Gender, Human Rights and Water Governance in Indonesia
Where now for interactive sound and music?
Can we create an artefact of a piece of interactive audio?
Is interactive sound and music ever finished?
How can you make interaction a meaningful part of the work?
How do you compose for multiple possibilities?
How do audience expectations change in an interactive space?
Is it actually interactive and does it actually matter?
A User-Driven Prioritisation Process implementation and optimisation for ATFM hotspot resolution
The Flood that Never Came: Court of Justice Case Law on Victims’ Rights
The North-West Manchester By-Election 1908
Introduction: Global Photographies and Questions of Cultural Translation
The Routledge Companion to Global Photographies
Il diritto internazionale umanitario si preoccupa di prevenire o ridurre la povertà?
Sustainable mega event legacies
Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema
Interactive Sound and Music: Beyond Pressing Play
Fantasy or reality? Unveiling the power of realistic narratives in tourism social media advertising
Another Approach to Decoloniality is Possible
Race in the Anthropocene: Coloniality, Disavowal and the Black Horizon
The Sweeney – Library Music Use, Re-use and Cultural Association in the British TV Police Procedural
The Museum Accessibility Spectrum: Re-imagining access and inclusion
The City as Marginalized Space: A History of the Urban in Chinese Socialist Animation (1950s-80s)
Case Study Research on Innovation Systems: Paradox, Dialectical Analysis and Resolution
Geopolitical risk and energy prices
The Speaker Is Being Impolite. How Is the Interpreter Interpreting That?
Mocking the Border: Strategies of Creative Resistance through the Digital
Contemporary Kashmiris and Kurds: Conflict and Coloniality
Language and national identity in Palestine: representation of power and resistance in Gaza
Human Security and International Law: the role of the United Nations