College | Design, Creative and Digital Industries |
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Head | Dr Doug Specht |
Sabry, T. and Mansour, N. 2019. Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective. Palgrave Macmillan.
Denisova, A. and Herasimenka, A. 2019. How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter- Hegemony, and Emerging Resistant Publics. Social Media + Society. 5 (2), pp. 1-11. https://doi.org/10.1177/2056305119835200
Specht, D. 2019. The Issue of Blogging: Using Visual Network Analysis to go Beyond Self-reporting Studies of Blogging. Journal of Learning and Teaching in the Digital Age. 4 (2), pp. 10-24.
Koksal, O. and Rappas-Celik, I.A. 2019. A Hand that Holds a Machete: Race and the Representation of the Displaced in Jacques Audiard’s Dheepan. Third Text. 33 (2), pp. 256-267. https://doi.org/10.1080/09528822.2019.1590067
Fuchs, Christian 2019. Revisiting the Althusser/E. P. Thompson-Controversy: Towards a Marxist theory of communication. Communication and the Public. 4 (1), pp. 3-20. https://doi.org/10.1177/2057047319829586
Fuchs, Christian 2019. Herbert Marcuse: Einige gesellschaftliche Folgen moderner Technologie. Zeitschrift für Didaktik der Philosophie und Ethik. 41 (1), pp. 70-74.
Fuchs, Christian 2019. Social Media, Big Data, and Critical Marketing. in: Tadajewski, M., Higgins, M., Denegri-Knott, J. and Varman, R. (ed.) The Routledge Companion to Critical Marketing London Routledge. pp. 467-481
Fuchs, Christian 2019. Appropriation of Digital Machines and Appropriation of Fixed Capital as the Real Appropriation of Social Being: Reflections on Toni Negri’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 215-221
Fuchs, Christian 2019. Karl Marx in the Age of Big Data Capitalism. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 53-71
Fuchs, Christian 2019. Beyond Big Data Capitalism, Towards Dialectical Digital Modernity: Reflections on David Chandler’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 43-51
Fuchs, Christian and Chandler, D. 2019. Introduction: Big Data Capitalism – Politics, Activism, and Theory. in: Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 1-20
Chandler, D. and Fuchs, Christian (ed.) 2019. Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data. London University of Westminster Press.
Dwyer, P. 2019. A theory of media production. in: Dwyer, P. (ed.) London Routledge.
Dwyer, P. 2019. Flexibility, Innovation, and Precarity in the Television Industry. in: Deuze, Mark and Prenger, Mirjam (ed.) Making Media: Production, Practices, and Professions Amsterdam Amsterdam University Press. pp. 347-359
Hunt, A. and Specht, D. 2019. Crowdsourced Mapping in Crisis Zones: Collaboration, Organisation and Impact. Journal of International Humanitarian Action. 4 (1). https://doi.org/10.1186/s41018-018-0048-1
Fuchs, Christian 2019. Propaganda 2.0: Herman and Chomsky’s Propaganda Model in the Age of the Internet, Big Data and Social Media. in: Pedro-Carañana, J., Broudy, D. and Klaehn, J. (ed.) The Propaganda Model Today: Filtering Perception and Awareness London University of Westminster Press. pp. 71-91
Fuchs, Christian 2019. Henri Lefebvre’s Theory of the Production of Space and the Critical Theory of Communication. Communication Theory. 29 (2), p. 129–150. https://doi.org/10.1093/ct/qty025
Johanssen, J. 2019. Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data. London Routledge.
Johanssen, J. 2019. Mediennutzung und Psychoanalyse: Theoretische und Empirische Perspektiven . in: Gentzel, P., Krotz, F., Wimmer, J. and Winter, R. (ed.) Das vergessene Subjekt: Subjektkonstitutionen in mediatisierten Alltagswelten Wiesbaden, Germany Springer Fachmedien Wiesbaden. pp. 115-134
Johanssen, J. 2019. Other Bodies within Us: Shock, Affect and Reality Television Audiences. in: Graefer, A. (ed.) Media and the Politics of Offence Basingstoke Palgrave Macmillan.
Johanssen, J. and Garrisi, D. 2019. “I Am Burning, I Am Burning”: Affect, acid attacks and British tabloid newspapers. Journalism Studies. 20 (4), pp. 463-479. https://doi.org/10.1080/1461670X.2017.1389294
Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019
Schneider, N. 2018. Everything for Everyone: The Radical Tradition That Is Shaping the Next Economy. Little Brown Book Group.
Schneider, Nathan 2018. An Internet of ownership: Democratic design for the online economy. Sociological Review. 66 (2), pp. 320-340. https://doi.org/10.1177/0038026118758533
Cunha, M. and Silva, A.M. (ed.) 2018. Human Rights, Social Movements and Activism in Contemporary Latin American Cinema. Springer.
Clark, G. 2018. There is no motion in a motion picture. in: Johnston, C (ed.) Gavin Hipkins: The Domain New Zealand Victoria University Press.
Clark, G. 2018. Under The Earth. in: Jungyeon Ku, H (ed.) Im Heung-soon: Toward a Poetics of Opacity and Hauntology Seoul, South Korea National Museum of Modern and Contemporary Art, Seoul.
Aouragh, M. 2018. Palestine online: Occupation and liberation in the digital age. in: Meikle, G. (ed.) The Routledge Companion To Media And Activism Routledge. pp. 223-231
Aouragh, M. 2018. Digital Anthropology. in: The International Encyclopedia of Anthropology Wiley.
Cunha, M. 2018. Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas. Revista FAMECOS. 26 (1) E-30207. https://doi.org/10.15448/1980-3729.2019.1.30207
Cunha, M. 2018. The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016). in: Cunha, M. and da Silva, A.M. (ed.) Human Rights, Social Movements and Activism in Contemporary Latin American Cinema Springer. pp. 113-131
Cunha, M. 2018. As formas da materialidade: quadro, escala e afeto no cinema de Ramsay. Significação: Revista de Cultura Audiovisual. 45 (49), pp. 96-112. https://doi.org/10.11606/issn.2316-7114.sig.2018.137394
Angeli, S. 2018. Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971). Religions. 9 (9) 252. https://doi.org/10.3390/rel9090252
Medrado, A. and Muller, A. 2018. Maternal Rights Digital Activism and Intersectional Feminism. Brazilian Journalism Research. 14 (1), pp. 174-201. https://doi.org/10.25200/BJR.v14n1.2018.1055
Amadu, M.F. and Alhassan, A. 2018. Community radio in rural development in Northeastern Ghana: the experiences of radio Gaakii in the Saboba district. International Research Journal of Social Sciences. 7 (5), pp. 1-12.
Amadu, M. F, Mohammed, A.M, Alhassan, A. and Mohammed, F. 2018. Assessment of Newspaper Circulation and Readership in Northern Ghana. UDS International Journal of Development. 5 (2), pp. 108-120. https://doi.org/10.47740/300.UDSIJD6i
Kavada, A. 2018. Editorial: media and the ‘populist moment’. Media, Culture & Society. 40 (5), pp. 742-744. https://doi.org/10.1177/0163443718772144
Amadu, M.F. and Alhassan, A 2018. Community Access and Participation in Community Radio Broadcast: Case of Radio Gaakii, Ghana. Journal of Communication and Development Studies. https://doi.org/10.4314/jdcs.v5i2.6