Head | Prof Janet Jones |
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Duignan, M. and Pappalepore, Ilaria 2023. How do Olympic cities strategically leverage New Urban Tourism? Evidence from Tokyo. Tourism Geographies. 25 (2-3), pp. 425-449. https://doi.org/10.1080/14616688.2021.1895296
Sakr, N. 2023. Purposes and practices of MENA television: Components of an ever-evolving medium . in: Gholam, K. and Guaaybess, T. (ed.) The Handbook of Media and Culture in the Middle East Hoboken, NJ Wiley.
Saleem, S. 2023. The mosque and the nation. in: Pandya, S. (ed.) After Belonging: Architecture, Nation, Difference Taylor & Francis.
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022
Lodhi, A. 2022. Reclaiming a Lost Past: Black British Women, Visibility and the BBC. https://canvas-story.bbcrewind.co.uk/reclaiming/
Reddington, J. 2022. How Artists are Using Music NFTs to Build Active Communities.
Stewart, K. 2022. The Horror Show. Somserset House, London 27 Oct 2022 - 19 Feb 2023
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London
Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London
Boon, H. 2022. Sound Based Music Design Demonstration. London
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London
Sprecher, Danielle 2022. Curating Semi-Synthetic and Synthetic Fibres and Fabrics 2022. Dress and Textile Specialists.
Borna, M., Woloshynowych, M., Schiano-Phan, R., Volpi, E. and Usman, M. 2022. A correlational analysis of COVID-19 incidence and mortality and urban determinants of vitamin D status across the London boroughs. Scientific Reports. 12 (1) 11741. https://doi.org/10.1038/s41598-022-15664-y
Zhang, J. 2022. British Museum of Decolonized Nature. Royal Academy 21 Jun - 21 Aug 2022
Atanaskovic, Aleksandar, Malec-Ilic, Natasa and Budimir, Djuradj 2022. Linearization of the 5G power amplifier below 6 GHz by DPD Compensation technique. 2022 57th International Scientific Conference on Information, Communication and Energy Systems and Technologies (ICEST). https://doi.org/10.1109/icest55168.2022.9828580
Lodhi, A. 2022. The Conversation Continues: We Are Still Listening (with Trevor Mathison). Stuart Hall Foundation
Hermes, K. 2022. Machines on Stage: Approaches to Performing Electronic Music Live. Audio Engineering Society.
Hort, P. 2022. Fragments and Annotations. Archives and Imaginaries exhibition, HKW Berlin, March 24th to April 28th 2022
Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022
Smith, A. 2022. Festivity and Inclusivity: Latino Life in the Park.
Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.
Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022
Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.
Griffiths, S. 2022. The Blue House Extension, ReModelling and Refurbishment. Architects Journal, The Observer, Dezeen.
Bennett-Cook, Ross 2022. Neocolonialism. in: Dimitrios Buhalis (ed.) Encyclopedia of Tourism Management and Marketing London Edward Elgar.