Westminster School of Arts

Peters, T. (ed.) 2012. Tradition & Innovation: Five Decades of Harrow Ceramics. University of Westminster.

Robert Leach 2012. Fashion Resource Book. Thames & Hudson.

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Alamouti, D. 2012. Gilad and all that Jazz.

Bate, D. 2012. The social network game. Philosophy of Photography. 3 (1), pp. 29-35. https://doi.org/10.1386/pop.3.1.29_7

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Goddard, M. 2012. Noise as Cultural Subversion: The Return of Postpunk. in: Cieslak, M. and Rasmus, A. (ed.) Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance Newcastle upon Tyne Cambridge Scholars Publishing. pp. 20-34

Goddard, M. 2012. The Impossible Polish New Wave and its Accursed Auteurs. in: Imre, A. (ed.) Blackwell Companion to Eastern European Cinema New York; London Wiley. pp. 291-310

Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.

Goddard, M. and Halligan, B 2012. Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics. Framework: The Journal of Cinema and Media. 53 (1), pp. 172-189.

Goddard, M. 2012. Cinematic and Aesthetic Cartographies of Subjective Mutation. Subjectivity. 5 (1), pp. 75-94. https://doi.org/10.1057/sub.2011.24

Goddard, M., Halligan, B and Hegarty, P (ed.) 2012. Reverberations: The Philosophy, Aesthetics, and Politics of Noise. London Bloomsbury Academic.

Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Thompson, Shirley 2012. Mandela tales.

Tabrizian, M. 2012. Leicestershire.

Shinkle, E. 2012. Videogames and the digital sublime. in: Karatzogianni, A. and Kuntsman, A. (ed.) Digital cultures and the politics of emotion: feelings, affect and technological change London Palgrave Macmillan.

Shinkle, E. 2012. Uneasy bodies: affect, embodies perception, and contemporary fashion photography. in: Pappenburg, B. and Zarzycka, M. (ed.) Carnal aesthetics: transgressive imagery and feminist politics I.B. Tauris.

Rawlings, J. 2012. Wave/ing.

Orlow, U. 2012. The Reconnaissance. Aargauer Kunsthaus 1 Sep - 18 Nov 2012

Oppenheimer, J. and ten Brink, J. 2012. The act of killing.

Matheson, N. 2012. Fear of reflections: the photoworks of Paul McCarthy. in: Bleyen, M. (ed.) Minor photography: connecting Deleuze and Guttari to photography theory University of Leuven Press.

Dawood, S. 2012. Piercing brightness.

Dawood, S. 2012. New dream machine project. Parasol Unit Foundation for Contemporary Art 5 December 2012 - 23 February 2013

Campany, D. 2012. Walker Evans' Pages. in: diBello, P., Wilson, C. and Zamir, S. (ed.) The photobook: from Talbot to Ruscha and beyond I.B. Tauris.

Bate, D. 2012. Photography after postmodernism: Barthes, Stieglitz and the art of memory. London I.B. Tauris.

ten Brink, J. and Oppenheimer, J. (ed.) 2012. Killer images: documentary film, memory and the performance of violence. New York & Chichester Columbia University Press.

Ingawanij, M.A. and McKay, B. (ed.) 2012. Glimpses of freedom: independent cinema in Southeast Asia. Ithaca, NY Cornell Southeast Asia Program Publications.

Alamouti, D. 2011. Voices of Courage.

Peters, T. and West, J. 2011. Memoranda. Farnham 26 Jul - 01 Oct 2011

Barnwell, J. 2011. British Film Design: A History, Laurie Ede . Historical Journal of Film, Radio and Television. 31 (3), pp. 419-421. https://doi.org/10.1080/01439685.2011.597997

Rodríguez Muñoz, Bárbara, López, Maribel, Alfaro, Greta, Buckingham, Matthew, Castillo Deball, Mariana, Chong, Heman, Farocki, Harun, Orlow, Uriel, Rakowitz, Michael and Satorre, Jorge 2011. Seres inanimados = inanimate beings. Caja Madrid, Obra Social.

White, R. 2011. “Drums are not for Gentlemen”: Class and Race in Langston Hughes’ Haitian Encounter. International Journal of Francophone Studies. 14 (1-2), pp. 107-122. https://doi.org/10.1386/ijfs.14.1-2.107_1

Peters, T. 2011. Brazil: The Cultural Contemporary. Craft Research. 2. https://doi.org/10.1386/crre.2.195_7

Peters, T. Peters, T. and West, J. (ed.) 2011. Memoranda: Maisie Broadhead, Stephen Dixon, Laura Potter and Elaine Wilson. Luminous Books.

Alamouti, D. 2011. Mother.

Soutter, L. 2011. Dial ‘P’ for panties: Narrative photography in the 1990s. in: Grant, C. and Waxman, L. (ed.) Girls! Girls! Girls! in Contemporary Art Intellect. pp. 45-62

Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Stevens, S. Stevens, S. (ed.) 2011. Three Films on Language/Poland/Belarus, Integration, Internationalism, Nationalism. London