprecher, D. 2016. Fashion for the High Street: The Design and Making of Menswear in Leeds 1945-1980. PhD thesis University of Leeds School of History
Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62
Gross, S. and Musgrave, G. 2016. Can Music Make You Sick Part 1? A Study Into The Incidence of Musicians' Mental Health. MusicTank.
Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016
Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018
Triscott, N. and Steadman, A. 2016. Notes from the Field: Commoning Practices in Art and Science. Arts Catalyst Centre for Art, Science & Technology 74-76 Cromer Street London WC1H 8DR 28 Jan - 19 Mar 2016
Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.
Groves, Andrew 2016. Symposium: The Vanishing Art of Camouflage .
Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.
Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.
Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78
Groves, Andrew and Leach, Robert 2016. The Vanishing Art of Camouflage.
Thompson, Shirley 2016. Diversity in Classical Music Composition. Diversity in Classical Music. 19 Oct 2016 - 19 Aug 2017
Thompson, Shirley 2016. Life Sequences: Machinery of Replication and Random Sequences. STM Productions.
Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360
Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288
Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.