Creative Arts and Technologies

Squires, K. 2022. Masked Man Eats Alphabetti Spaghetti. Trade's Hall, Walthamstow, London 24 Feb 2002

Watson, V.A. 2022. Puffer Tank. London

Evan Carl Pugh, Lincoln Geraghty, David Garland, Van Norris and Alexander John Sergeant 2022. Pop Matters: Episode 1, "Disney's Marvel Series and the MCU".

Orlow, U. 2022. Tori Bari (After Yellow).

Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Watson, V.A. 2022. SCREEN WALL. London Doctor Watson Architects.

Watson, V.A. 2022. TAFURI (DIGITAL). London

Watson, V.A. 2022. TAFURI (LIVE). London Doctor Watson Architects.

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Griffiths, S. 2022. The Blue House Extension, ReModelling and Refurbishment. Architects Journal, The Observer, Dezeen.

Salvador Pinto, I. and Francis Vincent, J. 2022. Redefining Cities and Architecture for adapting to change. in: RIBA (ed.) RIBA Presidents Awards for Research 2020-21 RIBA.

Yota Adilenidou 2022. IntraGothic XS to XL From microLab to macroCity. TRAITS of Postdigital Neobarogue Conference. Obergurgl, Austria 07 - 09 Dec 2022

Sumita Singha and Arianna Scaioli 2022. The Gendered City. SPACE International Journal of Space Studies in Architecture and Urban Design. 3 (1), pp. 23-34. https://doi.org/10.51596/sjp2022.v3i1a3

Louise Rondel and Emma Jackson 2022. Wading into research: Thinking with and in the river Quaggy. The Sociological Review Magazine. https://doi.org/10.51428/tsr.kprh9367

Campbell, A. 2022. Crap Publication – Issue 1: White Socks. PARC London.

Verlinghieri, E., Boodoo, A. and Aldred, R. 2022. Nobody Left Behind: Envisioning inclusive cities in a low-car future. London Possible.

Dr, Nasser Golzari 2022. Urban inclusion in Middle Eastern cities. The Global Sustainable Technology & Innovation Community.

Schultz, M., Soolaki, M., Michler, O. and Itoh, E. 2022. Reduced Transmission Risks for Passenger Operations During COVID-19 Pandemic. 33rd Congress of the International Council of the Aeronautical Sciences (ICAS 2022). Stockholm 04 - 09 Sep 2022

Katerina Cizek, William Uricchio, Juanita Anderson, Maria Agui Carter, Detroit Narrative Agency, Thomas Allen Harris, Maori Karmael Holmes, Richard Lachman, Louis Massiah, Cara Mertes, Sara Rafsky, Michèle Stephenson, Amelia Winger-Bearskin and Sarah Wolozin 2022. Collective Wisdom: Co-Creating Media for Equity and Justice. MIT Press.

Jones, C.W. 2022. Can the advertising process be decolonised in order to remove racist messaging? A work in progress. itinerant space: a journal of art, design and communication research practices. 1 (1).

King-Le Chang and Associates, ZHA Project Team: Izis Salvador Pinto et al. 2022. Yulon Group - New Taipei City Development. King-Le Chang & Associates.

Brown, L. 2022. Script Development on Unscripted Television: Grand Designs & The Spectacle of the Reveal. in: Taylor, S. and Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 71-86

Brown, L., Davies, R. and Oyebanjo, F. 2022. Recognising and Addressing Unconscious Bias and Structural Inequalities: A Case Study Within Television Idea Development. Alphaville: Journal of Film and Screen Media. 24, pp. 97-117. https://doi.org/10.33178/alpha.24.06

Brown, L. 2022. Working together: Uniting screen educators and industry to support gender equality inside the academy and beyond. Non Traditional Research Outcomes. 40.

Brown, L. 2022. Female Editors - a New Frontier.

Jane Barnwell 2022. The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson). in: Production Design & the Cinematic Home Springer Nature. pp. 151-170

Jane Barnwell 2022. Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood). in: Production Design & the Cinematic Home Springer Nature. pp. 129-150

Jane Barnwell 2022. Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? in: Production Design & the Cinematic Home Springer Nature. pp. 111-128

Jane Barnwell 2022. Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential. in: Production Design & the Cinematic Home Springer Nature. pp. 89-110

Jane Barnwell 2022. Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape. in: Production Design & the Cinematic Home Springer Nature. pp. 67-87

Jane Barnwell 2022. Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun). in: Production Design & the Cinematic Home Springer Nature. pp. 23-44

Jane Barnwell 2022. Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith). in: Production Design & the Cinematic Home Springer Nature. pp. 45-65

Xin, X. 2022. Contextualising Soft Power in China. International Association for Media and Communication Research (IAMCR) 2022. (online), hosted by Tsinghua University, Beijing, China 11 - 15 Jul 2022

Smith, A. and Mair, J. (ed.) 2022. Events and Sustainability: Can Events Make Places More Inclusive, Resilient and Sustainable? Routledge.

Dormor, C. 2022. Frayed & Fraying: textile actions and the edges of belonging. in: Sliwinska, B. and Dormor, C. (ed.) Transnational Belonging and Female Agency in the Arts London Bloomsbury Academic. pp. 17-38

Ramalhinho, J., Koo, B., Montaña-Brown, N., Saeed, S.U., Bonmati Coll, E., Gurusamy, K., Pereira, S.P., Davidson, B., Hu, Y. and Clarkson, M.J. 2022. Deep hashing for global registration of untracked 2D laparoscopic ultrasound to CT. International Journal of Computer Assisted Radiology and Surgery. 17, pp. 1461-1468. https://doi.org/10.1007/s11548-022-02605-3

Gemma Padley and Mitra Tabrizian 2022. Interview: Mitra Tabrizian and the art of realism. RPS Journal.

Tabrizian, M. 2022. The Silence of Numbers. in: Collage: Women of Prix Pictet since 2008 Gestalten.