Design, Creative and Digital Industries

Gross, Sally-Anne 2024. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.” . PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/w883x

Gross, S. 2021. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.”. PhD thesis University of Westminster School of Media https://doi.org/10.34737/vv213

Aldred, R. 2009. "A potential fifth column”: conflicts and struggles for control in the context of local NHS privatisation. Health. 13 (5), pp. 543-561. https://doi.org/10.1177/1363459308336797

Olufemi, Omolola 2024. "But... the luminous tree!" The Uses of the Imagination in Resistant Cultural Production. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/wxq28

Cook, A.J. and Tanner, G. 2005. "Citizens" study: results of European focus groups examining public perceptions of air transport growth and ATM. London, UK EUROCONTROL Experimental Centre. https://doi.org/EEC/SEE/2005/013

Bouki, V., Economou, D. and Angelopoulou, A. 2011. "Cognitive theory of multimedia learning" and learning videos design: The "redundancy principle". in: SIGDOC'11: proceedings of the 29th ACM international conference on design of communication, October 3 - 5, 2011, Pisa, Italy ACM. pp. 271-278

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Fuchs, Christian 2018. "Dear Mr. Neo-Nazi, Can You Please Give Me Your Informed Consent So That I Can Quote Your Fascist Tweet?": Questions of Social Media Research Ethics in Online Ideology Critique. in: Meikle, G. (ed.) The Routledge Companion to Media and Activism Abingdon Routledge. pp. 385-394

Mitchell, W.L., Economou, D. and Randall, D. 2000. "God is an alien": Understanding informant responses through user participation and observation. in: Proceedings of PDC 2000 6th Biennial Participatory Design Conference, 28 November - 1 December 2000 New York CPSR. pp. 135-142

Allen, J. 1994. "Just-in-time transport", comment. Exel Logistics/BRS, Bedford. Issue Number Three.

Angeli, S. 2017. "Lars von Trier’s Women, edited by Rex Butler and David Denny.”. Alphaville: Journal of Film and Screen Media. 13, pp. 162-167. https://doi.org/10.33178/alpha.13.10

Bhat, Harshavardhan 2019. "Malhar." Theorizing the Contemporary. Fieldsights. June 27.

Wilson, L.G. 2013. "Miraculous constellations in real material”: spiritualist phenomena, dada photomontage and magic. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

Paladi, N. and Michalas, A. 2014. "One of our hosts in another country": Challenges of data geolocation in cloud storage. The 6th IEEE Conference on Wireless Communication, Vehicular Technology, Information Theory and Aerospace & Electronic Systems Technology (Wireless VITAE). Aalborg, Denmark 11 May 2014 IEEE . https://doi.org/10.1109/VITAE.2014.6934507

Tsagarousianou, R. 2007. "Re-evaluating dispora": connectivity, mobilization and imagination in a globalised world. in: Sahoo, A.K. and Maharaj, B. (ed.) Sociology of diaspora: a reader Jaipur, India Rawat. pp. 101-117

Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.

Barsch, Barbara, Fischer, Ev, Qaṣ Ben-Šālôm, Yāʿēl., Orlow, Uriel, Stern, Heidi, Stih, Renata, Schnock, Frieder and Ury, Tanya 2004. "Stets gern für Sie beschäftigt ..." : [28. Januar bis 27. März 2005, ifa-Galerie Berlin]. IFA-Galerie Berlin.

Bennett, T. 2018. "The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPM@journal. 8 (1). https://doi.org/10.5429/2079-3871(2018)v8i1.4en

Schneider, N. 2019. "Truly, Much Can Be Done!": Cooperative Economics from the Book of Acts to Pope Francis. in: Pasquale, F. (ed.) Care for the World: Laudato Si' and Catholic Social Thought in an Era of Climate Crisis Cambridge University Press. pp. 145-166

Pucill, S. 2024. "Untitled II from 'Stages of Mourning' (2004) and 'Double Exposure' (2023). in: Flora Dunster and Theo Gordon (ed.) Photography, a Queer History Ilex Press.

Rumball, H. 2023. "We Must Hope That the Moderates with Their Quiet Attire Are the Rising Section": British Women Friends’ Relinquishment of Plain Dress. in: Robynne Rogers Healey and Carole Dale Spencer (ed.) Quaker Women, 1800-1920: Studies of a Changing Landscape Pennsylvania State University Press. pp. 222-244

Thomson, J. 2019. #eco_techno_cosmo_logic. Reaktorhalle, Munich 09 Feb 2019

Campany, D. Campany, D. (ed.) 2021. #ICPConcerned: Global Images for Global Crisis . USA G Editions.

Esteves, V. and Meikle, G. 2015. '"Look @ this fukken doge": Internet Memes and Remix Cultures'. in: Atton, C. (ed.) The Routledge Companion to Alternative and Community Media Abingdon and New York Routledge. pp. 561-70

Tsagarousianou, R. 2001. 'A space where one feels at home': media consumption practices among London's South Asian and Greek Cypriot communities. in: King, R. and Wood, N. (ed.) Media and migration: constructions of mobility and difference London, UK Routledge.

Campany, D. 2007. 'A theoretical diagram in an empty classroom': Jeff Wall's picture for women. Oxford Art Journal. 30 (1), pp. 7-25. https://doi.org/10.1093/oxartj/kcl033

Clarke, L. and Wall, C. 2009. 'A woman's place is where she wants to work': barriers to the entry and retention of women into the skilled building trades. Scottish Labour History. 44, pp. 16-39.

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Barnett, S. and Townend, Judith 2014. 'And what good came of it at last?' Press–politician relations post-Leveson. The Political Quarterly. 85 (2), p. 159–169. https://doi.org/10.1111/1467-923X.12088

Jordan, K. 2020. 'Artists Hidden From Human Gaze': Visual Culture and Mysticism in the Nineteenth Century Convent. British Catholic History. 35 (2), pp. 1-31. https://doi.org/10.1017/bch.2020.18

Pucill, S. 2023. 'Between Women, British Experimental filmmakers in 1990s' curated by Sarah Pucill and Karola Gramman at Frankfurt Experimental Film Festival Sept 2023.

Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.

Pucill, S. 2021. 'Confessions to the Mirror' (16mm, col 68min 2016) . Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Lodhi, A. 2018. 'Countries in the Air': Travel and Geomodernism in Louis MacNeice's BBC Features. Media History. 24 (2), pp. 226-238. https://doi.org/10.1080/13688804.2018.1471349

Pucill, S. 2023. 'Double Exposure' 16mm+Digital, col+bw, 27min, 2023.

Pucill, S. 2023. 'Double Exposure' 16mm+Digital, col+bw, 27min, 2023 premiere at the Frankfurt Experimental Film Festival.

Pucill, S. 2023. 'Double Exposure' 16mm+Digital, col+bw, 27min, UK premiere of the film was at Danielle Arnaud Gallery, London, December 2023, with a Q+A with the writer and curator Helena Reckitt.

McNicholas, A. 2005. 'EastEnders' and the manufacture of celebrity. Westminster Papers in Communication and Culture. 2 (2), pp. 22-36.

Geros, C. 2019. 'Emergent and Erratic: Monsoonal Transmogrification of Land, Air and Sea. Milan, Italy 01 Mar - 01 Sep 2019