College | Design, Creative and Digital Industries |
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Head | Ms Michaela O'Brien |
Fuchs, Christian 2018. Towards A Critical Theory of Communication with Georg Lukács and Lucien Goldmann. Javnost / The Public. 25 (3), pp. 265-281. https://doi.org/10.1080/13183222.2018.1463032
Goodwin, P. 2018. Where's the Working Class? tripleC. 16 (2), pp. 535-545 12.
Roberts, M., Osborn, G., Eldridge, A., Robinson, J. and Flacks, S. 2018. Aspects Of London’s Evening And Night Time Economy: A Report for the Mayor of London/ GLA. London MusicTank.
Fuchs, Christian 2018. Social Media and the Capitalist Crisis. in: Basu, L., Schifferes, S. and Knowles, S. (ed.) The Media and Austerity: Comparative Perspectives Abingdon, Oxon Routledge. pp. 211-225
Fuchs, Christian 2018. Authoritarian capitalism, authoritarian movements and authoritarian communication. Media, Culture & Society. 40 (5), pp. 779-791. https://doi.org/10.1177/0163443718772147
Fuchs, Christian 2018. Postface: Horst Holzer’s "Communication & Society: A Critical Political Economy Perspective" . tripleC. 16 (1), pp. 398-401.
Fuchs, Christian 2018. "Dear Mr. Neo-Nazi, Can You Please Give Me Your Informed Consent So That I Can Quote Your Fascist Tweet?": Questions of Social Media Research Ethics in Online Ideology Critique. in: Meikle, G. (ed.) The Routledge Companion to Media and Activism Abingdon Routledge. pp. 385-394
Goodwin, P. 2018. An Impossible Challenge for Public Service Media? The Intellectual Context of the Networked Society. in: Ferrell Lowe, G., Van den Bulck, H. and Donders, K. (ed.) Public Service Media in the Networked Society Gothenburg Nordicom. pp. 29-41
Johanssen, J. 2018. Gaming-playing on social media: using the psychoanalytic concept of ‘playing’ to theorize user labour on Facebook. Information, Communication & Society. 21 (9), pp. 1204-1218. https://doi.org/10.1080/1369118X.2018.1450433
Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134
Fuchs, Christian and Qiu, Jack 2018. Ferments in the Field: Introductory Reflections on the Past, Present and Future of Communication Studies. Journal of Communication. 68 (2), pp. 219-232. https://doi.org/10.1093/joc/jqy008
Fuchs, Christian and Qiu, Jack (ed.) 2018. Ferments in the Field: The Past, Present and Future of Communication Studies (Special issue). Journal of Communication 68 (2): 219-451. Wiley.
Sakr, N. and Steemers, J. 2018. Children's Screen Content in an Era of Forced Migration: Manchester Workshop Briefing. London Kings College London.
Xin, X. 2018. Popularizing Party Journalism in China in the Age of Social Media: The Case of Xinhua News Agency. Global Media and China. 3 (1), pp. 3-17. https://doi.org/10.1177/2059436418768331
Micholia, P., Karaliopoulos, M., Koutsopoulos, I., Navarro, L., Baig, R., Boucas, D., Michalis, M. and Antoniadis, P. 2018. Community Networks and Sustainability: a Survey of Perceptions, Practices, and Proposed Solutions. IEEE Communications Surveys & Tutorials. 20 (4), pp. 3581-3606. https://doi.org/10.1109/COMST.2018.2817686
Fuchs, Christian 2018. Why There Are Certain Parallels Between Joachim C. Fest's Hitler-Biography and Michael Wolff's Trump-Book. tripleC: Communication, Capitalism & Critique. 16 (1), pp. 260-263.
Fuchs, Christian 2018. Industry 4.0: The Digital German Ideology. tripleC: Communication, Capitalism & Critique. 16 (1), pp. 280-289.
Fuchs, Christian 2018. Digital Demagogue: Authoritarian Capitalism in the Age of Trump and Twitter. London Pluto Press.
Fuchs, Christian 2018. Nationalism 2.0: The Making of Brexit on Social Media. London Pluto Press.
Garrisi, D. and Johanssen, J. 2018. Competing narratives in framing disability in the UK media: a comparative analysis of journalistic representations of facial disfigurement versus practices of self-representations online. JOMEC Journal. 12, pp. 128-144. https://doi.org/10.18573/jomec.172
Xin, X. 2018. New Poles in Uncertain Times? in: Culture Report EUNIC Yearbook 2018, "Cultures of We": Europe and the Search for a New Narrative Göttingen, Germany Steidl Verlag. pp. 48-53
Cope, J. and Wells, M. 2018. Picturing statistical narratives: a century of data visualisation from the healthcare public relations perspective. in: Collister, S. and Roberts-Bowman, S. (ed.) Visual Public Relations: Strategic Communication Beyond Text Abingdon, Oxon Routledge.
Xin, X. 2018. Financialisation of News in China in the Age of the Internet: The Case of Xinhuanet. Media, Culture and Society. 40 (7), pp. 1039-1054. https://doi.org/10.1177/0163443717745121
Sabry, T. 2018. Arab Thought and Revolution as Event: Towards New Affective Registers of Critique. Javnost / The Public. 25 (4), pp. 351-364. https://doi.org/10.1080/13183222.2018.1463374
Marsh, V. 2018. Tiangao or tianxia? The ambiguities of CCTV's English-language news for Africa. in: Thussu, D.K., de Burgh, H. and Shi, A. (ed.) China's Media Go Global Abingdon Routledge. pp. 103-121
Lodhi, A. 2018. 'Countries in the Air': Travel and Geomodernism in Louis MacNeice's BBC Features. Media History. 24 (2), pp. 226-238. https://doi.org/10.1080/13688804.2018.1471349
Meikle, G. (ed.) 2018. The Routledge Companion to Media and Activism. London Routledge.
Bunz, M. and Meikle, G. 2018. The Internet of Things. Cambridge Polity Press.
O'Brien, M. 2018. Nonprofit Issues Management: A New Approach to Resist the Label of ‘Risk’. in: Garston, N. and Bruce, I. (ed.) Communicating Causes: Strategic public relations for the non-profit sector Abingdon, Oxon Routledge.
Sakr, N. 2018. ‘Smarter, stronger, kinder’: Interests at stake in the remake of Iftah ya Simsim for Gulf children. Middle East Journal of Culture and Communication. 11 (1), pp. 9-28. https://doi.org/10.1163/18739865-01101002
Hogg, C. and Smith, C. L. 2018. Well-being and the Television Actor: Challenges and Coping Strategies. in: Hogg, C. and Cantrell, T. (ed.) Exploring Television Acting London Bloomsbury. pp. 171-186
Fuchs, Christian 2018. Capitalism, Patriarchy, Slavery, and Racism in the Age of Digital Capitalism and Digital Labour. Critical Sociology. 44 (4-5), pp. 677-702. https://doi.org/10.1177/0896920517691108
Cantrell, T. and Hogg, C. (ed.) 2018. Exploring Television Acting. London Bloomsbury.
Johanssen, J. 2018. Not Belonging to one’s Self: Affect on Facebook’s Site Governance page. International Journal of Cultural Studies . 21 (2), pp. 207-222. https://doi.org/10.1177/1367877916666116
Thorburn, J. 2017. All the World is Now Richer meets The Woman Who Refused to Dance. The Diaspora Pavilion Venice
Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.
Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134
Cunha, M. 2017. Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto. in: da Silva, A. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer. pp. 77-95
da Silva, A.M. and Cunha, M. 2017. Introduction. in: da Silva, A.M. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer.