Westminster School of Arts

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Orlow, U. 2016. Geraniums Are Never Red.

Orlow, U. 2016. The Fairest Heritage.

Orlow, U. 2016. The Memory of Trees.

Orlow, U. 2016. What Plants Were Called Before They Had A Name.

Orlow, U. 2016. The Crown against Mafavuke.

Orlow, U. 2016. Theatrum Botanicum. London

Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Campany, D. 2016. A Question of Finish: thoughts on the work of Jeff Cowen. in: Jeff Cowen: Photoworks Cologne, Germany Konig.

Campany, D. 2016. The Given Image. in: Trosch, J. and Bosshard, M. (ed.) John Stezaker: Unassisted Readymade Zurich, Switzerland JRP/Ringier.

Campany, D. 2016. Doomed to See. in: Blank Cologne, Germany Hatje Cantz.

Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.

Neville, M. Campany, D. (ed.) 2016. Mark Neville: Fancy Pictures. Gottingen, Germany Steidl Verlag.

Campany, D. 2016. Walker Evans: Anonymous and Ingognito. in: Zander, T. (ed.) Walker Evans: Labor Anonymous Cologne, Germany Konig.

Campany, D. 2016. Light and Dark Chambers. in: Intimate Distance New York Aperture Foundation, Inc..

Campany, D. and Braden, P. 2016. Adventures in the Lea Valley. London Hoxton Mini Press.

Campany, D. 2016. Walker Evans. New York, New York, USA Aperture Foundation, Inc..

Ross, J. 2016. Game Play: Artists playing video games. Art Cinema OFFoff 14 - 14 Nov 2016

Ross, J. 2016. Cosmos - Takashi Makino. London Gallery West 22 Jan - 21 Feb 2016

Ross, J. 2016. Fluorescent Chrysanthemum. ICA, London 04 Oct - 27 Nov 2016

Ross, J. 2016. STILL MOVING – Een expositie van diafilms. Art Cinema OFFoff, Ghent, as part of Film Fest Gent 11 - 21 Oct 2016

Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema in the Time of Pop. Tate Modern 22 - 24 Jan 2016

Ross, J. 2016. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals. in: De Luca, T. and Jorge, N. Barradas (ed.) Slow Cinema Edinburgh, Scotland Edinburgh University Press. pp. 261-272

Ross, J. 2016. Pafōmansu to shite no ekusupande'do cinema. in: American Avant-Garde Movies Japan Shinwasha. pp. 161-181

Ross, J. 2016. Curating Problems for Expanded Cinema. in: Ferreboeuf, R., Noble, F. and Plunkett, T. (ed.) Preservation, Radicalism and the Avant-Garde Canon Palgrave Macmillan. pp. 35-49

Cumberland, S. 2016. The Painting Show. Touring Exhibition: Currently Aram Art Gallery, Goyang Cultural Centre, South Korea. Previously Vilnius Contemporary Art Centre, Lithuania, and Limerick City Gallery of Art, Ireland. 22 Jan 2016 - 24 Sep 2017

Cumberland, S. 2016. Handmade Colour Pictures. The approach 1st Floor, 47 Approach Road Bethnal Green, London E2 9LY 10 Jul - 07 Aug 2016

Hermes, K., Brookes, T. and Hummersone, C. 2016. The harmonic centroid as a predictor of string instrument timbral clarity. Audio Engineering Society Convention. Paris, France 04 - 07 Jun 2016 Audio Engineering Society.

Evans, G. 2016. Migrants what does home mean to you? Hive Dalston 15 Apr 2017

Pucill, S. 2016. Confessions To The Mirror.

David Bate 2016. Photography: The Key Concepts. London Bloomsbury.

Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587

Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Kempadoo, R. 2016. Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure. London Rowman & Littlefield.

Aitken, J. 2016. Art Practices & The Housing Crisis. Aitken, J. (ed.) Art Practices & The Housing Crisis. The People's History Museum 18 - 18 Nov 2016

Aitken, J. 2016. Promising Home. The People's History Museum, Manchester 29 Oct 2016 - 15 Jan 2017

Aitken, J. 2016. The War at Home. Photography & The Left. University Nova de Lisboa / National Museum of Contemporary Art 16 - 17 Jun 2016