Westminster School of Arts

Rogers, L. 2024. 'Thinking Through’ the Artist’s Archive. Ursula Schulz-Dornburg, a complex case study. Reframing the Archive, International Conference on Photography and Visual Culture. Virtual event 26 - 27 Sep 2024

Gortazar, P. 2024. Dare Me Not: Photography as Adventure in Virtual Space. in: Shobeiri, A. and Westgeest, H. (ed.) Virtual Photography: Artificial Intelligence, In-game, and Extended Reality Germany transcript Verlag. pp. 135-150

Boon, H. 2024. Electronic Music Production: Kate Bush Running up that Hill. Change and Continuity: Traditions, Tensions and Transformations in Music Production - SMPR Conference 2024. Leeds Beckett University, Leeds School of Arts 12 - 14 Sep 2024

Reddington, J. 2024. Creating new music communities . 15th International Music Business Research Days (2024) Music Ecosystem Research: Challenges and Opportunities. Hanover University of Music, Drama and Media, Department of Journalism and Communication Research in Collaboration with HYPE&FRIENDS and GMM e. V. 05 - 07 Jun 2024

Posada Alvarez, V. 2024. Latin London: Representation of Life in The Diaspora. The Latin American Community In London –1970s Onwards. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wqw40

Groves, Andrew 2024. Inside the Westminster Menswear Archives. Foundational. Exploring the Legacies and Impacts of Foundational Art & Design Education. Online 18 Jun 2024

Forbes, D. 2024. 7Cs in the Anthropocene: Underpinnings, Processes, Practices of Moving Toward Creative Confidence in All We Humans Do in the Anthropocene. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wq701

Hermes, K. 2024. Creative Cyborgs: virtual 3D characters as artist identities for musicians. in: Gullö, Jan-Olof, Hepworth-Sawyer, Russ, Hook, Dave, Marrington, Mark, Paterson, Justin and Toulson, Rob (ed.) Innovation in Music: Adjusting Perspectives Routledge.

Hermes, K. 2024. Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard. in: Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson and Mark Marrington (ed.) Innovation in Music: Technology and Creativity Focal Press. pp. 237-251

Groves, Andrew and Sprecher, Danielle 2024. Umbro 100: Sportswear x Fashion . London Westminster Menswear Archive.

Peters, T., Twomey, C. and Brown, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA 58th Annual Conference: Coalescence. Greater Richmond Convention Center, Richmond, Virginia, USA 20 - 23 Mar 2024

Musgrave, G. and Gross, S. 2024. Sammendrag af rapporten 'Når musikken taler': Mental sundhed og trivsel i den danske musikbranche. Copenhagen, Denmark Danish Partnership for Sustainable Development in Music.

Groves, Andrew, Sprecher, Danielle, Beach, Hannah and Hitchcock, Fenella 2024. Curatorial Continuum: Symbiotic inspiration between fashion collections and the fashion industry (round table). Beyond the Blockbuster: Exhibiting Fashion Now. Museum of London Docklands and London College of Fashion 30 - 31 May 2024

Musgrave, G. and Gross, S. 2024. When Music Speaks - Mental Health and Next Steps in the Danish Music Industry. Part 4 - Final Recommendations. Copenhagen, Denmark Danish Partnership for Sustainable Development in Music. https://doi.org/10.5281/zenodo.10984008

Musgrave, G., Gross, S. and Carney, D 2024. When Music Speaks - Mental Health and Next Steps in the Danish Music Industry. Part 3 - Danish Music Creators' Working Lives and Mental Health Wants. Copenhagen, Denmark Danish Partnership for Sustainable Development in Music. https://doi.org/10.5281/zenodo.10984004

Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

Groves, Andrew 2024. Admiral and the Aesthetic Merit of Design. in: MacDonald, R. (ed.) Admiral: 50 Years of the Replica Shirt Glasgow Halcyon Publishing.

Gross, S. and Bennett, T. 2024. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Palgrave Macmillan. pp. 581-604

Paula Gortázar 2024. Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency. Philosophy of Photography. 15 (Issue 1-2: Expanded Visualities: Photography and Emerging Technologies), pp. 143-157. https://doi.org/10.1386/pop_00097_1

Marsh, J. 2024. Performing the Symbiotic Relationship Between the Adapted Mosque and its Congregation. in: Lamb, T. and Wang, C. (ed.) Negotiating Identities, Language and Migration in Global London: Bridging Borders, Creating Spaces London Multilingual Matters. pp. 170-186

Burgher, V. 2024. Provocation in porcelain. Holt Journal for Artistic Research. (Issue 2), pp. 81-98.

Barnett, Heather 2024. The Subjecthood of Slime Mould: modelling single-celled intelligence through living systems art. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w883w

Kempadoo, R. 2024. My Daughter's Mind (1984/5) and Presence (1990) in Women in Revolt: Art and Activism in the UK 1970-1990). Tate Britain 08 Nov 2023 - 07 Apr 2024

Rumball, Hannah 2024. Book review: Sanda Miller, Images on the Page: A Fashion Iconography. Costume. 58 (1), pp. 151-152. https://doi.org/10.3366/cost.2024.0298

Musgrave, G., Gross, S. and Klein, Maike 2024. The dark side of optimism: Musical dreams, belief, and gambling. Musicae Scientiae. 28 (4), pp. 634-648. https://doi.org/10.1177/10298649241230673

Musgrave, G., Gross, S. and Carney, D. 2024. When Music Speaks: Mental Health and Next Steps in the Danish Music lndustry. Part 2 - A Review of Models of Musicians' Mental Health Interventions. Copenhagen, Denmark Danish Partnership for Sustainable Development in Music. https://doi.org/zenodo.10808427

Castrey, Madeline 2024. Re-envisioning female operatic roles in contemporary performance from a feminist perspective. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w8048

Boon, H. 2024. An introduction to neo-Riemannian operations and their application in music production. in: Chapkanov, B. (ed.) Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world Delaware, United States Vernon Press. pp. 301-320

Ingawanij, M.A. 2024. Flaherty Film Seminar 2024: To Commune. 2024

Gortazar, P. 2024. Plastic Borders: On the Photographic Frame and its Virtual Experience. Photographies. 17 (1-2), pp. 115-127. https://doi.org/10.1080/17540763.2023.2269401

Asante, B. 2024. The Women. They Were Plotting Too: Declaring Our Independence in the Spirit of Sankofa. in: Baldwin, A.N. and Haynes, T. (ed.) Global Black Feminisms: Cross Border Collaboration through an Ethics of Care Routledge.

Groves, Andrew and Sprecher, Danielle 2024. Inside the Westminster Menswear Archive. London Bloomsbury Visual Arts.

Boon, H. 2024. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. in: Gullo, J.O., Hepworth-Sawyer, R., Paterson, J., Toulson, R., Hook, D. and Marrington, M. (ed.) Innovation in Music: Cultures and Contexts Focal Press.

Musgrave, G. 2024. Out of the Frying Pan and into the Fire: Music Education, Mental Health, and Our Students’ Futures. in: Arditi, D. and Nolan, R. (ed.) Handbook of Critical Music Industry Studies Palgrave Macmillan.

Reddington, J. 2023. Guest Presentation @ complecs TECC | workshop: “Navigating a Platformized Music Industry”.

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Wyver, J. 2023. Pauline Boty: Artist - Model - Actor - Blonde. London

Wyver, J. 2023. Blonde Noir. London

Pucill, S. 2023. 'Double Exposure' 16mm+Digital, col+bw, 27min, UK premiere of the film was at Danielle Arnaud Gallery, London, December 2023, with a Q+A with the writer and curator Helena Reckitt.