Westminster School of Media and Communication

Issa, D. 2019. Song is the Secret of of Existence: Fairouz and the Arab Diaspora in London and Doha. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/qw6xx

Tambakaki, P. 2019. Subjects, Contexts and Modes of Critique. A Response to Jodi Dean. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects London University of Westminster Press.

Alshaer, A. 2019. Reflections on Time in Arabic Poetry. in: Sabry, T. and Khalil, J.F. (ed.) Culture, Time and Publics in the Arab World: Media, Public Space and Temporality London I.B. Tauris.

Aouragh, M. and Sajir, Z. 2019. Solidarity, Social Media, and the “Refugee Crisis”: Engagement Beyond Affect. International Journal of Communication. 13 (1932), p. 550–577.

Fuchs, Christian 2019. Nationalism on the Internet: Critical Theory and Ideology in the Age of Social Media and Fake News. New York Routledge.

Sakr, N. and Steemers, J. 2019. Screen Media for Arab and European Children: Policy and Production Encounters in the Multiplatform Era. Basingstoke Palgrave Macmillan.

Morales, P.S. 2019. The Reception of International News Channels in Hispanic Latin America: a Study on Audience Response to the Soft Power Endeavours of China, Russia and Iran. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/qv97z

Block, Peter 2019. Beyond survival? People management strategies for development and growth of PSBs in a fragmented digital media landscape . emma conference 2019. Cypress 05 - 07 Jun 2019

Sabry, T. Sabry, T. (ed.) 2019. Culture, Time and Publics in the Arab World: Media, Public Space and Temporality. London I.B. Tauris.

Sabry, T. and Mansour, N. 2019. Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective. Palgrave Macmillan.

Denisova, A. and Herasimenka, A. 2019. How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter- Hegemony, and Emerging Resistant Publics. Social Media + Society. 5 (2), pp. 1-11. https://doi.org/10.1177/2056305119835200

Koksal, O. and Rappas-Celik, I.A. 2019. A Hand that Holds a Machete: Race and the Representation of the Displaced in Jacques Audiard’s Dheepan. Third Text. 33 (2), pp. 256-267. https://doi.org/10.1080/09528822.2019.1590067

Fuchs, Christian 2019. Revisiting the Althusser/E. P. Thompson-Controversy: Towards a Marxist theory of communication. Communication and the Public. 4 (1), pp. 3-20. https://doi.org/10.1177/2057047319829586

Fuchs, Christian 2019. Herbert Marcuse: Einige gesellschaftliche Folgen moderner Technologie. Zeitschrift für Didaktik der Philosophie und Ethik. 41 (1), pp. 70-74.

Fuchs, Christian 2019. Social Media, Big Data, and Critical Marketing. in: Tadajewski, M., Higgins, M., Denegri-Knott, J. and Varman, R. (ed.) The Routledge Companion to Critical Marketing London Routledge. pp. 467-481

Fuchs, Christian 2019. Appropriation of Digital Machines and Appropriation of Fixed Capital as the Real Appropriation of Social Being: Reflections on Toni Negri’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 215-221

Fuchs, Christian 2019. Karl Marx in the Age of Big Data Capitalism. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 53-71

Fuchs, Christian 2019. Beyond Big Data Capitalism, Towards Dialectical Digital Modernity: Reflections on David Chandler’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 43-51

Fuchs, Christian and Chandler, D. 2019. Introduction: Big Data Capitalism – Politics, Activism, and Theory. in: Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 1-20

Chandler, D. and Fuchs, Christian (ed.) 2019. Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data. London University of Westminster Press.

Dwyer, P. 2019. A theory of media production. in: Dwyer, P. (ed.) London Routledge.

Dwyer, P. 2019. Flexibility, Innovation, and Precarity in the Television Industry. in: Deuze, Mark and Prenger, Mirjam (ed.) Making Media: Production, Practices, and Professions Amsterdam Amsterdam University Press. pp. 347-359

Fuchs, Christian 2019. Propaganda 2.0: Herman and Chomsky’s Propaganda Model in the Age of the Internet, Big Data and Social Media. in: Pedro-Carañana, J., Broudy, D. and Klaehn, J. (ed.) The Propaganda Model Today: Filtering Perception and Awareness London University of Westminster Press. pp. 71-91

Fuchs, Christian 2019. Henri Lefebvre’s Theory of the Production of Space and the Critical Theory of Communication. Communication Theory. 29 (2), p. 129–150. https://doi.org/10.1093/ct/qty025

Johanssen, J. 2019. Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data. London Routledge.

Johanssen, J. 2019. Mediennutzung und Psychoanalyse: Theoretische und Empirische Perspektiven . in: Gentzel, P., Krotz, F., Wimmer, J. and Winter, R. (ed.) Das vergessene Subjekt: Subjektkonstitutionen in mediatisierten Alltagswelten Wiesbaden, Germany Springer Fachmedien Wiesbaden. pp. 115-134

Johanssen, J. 2019. Other Bodies within Us: Shock, Affect and Reality Television Audiences. in: Graefer, A. (ed.) Media and the Politics of Offence Basingstoke Palgrave Macmillan.

Johanssen, J. and Garrisi, D. 2019. “I Am Burning, I Am Burning”: Affect, acid attacks and British tabloid newspapers. Journalism Studies. 20 (4), pp. 463-479. https://doi.org/10.1080/1461670X.2017.1389294

Stehlikova, T. 2018. Ophelia's Last Supper.

Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019

Clark, G. 2018. Double Ghosts.

Schneider, N. 2018. Everything for Everyone: The Radical Tradition That Is Shaping the Next Economy. Little Brown Book Group.

Schneider, Nathan 2018. An Internet of ownership: Democratic design for the online economy. Sociological Review. 66 (2), pp. 320-340. https://doi.org/10.1177/0038026118758533

Cunha, M. and Silva, A.M. (ed.) 2018. Human Rights, Social Movements and Activism in Contemporary Latin American Cinema. Springer.

Clark, G. 2018. There is no motion in a motion picture. in: Johnston, C (ed.) Gavin Hipkins: The Domain New Zealand Victoria University Press.

Clark, G. 2018. Under The Earth. in: Jungyeon Ku, H (ed.) Im Heung-soon: Toward a Poetics of Opacity and Hauntology Seoul, South Korea National Museum of Modern and Contemporary Art, Seoul.

Aouragh, M. 2018. Palestine online: Occupation and liberation in the digital age. in: Meikle, G. (ed.) The Routledge Companion To Media And Activism Routledge. pp. 223-231

Aouragh, M. 2018. Digital Anthropology. in: The International Encyclopedia of Anthropology Wiley.

Cunha, M. 2018. Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas. Revista FAMECOS. 26 (1) E-30207. https://doi.org/10.15448/1980-3729.2019.1.30207

Cunha, M. 2018. The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016). in: Cunha, M. and da Silva, A.M. (ed.) Human Rights, Social Movements and Activism in Contemporary Latin American Cinema Springer. pp. 113-131