Westminster School of Arts

Christodoulou, C. 2019. Sweet Harmony: Rave|Today (Exhibition Review). Dancecult: Journal of Electronic Dance Music Culture. 11 (1), pp. 101-102. https://doi.org/10.12801/1947-5403.2019.11.01.07

Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846

York, A. 2019. Transforming musical performance: the audience as performer. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music London Routledge. pp. 3-23

Goddard, M. 2019. “Art is Energy, Art is Power”: An Interview with Józef Robakowski. Apparatus Journal.

Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.

Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019

Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Ross, J. 2019. Interview with Lukas Marxt. in: Slanar, C. (ed.) Lukas Marxt: From Light to Cold Vienna VfmK Verlag für moderne Kunst GmbH.

Dornieden, A, Gonzáles, J.D. and Ross, J. 2019. (Reopening) the Open Frame. in: Greenfield, L., Philips, D.S., Schroedinger, K., Speidel, B. and Widmann, P. (ed.) Film in the Present Tense: Why can’t we stop talking about analogue film? Berlin Archive Books. pp. 111-114

Ross, J. 2019. America, America, America: Japanese artists in the United States in the Sixties and Seventies. in: Jhaveri, S. (ed.) America: Films from Elsewhere India The Shoestring Publisher.

Ledésert, C. 2019. I IS ANOTHER: The fabulative filmic collaboration with someone recovering from addiction. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qvwq0

Saunders, W. 2019. Harry Partch: A Catalyst for Queer Compositionism. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qv97w

Sözen, D. 2019. The Art of Un-belonging. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qv976

Hermes, K. 2019. Factors influencing the spectral clarity of vocals in music mixes. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Hermes, K. 2019. Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process. in: Gullö, J.O. (ed.) Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi – Stockholm 2017 Stockholm, Sweden Royal College of Music (KMH) & Art of Record Production. pp. 155-170

Hermes, K. 2019. Optimizing vocal clarity in the mix. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business UK Routledge.

Evans, J. 2019. The Repository is the CRIS, and the CRIS is the Repository. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Evans, J., Gray, A., Kaye, J., Siminson, N., Watts, N. and Renner, T. 2019. Practice-based arts research in repositories: how do we better engage with researchers to capture, manage and enable discoverability of this research? Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Evans, J. and Watts, N. 2019. Bringing your user community with you...a story of successful engagement. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Evans, J., Watts, N. and Renner, T. 2019. Building a single repository to meet all use cases: a collaboration between institution, researchers and supplier. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019

Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125

Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019

Goddard, M., Amaral, A., Bomfim, I, Conter, M., Fischer, G. and Silveira, F (ed.) 2019. MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II. Porto Alegre Marca de Fantasia.

Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228

Orlow, U., Baudelot, A., Barry, A., Vergès, F., Lizet, B., Wolf, A-E., Roy, J-M. and Volper, S. Orlow, U. and Baudelot, A. (ed.) 2019. Soil Affinities. Shelter Press, France.

Marsh, J. 2019. Assembly: catalogue of research findings. London Shelter Press, France.

MOORE, D. and Val Williams 2019. The Lisa and John Slideshow [Script] . London Makina Press.

Groves, Andrew 2019. Invisible Men: an Anthology from the Westminster Menswear Archive. University of Westminster. https://doi.org/10.34737/qqq4v

Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322

Guingue Valencia, L. 2019. A social history of a so-­‐called "Golden Age" of music industrialization: production in Colombian recording and sound technology industries, 1949-­‐1963. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qq87v

Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001

Cumberland, S. 2019. Sensible Signs: Pictures and Not Painting After Conceptual Art. PhD thesis University of Westminster Westminster School of Arts, College of Design, Creative and Digital Industries https://doi.org/10.34737/qq49w

Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135

Evans, J. and Renner, T. 2019. A Single Open Source Repository For Every Use Case. 14th International Digital Curation Conference. Arts West Building, Faculty of Arts, University of Melbourne, Melbourne 04 - 07 Feb 2019

Evans, J. and Renner, T. 2019. Building an All Haplo repository: A partnership between institution and supplier, in collaboration with researchers and the user community. 14th International Digital Curation Conference. Arts West Building, Faculty of Arts, University of Melbourne, Melbourne 04 - 07 Feb 2019

Gross, S. 2019. Mental health in the new economy. Minds at Work: Making mental health a priority in the changing world of work, Fabian Society Policy Report. 3.

Gross, S. 2019. Can I Get a Witness? The significance on contracts in an age of musical abundance . in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music: performance, technology and business New York Routledge. pp. 481-493

Evans, J., Watts, N., Renner, T., Tribble, P., Gray, A., Kaye, J. and Siminson, N. 2019. Transforming the University of Westminster Repository. University of Westminster. https://doi.org/10.34737/q9x2v

Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.

Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164