Westminster School of Arts

Sprecher, Danielle 2021. ‘The men who wear corsets are just ordinary people, Officers, aye and Privates too’: Fragments of biography of a gentleman’s corset in mid-twentieth century Britain. Sartorial Society Season 4. Out of Sight: Concealed Dress, Dress that Conceals. Online 30 Sep - 09 Dec 2021

Sprecher, Danielle and Groves, Andrew 2021. Contaminated Objects - Collecting and Exhibiting Face Masks during COVID-19. Clothing the Pandemic Conference. Online 01 Dec 2021 - 01 Mar 2022 ICOM Costume: ICOM International Committee for Museums and Collections of Costume, Fashion and Textiles.

Fry, C. 2021. Encounters with Errors: How the error shapes relationships with digital media practice . 24th Generative Art Conference. Cagliari, Sardinia, Italy 15 - 17 Dec 2021 Domus Argenia Publisher.

Lee, Yeseung 2021. Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий. Теория моды: одежда, тело, культура (Fashion Theory, Russian edition). 62 (April), pp. 162-187.

Chiocchetti, Federica 2021. Photo-Texts: Critical Intersections in History. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vv4z6

Gross, S. 2021. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.”. PhD thesis University of Westminster School of Media https://doi.org/10.34737/vv213

Vials Moore, A., Evans, J., Kotarski, R. and Mudd, T. 2021. Practice made Practical. Reducing the OTHER of non-text. FORCE11 Conference. Online 07 - 09 Dec 2021 Zenodo. https://doi.org/10.5281/zenodo.5767094

Hermes, K. 2021. 8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic . Dancecult Conference 2021. Online 15 - 17 Sep 2021

Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.

Campany, D. Campany, D. (ed.) 2021. #ICPConcerned: Global Images for Global Crisis . USA G Editions.

Kispert, Matthias 2021. Clouds of discontent: art, work, solidarity and digital platform labour. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vqx44

Lee, Yeseung 2021. Distinction by indistinction: luxury, stealth, minimalist fashion. Luxury: History, Culture, Consumption. 6 (3), pp. 203-225. https://doi.org/10.1080/20511817.2021.1897265

West, Ruth 2021. Dataremix: Aesthetic Experiences of Big Data and Data Abstraction. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vq9zx

Niazi, S. 2021. Cinema and the Urdu Public Sphere: Literary imaginaries in the making of film cultures in north India (1930-50). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vq9zq

Jaeckel, M. 2021. Agency is molecular: moved by being moved to moving or co-constitution in intra-active knowledge production. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vq9z9

Mind, G. 2021. Women and the Practice of Studio Portraiture in Britain 1888 – 1914: Politics, Commerce and Constructions of Femininity. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vq9z7

Granese, M. and Alamouti, D. 2021. La Rabbia.

Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1

Peters, T. 2021. Valuable Space: Nicole Polonsky Profile. Printmaking Today. 30 (120), pp. 10-13.

Peters, T. 2021. White Gold. in: Oh, Sunyoung (ed.) Critical Reading: Functional Dissonance Korea Project 7 1/2. pp. 47-54

Bhattacharya, Indranil 2021. Sound. Bioscope: South Asian Screen Studies. 12 (1-2), pp. 178-181. https://doi.org/10.1177/09749276211026057

Jaeckel, M. 2021. Unlearning (in) the anthropocene. Monika Jaeckel.

Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.

Marsh, J. Saleem, S., Turner, C. and Kilgallon, E. (ed.) 2021. British Mosques. Foolscap Editions.

Groves, Andrew and Sprecher, Danielle 2021. Undercover: The Migration of Face Coverings During COVID-19. The Many Faces of Migration: An Interdisciplinary Unconference. online 29 - 30 Apr 2021

Evans, J. 2021. Working in partnership to build a Research Information Management System at the University of Westminster. UCISA Workshop: Working in partnership to build a Research Information Management System at the University of Westminster. 21 Oct 2021 University of Westminster. https://doi.org/10.34737/v97qw

Bate, David 2021. Photography in Surrealism. in: Lusty, N. (ed.) Surrealism Cambridge University Press.

Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books.

Groves, Andrew 2021. In and Out of Fashion - Aligning Education with the International Fashion Calendar. The Digital Multilogue on Fashion Education. American University of Paris 01 - 02 Oct 2021

Orlow, U. 2021. Letter from Lubumbashi. in: Gómez, L. (ed.) Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South Diaphanes.

Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7

Choong, H. 2021. An exploration into the impacts of music learning experiences on the musical proficiencies of popular musicians. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v7027

Hugonnier, M. 2021. Mapping the Politics of Vision: searching for a transformative gaze. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v6xw2

Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Wyver, J. 2021. Visions of electric media: television in the Victorian and machine ages. Early Popular Visual Culture. 19 (1), pp. 91-92. https://doi.org/10.1080/17460654.2020.1863272

Clark, G. 2021. Offerings for a ghost film: From fragmented work to cosmic assemblages. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v6x05

Matas Moris, B. 2021. The Politics of Self-Representation. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v6155