Creative Arts and Technologies

Martin, A., Hesselgren, L. and Medjdoub, B. 2016. PLP Architecture Accessing the Future. in: Hensel, M. and Nilsson, F. (ed.) The Changing Shape of Practice: Integrating Research and Design in Architecture Routledge. pp. 61-73

Thompson, Shirley 2016. Diversity in Classical Music Composition. Diversity in Classical Music. 19 Oct 2016 - 19 Aug 2017

Thompson, Shirley 2016. The Franklin Effect - CD.

Thompson, Shirley 2016. Life Sequences: Machinery of Replication and Random Sequences. STM Productions.

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

El Hajjar, A. 2016. Securing the Internet of Things Devices Using Pre-Distributed Keys. 2016 IEEE International Conference on Cloud Engineering Workshop (IC2EW). Berlin, Germany 04 - 08 Apr 2016 IEEE . https://doi.org/10.1109/IC2EW.2016.22

El Hajjar, A., Roussos, G. and Paterson, M. 2016. On the Performance of Key Pre-distribution for RPL-based IoT Networks. Interoperability, Safety and Security in IoT. Paris, France 26 - 27 Oct 2016 Springer. https://doi.org/10.1007/978-3-319-52727-7_9

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

Orlow, U. 2016. Geraniums Are Never Red.

Orlow, U. 2016. The Fairest Heritage.

Orlow, U. 2016. The Memory of Trees.

Orlow, U. 2016. What Plants Were Called Before They Had A Name.

Orlow, U. 2016. The Crown against Mafavuke.

Orlow, U. 2016. Theatrum Botanicum. London

Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

Goodwin, P. 2016. Political Economy of Broadcasting: The Legacy of the Peacock Report on Financing the BBC. in: Rizzo, I. and Towse, R. (ed.) The Artful Economist: A New Look at Cultural Economics Switzerland Springer. pp. 67-87

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Campany, D. 2016. A Question of Finish: thoughts on the work of Jeff Cowen. in: Jeff Cowen: Photoworks Cologne, Germany Konig.

Campany, D. 2016. The Given Image. in: Trosch, J. and Bosshard, M. (ed.) John Stezaker: Unassisted Readymade Zurich, Switzerland JRP/Ringier.

Campany, D. 2016. Doomed to See. in: Blank Cologne, Germany Hatje Cantz.

Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.

Neville, M. Campany, D. (ed.) 2016. Mark Neville: Fancy Pictures. Gottingen, Germany Steidl Verlag.

Campany, D. 2016. Walker Evans: Anonymous and Ingognito. in: Zander, T. (ed.) Walker Evans: Labor Anonymous Cologne, Germany Konig.

Campany, D. 2016. Light and Dark Chambers. in: Intimate Distance New York Aperture Foundation, Inc..

Campany, D. and Braden, P. 2016. Adventures in the Lea Valley. London Hoxton Mini Press.

Campany, D. 2016. Walker Evans. New York, New York, USA Aperture Foundation, Inc..

Ross, J. 2016. Game Play: Artists playing video games. Art Cinema OFFoff 14 - 14 Nov 2016

Ross, J. 2016. Cosmos - Takashi Makino. London Gallery West 22 Jan - 21 Feb 2016

Ross, J. 2016. Fluorescent Chrysanthemum. ICA, London 04 Oct - 27 Nov 2016

Ross, J. 2016. STILL MOVING – Een expositie van diafilms. Art Cinema OFFoff, Ghent, as part of Film Fest Gent 11 - 21 Oct 2016

Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema in the Time of Pop. Tate Modern 22 - 24 Jan 2016

Ross, J. 2016. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals. in: De Luca, T. and Jorge, N. Barradas (ed.) Slow Cinema Edinburgh, Scotland Edinburgh University Press. pp. 261-272

Ross, J. 2016. Pafōmansu to shite no ekusupande'do cinema. in: American Avant-Garde Movies Japan Shinwasha. pp. 161-181